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“Mizraab” – A Tabloid to vent the Creative Expressions of Young minds of Kashmir

"Mizraab" is not only about art, literature and culture, it includes satire and showcases conflict as well.

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Image Source: Kashmir Observer
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  • The first issue of the 16-page fortnightly “Mizraab”, funded by local newspaper “Kashmir Observer”, is a collection of writings, illustrations and poetry done by students
  • “Mizraab” is not only about art, literature and culture, it includes satire and showcases conflict as well
  • She said she got 2,500 copies printed for the first edition. All of them were distributed to students free of cost

In search of space for political dissent in the trouble-torn Kashmir Valley, 23-year-old Saba Nazki and a bunch of youths have started a tabloid — “Mizraab” — exclusively for students to give vent to their creative expressions in the form of stories and illustrations.

When Nazki flew back in 2014 after completing her graduation from Delhi University in English honors, she said there was “no space” in the Valley for intellectual creativity as existed in the national capital where art, theatre and writing used to be her daily fare.

The first issue of the 16-page fortnightly “Mizraab”, funded by local newspaper “Kashmir Observer”, is a collection of students’ writings, illustrations and poetry.

“Kashmir not only has beautiful landscapes but is also rich in terms of art and literature. And it is so unfortunate that we do not have any space for expression. Kashmir is poetic. Students here need polishing and a platform for expression. Thus, Mizraab,” Nazki, who never intended to be a journalist, told IANS.

Titled appropriately, “Mizraab”, a Persian-origin Urdu name for fiddle-stick or the plectrum with which musical instruments like the sitar or rabaab are played, is a platform to stir the hidden creative minds of the valley.

“Mizraab for me is to instigate art and channelize intellectual space. In Kashmir, even student politics is mostly banned. We need to create our own space,” said Nazki, the founding editor.

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Pursuing her masters in English literature from Kashmir University, Nazki has involved fellow students, invoking in them the sense of writing.

The first edition published earlier this month is a mix of Kashmir’s art, culture, history and linguistic treasure. For example a column, “With Love, To Aga Shahid Ali”, remembers the life and works of the renowned Kashmiri-American poet.

It also has illustrations by students of music and fine arts. There is a column called “Til-waer”, which literally means an oil-dispenser, but is a phrase in Kashmir used for a woman who wanders from door-to-door.

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Image Source: Kashmir Observer

“Tilwaer” will be a collection of words and brain-picking idioms and phrases no longer used in spoken Kashmiri. The idea is to recollect “with a tinge of sarcasm, humour and wit” the lost linguistic treasure of Kashmir.

“Dancing in Wilderness — of longings, divinity and catharisis” creates a link between Kashmir’s ancient women poets like Lalla Ded and Habba Khatoon and their present-day counterparts like Naseem Shafai — the first Kashmiri woman to win the Sahitya Akademi Award in 2011.

However, Nazki said the tabloid is not only about art, literature and culture.

“Art and culture is only the prism. I intend to showcase Kashmir’s life in various ways,” she said, adding that the tabloid uses art as a metaphor. “It includes satire and showcases conflict as well.”

She said she got 2,500 copies printed for the first edition. All of them were distributed to students free of cost. But from the next edition, each copy will be priced at Rs 5.(Source:IANS)

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  • Vrushali Mahajan

    There should be more such inspirational steps taken by the people of Kashmir to encourage them and fight terrorism as a whole. Art, literature a way of changing people’s minds in a good way.

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Harivansh Rai Bachchan: An Unforgettable Name

"Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay"

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Harivansh Rai Bachchan, a Padhma Bhushan awardee for his contribution in Hindi Literature. Pexels
Harivansh Rai Bachchan, a Padhma Bhushan awardee for his contribution in Hindi Literature. Pexels

Harivansh Rai Bachchan, a poet. That’s what most of us know other than the fact that he was the father of Amitabh Bachchan. However, he was more than that.

He was born in Allahabad, British India on 27 November 1907 to a Kayastha family. Being the second Indian to get his doctorate in English literature from Cambridge, he had also served in All India Radio. After which he was working in the External Affairs Minister, during these ten years, he was majorly associated with the evolution of Hindi as the official language. In 1966, he was also nominated to the Rajya Sabha.

Bachchan is still known as a person who enriched Hindi through his translations of major works. Omar Khayyam’s Rubaiyat, Shakespeare’s Machbeth and Othello and even the Bhagvad Gita.

Honored with Padma Bhushan for his lasting contribution to Hindi literature, with Saraswati Samman for his four volume autobiography, the Sovietland Nehru Award and the Lotus Aware for his unique work in the world of letters, his most famous poem is one his early works ‘Madhushala’. He was famous as a rebellious poet of Nayi Kavita literary movement.

He was famous as a rebellious poet of Nayi Kavita literary movement. Pixels
He was famous as a rebellious poet of Nayi Kavita literary movement. Pixels

Poems by Harivansh Rai Bachchan

1. Madhushala

“मृदु भावों के अंगूरों की आज बना लाया हाला,
प्रियतम, अपने ही हाथों से आज पिलाऊँगा प्याला,
पहले भोग लगा लूँ तेरा फिर प्रसाद जग पाएगा,
सबसे पहले तेरा स्वागत करती मेरी मधुशाला।।१।”

2. Agnipath

“तू न थकेगा कभी,
तू न रुकेगा कभी,
तू न मुड़ेगा कभी,
कर शपथ, कर शपथ, कर शपथ,
अग्निपथ अग्निपथ अग्निपथ।”

3. Ruke Na Tu

“धनुष उठा, प्रहार कर
तू सबसे पहला वार कर
अग्नि सी धधक–धधक
हिरन सी सजग सजग
सिंह सी दहाड़ कर
शंख सी पुकार कर

रुके न तू, थके न तू
झुके न तू, थमे न तू”

He used to introduce himself by saying- Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay. Pixabay
He used to introduce himself by saying- Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay. Pixabay

4. Poorv Chalne Ke Batohi

“पुस्तकों में है नहीं छापी गई इसकी कहानी,
हाल इसका ज्ञात होता है न औरों की ज़बानी,
अनगिनत राही गए इस राह से, उनका पता क्या,
पर गए कुछ लोग इस पर छोड़ पैरों की निशानी,
यह निशानी मूक होकर भी बहुत कुछ बोलती है,
खोल इसका अर्थ, पंथी, पंथ का अनुमान कर ले।
पूर्व चलने के बटोही, बाट की पहचान कर ले।”

5. Kya Karu Samvedna Lekar Tumhari

“मैं दुखी जब-जब हुआ
संवेदना तुमने दिखाई,
मैं कृतज्ञ हुआ हमेशा,
रीति दोनो ने निभाई,
किन्तु इस आभार का अब
हो उठा है बोझ भारी;
क्या करूँ संवेदना लेकर तुम्हारी?
क्या करूँ?”

6. Koshish Karne Waalon Ki Har Nahi Hoti

“लहरों से डर कर नौका पार नहीं होती
हिम्मत करने वालों की हार नहीं होती

नन्ही चींटी जब दाना लेकर चलती है
चढ़ती दीवारों पर सौ बार फिसलती है
मन का विश्वास रगों में साहस भरता है
चढ़ कर गिरना, गिर कर चढ़ना न अखरता है
आखिर उसकी मेहनत बेकार नहीं होती
कोशिश करने वालों की हार नहीं होती”

7. Vishwa Sara So Raha Hai

“हैं विचरते स्वप्न सुंदर,
किंतु इनका संग तजकर,
व्योम–व्यापी शून्यता का कौन साथी हो रहा है?
विश्व सारा सो रहा है!

भूमि पर सर सरित् निर्झर,
किंतु इनसे दूर जाकर,
कौन अपने घाव अंबर की नदी में धो रहा है?
विश्व सारा सो रहा है!”

His pen was a mighty one in the world of Hindi Literature. Pixabay
His pen was a mighty one in the world of Hindi Literature. Pixabay

8. Teer Par Kaise Ruku

तीर पर कैसे रुकूँ मैं, आज लहरों में निमंत्रण!
रात का अंतिम प्रहर है, झिलमिलाते हैं सितारे,
वक्ष पर युग बाहु बाँधे, मैं खड़ा सागर किनारे
वेग से बहता प्रभंजन, केश-पट मेरे उड़ाता,
शून्य में भरता उदधि-उर की रहस्यमयी पुकारें,

इन पुकारों की प्रतिध्वनि, हो रही मेरे हृदय में,

है प्रतिच्छायित जहाँ पर, सिंधु का हिल्लोल – कंपन!
तीर पर कैसे रुकूँ मैं,आज लहरों में निमंत्रण!

9. Dekho Toot Raha Hai Tara

“नभ के सीमाहीन पटल पर
एक चमकती रेखा चलकर
लुप्त शून्य में होती-बुझता एक निशा का दीप दुलारा।
देखो, टूट रहा है तारा।”

10. Mujhe Pukar Lo

“इसीलिए खड़ा रहा कि तुम मुझे पुकार लो!

ज़मीन है न बोलती न आसमान बोलता,
जहान देखकर मुझे नहीं जबान खोलता,
नहीं जगह कहीं जहाँ न अजनबी गिना गया,
कहाँ-कहाँ न फिर चुका दिमाग-दिल टटोलता,
कहाँ मनुष्य है कि जो उमीद छोड़कर जिया,
इसीलिए खड़ा रहा कि तुम मुझे पुकार लो”