Lucknow: It is undoubtedly the most keenly followed ‘bromance’ of Uttar Pradesh. Every time former Rajya Sabha member Amar Singh meets Samajwadi Party (SP) chief Mulayam Singh Yadav and members of his family, rumour mills work overtime to announce the imminent rapprochement between the one-time inseparable duo.
But despite half a dozen official meetings between the two sides and many secret ones, Amar Singh’s re-entry into the party, where his writ ran till a few years ago, sources say, is no “cake walk”. Having parted ways bitterly and acrimoniously a few years back, senior leaders of the ruling party say re-entry is “neither going to be easy nor welcome”.
“Why should he be brought back into the party fold? He has hurled the choicest expletives on our leadership, has tried all tricks up his sleeve to humiliate and run down the party, labelled us goons and crooks…for most of us, he continues to be a non-political entity and a pariah,” a senior minister in the UP cabinet told IANS pleading anonymity given the sensitive nature of the issue. He, however, in the same breath, admitted that the SP chief had indeed gone ‘mulayam’ (soft) on the wily Thakur.
Sources inform that the nowhere Thakur for now is seeking greener pastures within his one-time alma mater, having failed to get success in all other parties – Congress, BJP where he tried his hands while in political wilderness.
“He has tried to cosy up to almost everyone from Sonia Gandhi to Narendra Modi and had, in fact, unsuccessfully contested the Lok Sabha polls last year on Ajit Singh’s RLD ticket,” said a senior leader, while trying to underline the ‘grasshopper’ tendencies of Amar Singh.
The SP leadership is not only wary of the Thakur but is also circumspect on the “take home” he brings while walking back into the party fold. Known for his networking in Bollywood and the political class while he was with the SP, insiders say Amar Singh has lost his utility for the party.
“Akhilesh Bhaiyya (Chief Minister Akhilesh Yadav and Mulayam Singh Yadav’s son) is much more mature. He has his own set of officials and party leadership to move ahead. I do not see any vacancy for Amar Singh,” a close aide of his chuckled.
Other stumbling blocks in Amar Singh’s entry seemingly are party general secretary Ram Gopal Yadav and minister Mohd Azam Khan, whose hatred for Amar Singh is well-known and documented. The duo, who hold sway over the Yadav chieftain, are bitterly opposed to Amar Singh’s re-entry and are said to be trying their best to stall any such move that is in the offing.
Khan and Ram Gopal were instrumental in getting Amar Singh kicked out of the party. Azam Khan and Ram Gopal, cousin of Mulayam, have in the past called him a “dalaal, pimp and good for nothing”. While the public rant has stopped, apparently at the behest of Mulayam Yadav, the undercurrent against Amar Singh has not diminished. Sources also said that Akhilesh Yadav too is not favourably disposed towards “uncle Amar Singh”.
Amar Singh met Akhilesh, Mulayam and Shivpal this week, but there has been very little headway except for niceties. Amar Singh, on his part, at least does not want to be appearing to prostrate before the Yadav durbar and has maintained that he is “happy” the way he is.
In a conversation a few months ago with this correspondent he said that he was “happy taking a back seat” from public life, spending quality time with his wife and twin daughters and caring for his health after his kidney transplant.
The lure of power and politics are, however, two great temptations, it is said. Only time will tell which way the tides turn in this endless political saga in Uttar Pradesh!
The state of Uttar Pradesh is regarded as an enshrined pilgrimage junction since the inception. Devotees from across the world solicit spirituality by visiting these temples of divine importance. Uttar Pradesh is known for its special attraction especially for the Hindu devotees since it is the birthplace for Vishnu avatars, Lord Ram and Lord Krishna.
Undoubtedly, you must show up at these temples on your visit to Uttar Pradesh and enjoy the majestic beauty, architecture and not miss, the devotional sound of the bells.
The listicle shows you a tour of these famous temples worth giving a visit in Uttar Pradesh.
Built on the outskirts of Vrindavan, the Prem Mandir is dedicated to Lord Krishna. It was structured by the Fifth Jagadguru Shri Kripalu Ji Maharaj. Statues of Lord Krishna and his followers cover the entire temple symbolizing the crucial events of Lord Krishna’s life and birth. The temple is known for its exquisite architecture and the sculptures. Devotees visit the Prem Temple to offer their prayings to Lord Krishna, during Janmashtami and Diwali.
Banke Bihari Temple
The Banke Bihari Temple of Vrindavan is a Hindu temple built by Swami Haridas, the solemn guru of the ancient singer Tansen. The temple is efficiently carved in Rajasthani style. The literal meaning of Banke is “bent in three places” and Bihari means “supreme enjoyer”, which suggests that the main idol Lord Krishna is in a Banke posture or the famous Tribhanga position. It has been claimed that Lord Krishna’s statue was hidden underground by a Hindu priest during the Mughal era. It was Swami Haridas who dreamt of Lord Krishna asking him to release the statue. Swami Haridas dug up the place, found the statue and built a temple for it.
Ram Janma Bhoomi Temple
Although Ayodhya is presumed as the birthplace of Lord Ram, it was in the town of Ram Kot where he was actually born. This temple is known as Ram Janma Bhoomi marking the divine presence of Shri Ram. Travellers visiting Ram Kot in Uttar Pradesh pay their homage to Lord Ram and admire the inscriptions on the temple walls depicting the life of Lord Ram.
The Gorakhnath Temple is one of the most popular temples in Uttar Pradesh and is believed to have been structured at the exact spot where Saint Gorakhnath had meditated. The main feature of the temple is the garb griha where the saint is depicted as an incarnation of Lord Shiva. Tourists also visit the pond next to the Goraknath Temple called Mansarovar for peaceful meditation or boat rides.
Shri Krishna Janbhoomi Temple
Shri Krishna Janmbhoomi is one of the most sacred places for Sanatan Dharmis (Hindus) since it is the birthplace of Lord Krishna. It is a prison cell belonging to his mama (maternal Uncle) Raja Kans where Lord Krishna was born.
Located in Mathura on the banks of river Yamuna, Uttar Pradesh, Shri Krishna Janmbhoomi temple is approximately 145 km from Delhi. The prison cell, commonly known as ‘Garbha Griha’, in the temple premise is the exact place where Lord Krishna was born.
This famous Buddhist site in Varanasi, Sarnath Temple is popularly known where Lord Buddha addressed his first sermons. It is here where the lord set the ‘wheel of law’ in motion. Stupas like Dhamek Stupa and Chowkhandi Stupa are situated inside the enshrined temple. The temple aims to inculcate its thousands of visitors about the history and impact of Buddhist cultures.
Bharat Mata Mandir
The temple located in Varanasi is dedicated to Bharat Mata with the national flag in her hand and a tri-colored sari adorning the idol, who is regarded as a symbolized figure of unity in Diversity and integrity in India. It acquires a huge map of the Mother India on the ground denoting the statue of the Goddess or the Mother of India.
-Prepared by Bhavana Rathi of NewsGram. Twitter @tweet_bhavana
Handicrafts are the products which are mostly made by hand.
The history of Indian handicrafts can be divided into three eras: Pre British, British era, and Post Independence.
Clay craft is the earliest form of crafts to have existed in India.
New Delhi, September 28, 2017: Handicrafts in India have a long history. From ancient to the contemporary times, handcrafters have preserved this art. This art has been passed on from one generation to the next. Pottery making, in fact, is one of its forms, whose existence can be traced back to the Harappan Civilization.
What are handicrafts?
Handicrafts are products that are produced either completely by hands or involve tools. Mechanical tools could also be used as long as the manual contribution of the artisan remains the central component of the produced object. The production of these crafts require great skill and represents a particular expression, culture or tradition. Handicrafts could hold a number of values, some of them being aesthetic, cultural, decorative, utilitarian, religious, functional etc.
Historical Perspective of Indian Handicrafts:
To understand the historical perspective of Indian handicrafts, we need to go back in time. Let’s take a look at the development and decline of the artisanal production under three different time periods: before the arrival of British in India, Under colonial rule, and after India got independence.
History of Indian Handicrafts Before the arrival of British:
Art and crafts, as we have already mentioned, has been a tradition in India since long. Textiles, the most important of the Indian handicrafts, reached the zenith of perfection during the Mughal period. While under Mughals, it was the art of weaving and silk spinning that scored refinement; it was metal works, ivory works and jewelry that reached great potential during the Gupta period. The handicrafts production during that time can be divided in four broad categories. The first category dealt with the village economy under the jajmani system, in which the products were articles of daily use. The second category was integrated with the urban areas, where artisans produced crafts mainly for the purpose of sale. The third category concerns the dadni system, in which the merchants advanced cash to the artisans for production. The final category includes the Karkhanas, where skilled artisans produced luxury crafts under the command of kings or high nobles. Handicraft production was the second biggest source of employment in the pre-British India.
History of Indian Handicrafts Under Colonial Rule:
Under the British rule, production of Indian Handicrafts faced a rather sharp decline. When the East India Company was in power, it forced monopoly over the production of artisans from Bengal, and the price of these products were fixed 15-40% lower than their actual market price. What came as the biggest blow to the Indian artisans, however, was the removal of most of the Indian princes and nobles, which as an effect, led to the destruction of the artisan’s major market.
History of Indian Handicrafts Post-Independence:
The plight of the artisans and the cultural importance of artisanal production was taken into accord after India got independent. The establishment of All India Handicrafts Board in November 1952, to look at the problems and find solutions concerning Indian Handicrafts; the Handicrafts and Handloom Export Corporation of India Ltd in 1958, to promote handicrafts exports; Opening of Crafts Mueseum in 1953 in Delhi, to develop people’s interest in handmade Indian goods, all alluded to the idea that India had finally realized the importance of its art and crafts, and did not want to leave any stone unturned for its development.
A brief history and development of different form of handicrafts in India:
Clay craft and pottery: Clay craft is the earliest form of crafts to have existed, in India or in the world. A simple earthenware made of clay or ceramic has been created and used by the rural population for centuries. Potters have had an integral traditional link with the villages. The earthen pottery has only been developing, with the addition of new colors, figures of gods and goddesses, and decorative elements like flowers.
Main centers: Uttar Pradesh (Nizamabad and Chinhat), where the pottery is dark black; Bengal which produces large figures of gods, especially on the occasion of Durga Puja; In Kashmir, Srinagar is the place where special glazed pottery is made; Terra-cotta roof tiles are a tradition in Orissa and Martha Pradesh; both Rajasthan and Karnataka are popular for their black pottery; Manipur in the northeast is also famous for its pottery.
Wood craft: Wood craft is widely produced and used throughout the country, with the most important products being household furnitures, carts and decorative objects. Baskets for storage and Toys, both for play and decoration are also made on a large scale.
Main centers: The elegant use of wood by skilled craftsmen can be seen in the houses at Gujrat and Kerala. Kashmir acquires a special position in this category of craft, with the walnut and deodar being the most favorite woods there. Saharanpur in U.P is also quite famous for its wooden furniture and objects of decoration.
Metal craft: Copper was the most widely used metal in India before Iron joined in. Utensils, jewelry, dagger, axe heads etc in the harappan finds suggest that casting of copper objects made use of moulds. Bronze was also an important metal for the artisan production. The skills of craftsmen on metals are of various types, such as embossing, engraving, moulding etc.
Main centers: Kashmir (Srinagar) and Ladakh (Zanskar) are the two main centres. In Uttar Pradesh, Moradabad, Aligarh, Varanasi are the main centres of metal craft. Kerala specializes in the bell metal, whereas Bidar in Karnataka is noted for its Bidri work. Tribal groups in India also appear to hold their specific metal craft traditions.
Stone craft: Stones, without a shadow of doubt, have been there with humans since the earliest. They have been crafted into various products such as tools, decorative objects, sculptures and even jewelry. Statue of Yakshi of Didarganj is one fine piece of stone sculpture and dates back to the Maurya period. Majestic Qutub Minar in Delhi, and forts at Agra, Delhi, Jaipur are all works of stone craft.
Main centers: Rajasthan due to a large availability of stones tops the list of most prominent places for stone works. Salem district in Tamil Nadu also makes it to the list along with Gaya in Bihar. The stone cutters of Orissa also share a long history with the craft.
Ornaments and jewelry: From grass jewelry to that of gold and diamonds, one can witness great diversity when it comes to ornaments and jewelry in India. Gold, gems, silver, diamonds, other metals and precious stones are some materials used for making ornaments. Bones, horns, sea shells, lac, glass etc are also used in many parts of the country to create ornaments. The Harappan finds revealed a number of ornaments, indicating their existence since long. There are many references in Ramayana and Mahabharata of gold being precious objects.
Main centers: Western ghats and Matheran in Maharashtra are noted for grass ornaments. Gujarat and Rajasthan share a rich and long tradition of jewelry. Kashmir is one of the most prominent places, again, with its exquisite jewelry, Varanasi and Awadh of U.P. are famous for gold studded jewelry.
Textiles: India had had one of the richest traditions of textiles made from different raw materials. It won’t be wrong to say that Indian textiles tend to reflect Indian culture and religious beliefs. Bengal was the chief center of cotton production and Carpet weaving reached its zenith at the time of Mughals. The most commonly knows fabrics are cotton, wool and silk. The three main techniques used for patterning are weaving, embroidery and dyes.
Main centers: Orissa and Andhra Pradesh are famous for ikat fabric, Gujarat and Rajasthan for bandhani, U.P. and Bengal for jamdani fabrics. Rajasthan is also noted for Masoria fabric.
-prepared by Samiksha Goel of NewsGram. Twitter @goel_samiksha
Any kind of physical or mental harm towards women is deemed as “crime against women”
Domestic violence is the most dominant crime against women
Andhra Pradesh state is the highest to report crimes against women in the period of ten years
Sep 20, 2017: A report released by the National Crime Records Bureau (NCRB) suggests that crimes against women have increased violently in the last ten years with an estimated figure of 2.24 million crimes. The figure is also suggestive of the fact: 26 crimes against women are reported every hour, or one complaint every two minutes, reports IndiaSpendanalysis.
The most dominant crime against women with 909,713 cases reported in last decade was ‘cruelty by husbands and relatives’ under section 498‐A of Indian Penal Code (IPC).
‘Assault on women’ booked under section 354 of IPC is the second-most-reported crime against women with 470,556 crimes.
‘Kidnapping and abduction of women’ are the third-most-reported crime with 315,074 crimes, followed by ‘rape’ (243,051), ‘insult to modesty of women’ (104,151) and ‘dowry death’ (80,833).
The NCRB report also listed three heads, namely commit rape (4,234), abetment of suicide of women (3,734) and protection of women from domestic violence (426) under which cases of crime against women have been reported in 2014.
Andhra Pradesh has reported the most crimes against women (263,839) over the past 10 years.
Andhra Pradesh state is the highest (263,839) to report crimes against women in the period of ten years. Crimes reported for insult (35,733) ranks first followed by cruelty by husband relatives (117,458), assault on women with intent to outrage her modesty (51,376) and dowry-related deaths (5,364).
West Bengal (239,760) is second most crime against women state followed by Uttar Pradesh (236,456), Rajasthan (188,928) and Madhya Pradesh (175,593).
Abduction increased up to three folds over the recent years, with Uttar Pradesh being the worst affected state. Cases rose from 15,750 cases in 2005 to 57,311 cases in 2014.
Prepared by Naina Mishra of Newsgram. Twitter @Nainamishr94
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