Lucknow, May 18, 2017: On a day he was to celebrate his 36th birthday with his family in Uttar Pradesh’s Bahraich, Karnataka cadre IAS officer Anurag Tiwari was found dead here under mysterious circumstances on Wednesday, police said. His body was found on a roadside here.
His inconsolable parents, who live in Kanungopura area in Bahraich, told the steady stream of visitors and relatives that they had organized a ‘Mahamrityunjaya Jaap’ for their son’s long life on his birthday when the news of his death reached them.
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Tiwari, posted as the Food and Civil Supplies commissioner in Bengaluru, had come here on Tuesday and a room for him was booked at the VIP guest house on Mirabai road by his batchmate P.N. Singh, who currently Vice Chairman of the Lucknow Development Authority.
His father B.N. Tiwari kept on mumbling that his son’s life has been snatched by someone. A retired physics professor at a local college, he however did not name any suspects. Anurag Tiwari was youngest of the three brothers and was selected in the IAS in 2007. He had married Arunima Pathak in 2008 in Kanpur but the couple separated within a month and later settled for a mutual divorce.
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Family members said they did not suspect any role of their daughter-in-law in the death of their son but said that this could be the handiwork of some corrupt people in Karnataka, whose life had been made miserable by their honest son. Police so far has not said anything conclusively on the possible reasons behind the death of the young bureaucrat.
There was a injury mark on Tiwari’s chin and some blood was found on the spot where the body was found but there were no other injury marks. Tiwari apparently went for a morning walk when he collapsed, near the guest house, police said.
Police Inspector A.K. Shahi told IANS that the exact cause of the death would only be ascertained after post-mortem. Tiwari had earlier served as Deputy Commissioner of Bidar, Assistant Commissioner of Madhugiri, Deputy Commissioner of Kodagu and Deputy Secretary, Finance, in Karnataka. (IANS)
Handicrafts are the products which are mostly made by hand.
The history of Indian handicrafts can be divided into three eras: Pre British, British era, and Post Independence.
Clay craft is the earliest form of crafts to have existed in India.
New Delhi, September 28, 2017: Handicrafts in India have a long history. From ancient to the contemporary times, handcrafters have preserved this art. This art has been passed on from one generation to the next. Pottery making, in fact, is one of its forms, whose existence can be traced back to the Harappan Civilization.
What are handicrafts?
Handicrafts are products that are produced either completely by hands or involve tools. Mechanical tools could also be used as long as the manual contribution of the artisan remains the central component of the produced object. The production of these crafts require great skill and represents a particular expression, culture or tradition. Handicrafts could hold a number of values, some of them being aesthetic, cultural, decorative, utilitarian, religious, functional etc.
Historical Perspective of Indian Handicrafts:
To understand the historical perspective of Indian handicrafts, we need to go back in time. Let’s take a look at the development and decline of the artisanal production under three different time periods: before the arrival of British in India, Under colonial rule, and after India got independence.
History of Indian Handicrafts Before the arrival of British:
Art and crafts, as we have already mentioned, has been a tradition in India since long. Textiles, the most important of the Indian handicrafts, reached the zenith of perfection during the Mughal period. While under Mughals, it was the art of weaving and silk spinning that scored refinement; it was metal works, ivory works and jewelry that reached great potential during the Gupta period. The handicrafts production during that time can be divided in four broad categories. The first category dealt with the village economy under the jajmani system, in which the products were articles of daily use. The second category was integrated with the urban areas, where artisans produced crafts mainly for the purpose of sale. The third category concerns the dadni system, in which the merchants advanced cash to the artisans for production. The final category includes the Karkhanas, where skilled artisans produced luxury crafts under the command of kings or high nobles. Handicraft production was the second biggest source of employment in the pre-British India.
History of Indian Handicrafts Under Colonial Rule:
Under the British rule, production of Indian Handicrafts faced a rather sharp decline. When the East India Company was in power, it forced monopoly over the production of artisans from Bengal, and the price of these products were fixed 15-40% lower than their actual market price. What came as the biggest blow to the Indian artisans, however, was the removal of most of the Indian princes and nobles, which as an effect, led to the destruction of the artisan’s major market.
History of Indian Handicrafts Post-Independence:
The plight of the artisans and the cultural importance of artisanal production was taken into accord after India got independent. The establishment of All India Handicrafts Board in November 1952, to look at the problems and find solutions concerning Indian Handicrafts; the Handicrafts and Handloom Export Corporation of India Ltd in 1958, to promote handicrafts exports; Opening of Crafts Mueseum in 1953 in Delhi, to develop people’s interest in handmade Indian goods, all alluded to the idea that India had finally realized the importance of its art and crafts, and did not want to leave any stone unturned for its development.
A brief history and development of different form of handicrafts in India:
Clay craft and pottery: Clay craft is the earliest form of crafts to have existed, in India or in the world. A simple earthenware made of clay or ceramic has been created and used by the rural population for centuries. Potters have had an integral traditional link with the villages. The earthen pottery has only been developing, with the addition of new colors, figures of gods and goddesses, and decorative elements like flowers.
Main centers: Uttar Pradesh (Nizamabad and Chinhat), where the pottery is dark black; Bengal which produces large figures of gods, especially on the occasion of Durga Puja; In Kashmir, Srinagar is the place where special glazed pottery is made; Terra-cotta roof tiles are a tradition in Orissa and Martha Pradesh; both Rajasthan and Karnataka are popular for their black pottery; Manipur in the northeast is also famous for its pottery.
Wood craft: Wood craft is widely produced and used throughout the country, with the most important products being household furnitures, carts and decorative objects. Baskets for storage and Toys, both for play and decoration are also made on a large scale.
Main centers: The elegant use of wood by skilled craftsmen can be seen in the houses at Gujrat and Kerala. Kashmir acquires a special position in this category of craft, with the walnut and deodar being the most favorite woods there. Saharanpur in U.P is also quite famous for its wooden furniture and objects of decoration.
Metal craft: Copper was the most widely used metal in India before Iron joined in. Utensils, jewelry, dagger, axe heads etc in the harappan finds suggest that casting of copper objects made use of moulds. Bronze was also an important metal for the artisan production. The skills of craftsmen on metals are of various types, such as embossing, engraving, moulding etc.
Main centers: Kashmir (Srinagar) and Ladakh (Zanskar) are the two main centres. In Uttar Pradesh, Moradabad, Aligarh, Varanasi are the main centres of metal craft. Kerala specializes in the bell metal, whereas Bidar in Karnataka is noted for its Bidri work. Tribal groups in India also appear to hold their specific metal craft traditions.
Stone craft: Stones, without a shadow of doubt, have been there with humans since the earliest. They have been crafted into various products such as tools, decorative objects, sculptures and even jewelry. Statue of Yakshi of Didarganj is one fine piece of stone sculpture and dates back to the Maurya period. Majestic Qutub Minar in Delhi, and forts at Agra, Delhi, Jaipur are all works of stone craft.
Main centers: Rajasthan due to a large availability of stones tops the list of most prominent places for stone works. Salem district in Tamil Nadu also makes it to the list along with Gaya in Bihar. The stone cutters of Orissa also share a long history with the craft.
Ornaments and jewelry: From grass jewelry to that of gold and diamonds, one can witness great diversity when it comes to ornaments and jewelry in India. Gold, gems, silver, diamonds, other metals and precious stones are some materials used for making ornaments. Bones, horns, sea shells, lac, glass etc are also used in many parts of the country to create ornaments. The Harappan finds revealed a number of ornaments, indicating their existence since long. There are many references in Ramayana and Mahabharata of gold being precious objects.
Main centers: Western ghats and Matheran in Maharashtra are noted for grass ornaments. Gujarat and Rajasthan share a rich and long tradition of jewelry. Kashmir is one of the most prominent places, again, with its exquisite jewelry, Varanasi and Awadh of U.P. are famous for gold studded jewelry.
Textiles: India had had one of the richest traditions of textiles made from different raw materials. It won’t be wrong to say that Indian textiles tend to reflect Indian culture and religious beliefs. Bengal was the chief center of cotton production and Carpet weaving reached its zenith at the time of Mughals. The most commonly knows fabrics are cotton, wool and silk. The three main techniques used for patterning are weaving, embroidery and dyes.
Main centers: Orissa and Andhra Pradesh are famous for ikat fabric, Gujarat and Rajasthan for bandhani, U.P. and Bengal for jamdani fabrics. Rajasthan is also noted for Masoria fabric.
-prepared by Samiksha Goel of NewsGram. Twitter @goel_samiksha
Any kind of physical or mental harm towards women is deemed as “crime against women”
Domestic violence is the most dominant crime against women
Andhra Pradesh state is the highest to report crimes against women in the period of ten years
Sep 20, 2017: A report released by the National Crime Records Bureau (NCRB) suggests that crimes against women have increased violently in the last ten years with an estimated figure of 2.24 million crimes. The figure is also suggestive of the fact: 26 crimes against women are reported every hour, or one complaint every two minutes, reports IndiaSpendanalysis.
The most dominant crime against women with 909,713 cases reported in last decade was ‘cruelty by husbands and relatives’ under section 498‐A of Indian Penal Code (IPC).
‘Assault on women’ booked under section 354 of IPC is the second-most-reported crime against women with 470,556 crimes.
‘Kidnapping and abduction of women’ are the third-most-reported crime with 315,074 crimes, followed by ‘rape’ (243,051), ‘insult to modesty of women’ (104,151) and ‘dowry death’ (80,833).
The NCRB report also listed three heads, namely commit rape (4,234), abetment of suicide of women (3,734) and protection of women from domestic violence (426) under which cases of crime against women have been reported in 2014.
Andhra Pradesh has reported the most crimes against women (263,839) over the past 10 years.
Andhra Pradesh state is the highest (263,839) to report crimes against women in the period of ten years. Crimes reported for insult (35,733) ranks first followed by cruelty by husband relatives (117,458), assault on women with intent to outrage her modesty (51,376) and dowry-related deaths (5,364).
West Bengal (239,760) is second most crime against women state followed by Uttar Pradesh (236,456), Rajasthan (188,928) and Madhya Pradesh (175,593).
Abduction increased up to three folds over the recent years, with Uttar Pradesh being the worst affected state. Cases rose from 15,750 cases in 2005 to 57,311 cases in 2014.
Prepared by Naina Mishra of Newsgram. Twitter @Nainamishr94
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On Mahalaya, people throng to the holy river Ganges in order to pay homage to their ancestors and forefathers; which is called ‘Torpon’
Mahalaya remains incomplete without the magical chanting of the scriptural verses from the ‘Chandi Kavya’ that is broadcasted in All India Radio
The magic is induced by the popular Birendra Krishna Bhadra whose voice makes the recitation of the “Chandi Kavya” even more magnificent
Sept 19, 2017: Autumn is the season of the year that sees the Hindus, all geared up to celebrate some of the biggest festivals of India. The festive spirit in the Bengalis all enthused to prepare for the greatest of the festivals, the ‘Durga Puja’.
Mahalaya is the auspicious occasion that marks the beginning of “Devipaksha” and the ending of “Pitripaksha,” and this year it is celebrated on September 19.
Observed exactly a week before the ‘Durga Puja’, Mahalaya is the harbinger of the arrival of Goddess Durga. It is celebrated to invoke the goddess possessing supreme power! The goddess is invited to descend on earth and she is welcomed with devotional songs and holy chants of mantras. On this day, the eye is drawn in the idols of the Goddess by the artisans marking the initiation of “Devipaksha”. Mahalaya arrives and the countdown to the Durga Puja begins!
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The day of Mahalaya bears supreme significance to the Bengalis. The day is immensely important because on this day people throng to the holy river Ganges in order to pay homage to their ancestors and forefathers. Clad in white dhotis, people offer prayers and take dips in the river while praying for their demised dear ones. The ritual is popular as “Torpon”.
As per Hindu myth, on “Devipaksha”, the Gods and the Goddesses began their preparations to celebrate “Mahamaya” or Goddess Durga, who was brought upon by the trinity- Brahma, Vishnu, and Maheshwara; to annihilate the fierce demon king named Mahishasura. The captivating story of the Goddess defeating the demon got popularized with the goddess being revered as “Durgatinashini” or the one who banishes all the evils and miseries of the world. The victory of the Goddess is celebrated as ‘Durga Puja’.
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Mahalaya remains incomplete without the magical chanting of the scriptural verses from the ‘Chandi Kavya’ that is broadcasted at dawn in All India Radio in the form of a marvelous audio montage enthralling the souls of the Bengalis. Presented with wonderful devotional music, acoustic drama, and classical songs- the program is also translated to Hindi and played for the whole pan-Indian listeners.
The program is inseparable from Mahalaya and has been going on for over six decades till date. The magic is induced by the popular Birendra Krishna Bhadra whose voice makes the recitation of the “Chandi Kavya” even more magnificent! He has been a legend and the dawn of Mahalaya turns insipid without the reverberating and enchanting voice of the legendary man.
Mahalaya will keep spreading the magic and setting the vigor of the greatest festival of the Bengalis- the Durga Puja, to worship the supreme Goddess, eternally.