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Fan interest is essential for an actor: Amitabh Bachchan

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New Delhi: Bollywood megastar Amitabh Bachchan or Big B, who at 73, attracts fans in profusion wherever he goes, said that they are an “essential” part of an actor’s career. A thrill of fans still gathers outside the gate of his Mumbai bungalow pratiksha every Sunday morning. He has the maximum followers on Twitter for an Indian and has a burgeoning “extended family” of those who read his blog.

The actor, who has spent over four decades in the film industry, often shares instances of how his fans end up getting either amused or startled if he’s travelling in the same airplane as them; or of the exhilaration that they experience upon clicking selfies with him; and more.

But Amitabh, a globally popular face from Bollywood and one who has admirers across the world, brushes it off as just a result of ‘celebrity’ status.

“I think this would happen to anyone that has claims to being a celebrity. There is nothing wrong in it or objectionable. Fan interest is essential for an actor. They make us who we are. Giving them attention or getting it from them is justifiable,” Amitabh said.

That has been an ongoing phenomenon throughout his career.

It’s interesting how the actor has been experimenting with his driving skills — whether it’s riding a bicycle for “Piku”, a scooter for “Te3n” or even a ‘tuk-tuk’ for leisure. But he says the best drive for him has been his 45-year-long journey in showbiz.

Asked to share his best driving memory, the three-time National Award winner, said: “Driving memories? 45 years in the film industry have been a wonderful drive!”

And why not? Best known for his roles in films like “Anand”, “Agneepath”, “Namak Haraam”, “Don”, “Hum”, “Zanjeer”, “Black” and “Paa” to name a few, Amitabh has regaled Hindi film buffs as much with his ‘angry young man’ avatar as in romantic avatars; as much as in intensely dramatic roles, as those with a comical streak.

From essaying a 12-year-old boy Auro in “Paa”; a friendly ghost in “Bhoothnath Returns”; a failed actor and drunkard in “Shamitabh”; and a grumpy father in “Piku” – these are a few of his recent portrayals on the silver screen that have been a window to Amitabh’s talent, which has not faded, but only enhanced with age.

“At my age, this is the best that can come my way and one should be thankful and grateful that there is work available at this time of my career,” said the son of late poet Harivansh Rai Bachchan and Teji Bachchan.

The experience of facing the camera, he says, has not changed.

“Every day is an experience for me. Filmmaking has only one gospel – the sound of ‘Start sound’, ‘camera’, ‘clap’, ‘action’… And you better get it right after hearing those words,” he said.

Adding more versatility to his filmography comes “Wazir”, which features Amitabh as a paralysed chess grandmaster, confined to a wheelchair.

He said the wheelchair made matters “a lot easier”.

“I did not have to worry where to keep my hands… Hehe.. But seriously, though it was great to be able to portray a character I had never done before,” said Amitabh, who said the preparations for the role weren’t too many.

It’s a project that Amitabh readily said “yes” to, especially since it was an idea that filmmaker Vidhu Vinod Chopra — whom he describes as an “astute producer” — had narrated to him around 15 years ago and he had liked it.

Now that the film is ready to hit theatres on Friday, Amitabh describes it as a “smart and modern film, unique in its structure and presentation.”

“And, yes, this one has been made most sensitively as well. It’s intelligent and swift-paced,” added the actor, who has also sung a track titled “Atrangi yaari” along with co-star Farhan Akhtar for the Bejoy Nambiar directorial.

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Harivansh Rai Bachchan: An Unforgettable Name

"Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay"

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Harivansh Rai Bachchan, a Padhma Bhushan awardee for his contribution in Hindi Literature. Pexels
Harivansh Rai Bachchan, a Padhma Bhushan awardee for his contribution in Hindi Literature. Pexels

Harivansh Rai Bachchan, a poet. That’s what most of us know other than the fact that he was the father of Amitabh Bachchan. However, he was more than that.

He was born in Allahabad, British India on 27 November 1907 to a Kayastha family. Being the second Indian to get his doctorate in English literature from Cambridge, he had also served in All India Radio. After which he was working in the External Affairs Minister, during these ten years, he was majorly associated with the evolution of Hindi as the official language. In 1966, he was also nominated to the Rajya Sabha.

Bachchan is still known as a person who enriched Hindi through his translations of major works. Omar Khayyam’s Rubaiyat, Shakespeare’s Machbeth and Othello and even the Bhagvad Gita.

Honored with Padma Bhushan for his lasting contribution to Hindi literature, with Saraswati Samman for his four volume autobiography, the Sovietland Nehru Award and the Lotus Aware for his unique work in the world of letters, his most famous poem is one his early works ‘Madhushala’. He was famous as a rebellious poet of Nayi Kavita literary movement.

He was famous as a rebellious poet of Nayi Kavita literary movement. Pixels
He was famous as a rebellious poet of Nayi Kavita literary movement. Pixels

Poems by Harivansh Rai Bachchan

1. Madhushala

“मृदु भावों के अंगूरों की आज बना लाया हाला,
प्रियतम, अपने ही हाथों से आज पिलाऊँगा प्याला,
पहले भोग लगा लूँ तेरा फिर प्रसाद जग पाएगा,
सबसे पहले तेरा स्वागत करती मेरी मधुशाला।।१।”

2. Agnipath

“तू न थकेगा कभी,
तू न रुकेगा कभी,
तू न मुड़ेगा कभी,
कर शपथ, कर शपथ, कर शपथ,
अग्निपथ अग्निपथ अग्निपथ।”

3. Ruke Na Tu

“धनुष उठा, प्रहार कर
तू सबसे पहला वार कर
अग्नि सी धधक–धधक
हिरन सी सजग सजग
सिंह सी दहाड़ कर
शंख सी पुकार कर

रुके न तू, थके न तू
झुके न तू, थमे न तू”

He used to introduce himself by saying- Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay. Pixabay
He used to introduce himself by saying- Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay. Pixabay

4. Poorv Chalne Ke Batohi

“पुस्तकों में है नहीं छापी गई इसकी कहानी,
हाल इसका ज्ञात होता है न औरों की ज़बानी,
अनगिनत राही गए इस राह से, उनका पता क्या,
पर गए कुछ लोग इस पर छोड़ पैरों की निशानी,
यह निशानी मूक होकर भी बहुत कुछ बोलती है,
खोल इसका अर्थ, पंथी, पंथ का अनुमान कर ले।
पूर्व चलने के बटोही, बाट की पहचान कर ले।”

5. Kya Karu Samvedna Lekar Tumhari

“मैं दुखी जब-जब हुआ
संवेदना तुमने दिखाई,
मैं कृतज्ञ हुआ हमेशा,
रीति दोनो ने निभाई,
किन्तु इस आभार का अब
हो उठा है बोझ भारी;
क्या करूँ संवेदना लेकर तुम्हारी?
क्या करूँ?”

6. Koshish Karne Waalon Ki Har Nahi Hoti

“लहरों से डर कर नौका पार नहीं होती
हिम्मत करने वालों की हार नहीं होती

नन्ही चींटी जब दाना लेकर चलती है
चढ़ती दीवारों पर सौ बार फिसलती है
मन का विश्वास रगों में साहस भरता है
चढ़ कर गिरना, गिर कर चढ़ना न अखरता है
आखिर उसकी मेहनत बेकार नहीं होती
कोशिश करने वालों की हार नहीं होती”

7. Vishwa Sara So Raha Hai

“हैं विचरते स्वप्न सुंदर,
किंतु इनका संग तजकर,
व्योम–व्यापी शून्यता का कौन साथी हो रहा है?
विश्व सारा सो रहा है!

भूमि पर सर सरित् निर्झर,
किंतु इनसे दूर जाकर,
कौन अपने घाव अंबर की नदी में धो रहा है?
विश्व सारा सो रहा है!”

His pen was a mighty one in the world of Hindi Literature. Pixabay
His pen was a mighty one in the world of Hindi Literature. Pixabay

8. Teer Par Kaise Ruku

तीर पर कैसे रुकूँ मैं, आज लहरों में निमंत्रण!
रात का अंतिम प्रहर है, झिलमिलाते हैं सितारे,
वक्ष पर युग बाहु बाँधे, मैं खड़ा सागर किनारे
वेग से बहता प्रभंजन, केश-पट मेरे उड़ाता,
शून्य में भरता उदधि-उर की रहस्यमयी पुकारें,

इन पुकारों की प्रतिध्वनि, हो रही मेरे हृदय में,

है प्रतिच्छायित जहाँ पर, सिंधु का हिल्लोल – कंपन!
तीर पर कैसे रुकूँ मैं,आज लहरों में निमंत्रण!

9. Dekho Toot Raha Hai Tara

“नभ के सीमाहीन पटल पर
एक चमकती रेखा चलकर
लुप्त शून्य में होती-बुझता एक निशा का दीप दुलारा।
देखो, टूट रहा है तारा।”

10. Mujhe Pukar Lo

“इसीलिए खड़ा रहा कि तुम मुझे पुकार लो!

ज़मीन है न बोलती न आसमान बोलता,
जहान देखकर मुझे नहीं जबान खोलता,
नहीं जगह कहीं जहाँ न अजनबी गिना गया,
कहाँ-कहाँ न फिर चुका दिमाग-दिल टटोलता,
कहाँ मनुष्य है कि जो उमीद छोड़कर जिया,
इसीलिए खड़ा रहा कि तुम मुझे पुकार लो”