Addis Ababa: US President Barack Obama on Tuesday stressed that no president should remain in office for life, as it violates important constitutional provisions which in turn “risks instability and strife” as has happened in Burundi.
“Let me be honest with you, I do not understand this. I am in my second term, it’s been an extraordinary privilege for me to serve as president of the United States, I love my work, but under our constitution I cannot run again.
“I actually think I am a pretty good president, I think if I ran I could win,” Obama said in a speech at the headquarters of the African Union, which is hosting for the first time an active US president.
“Africa’s democratic progress is also at risk when leaders refuse to step aside when their terms end,” Obama added at the conclusion of his first official visit to Ethiopia.
“When a leader tries to change the rules in the middle of the game just to stay in office, it risks instability and strife, as we’ve seen in Burundi,” Obama said.
Obama was referring to his Burundian counterpart Pierre Nkurunziza, who has just been re-elected for a third presidential term, in violation of the constitutional two-term limit, which provoked a wave of violence that has claimed dozens of victims and forced more than 160,000 people to flee their homes.
“I don’t understand why people want to stay so long, especially when they’ve got a lot of money,” he jested, adding that when a leader acts like the only one capable of holding the nation together, it indicates failure.
“There is a lot that I like to do to keep America moving, but the law is the law, and no one person is above the law,” Obama added.
In fact, Obama said he was “looking for the life after being president… I can spend time with my family, I can find other ways to serve, I can visit Africa more often”.
Obama called on African leaders to draw inspiration from late former South African president Nelson Mandela who “forged a lasting legacy by being willing to leave office and transfer power peacefully”.
“Just as the African Union has condemned coups and illegitimate transfers of power, the AU’s authority and strong voice can also help the people of Africa ensure that their leaders abide by term limits and their constitutions,” Obama added, later clearly stating that “nobody should be president for life”.
Jai Sears from Grenada, Caribbean has written a letter to editor in response to complaints against the statue of Gandhi in Grenada. Here is the text:
I write in response to a letter on Mahatma Gandhi entitled “Dustbin of history” written by Josiah Rougier and published in the Grenada newspaper, The New Today (Nov 3, 2017). In his letter, Rougier is asking the Government to remove the bust-statue of Gandhi which overlooks Sauteurs Bay in Grenada where East Indians arrived 160 years ago. Rougier’s opinion is based on the false notion that Gandhi was racist because the Mahatma reportedly considered Indians to be superior to black Africans when he referred to the latter as “kaffirs.”
Gandhi was only 27 years old when he made that contextual statement. If Rougier had done his research, he would have found that Nelson Mandela said: “Gandhi must be forgiven for these prejudices in the context of the time and the circumstances.” The quote can be found in “Gandhi the Prisoner” by Nelson Mandela published in 1995. Gandhi was a man; he was not god. And even god made mistakes.
Rougier must instead focus on the Gandhi’s vision of non-violent protest and his belief in satyagraha which inspired rebels and revolutionaries around the world. Gandhi’s ideas influenced leaders of the African National Congress and the struggle by Indians and blacks against white apartheid rule in South Africa. From as early as 1956 when he was 27 years old, Martin Luther King, Jr. referred to Gandhi as “the guiding light of our technique of nonviolent social change.”
Following the success of his boycott, King contemplated traveling to India to deepen his understanding of Gandhian principles. The fact is that Gandhi saw people of all races, castes, colours and creeds as equal which led to his assassination by a Hindu fanatic in 1948. So who is this unknown Josiah Rougier? Is he as illustrious as the great Nelson Mandela and Martin Luther King? And is he disagreeing with his possible heroes?
Vermont, September 30, 2017 : What if we tell you that a team of researchers has recognized and named 15 new species of spiders in the Caribbean after your favorite stars like Leonardo DiCaprio, Barack Obama and Bernie Sanders?
Not in Hollywood, Washington, DC or Vermont – but you might now be able to catch a glimpse of Spintharus davidattenboroughi, S. barackobamai, S, michelleobamaae, S. berniesandersi, S. davidbowiei along with S. leonardodicaprioi on the Caribbean islands and some other southern spots.
Ingi Agnarsson, expert of spiders and professor of biology at University of Vermont, who led the new study revealed the rationale behind the undergraduate study and on choosing the intriguing names. “(We) wanted to honor people who stood up for both human rights and warned about climate change—leaders and artists who promoted sensible approaches for a better world”, he said.
Popularly recognized as a global hotspot for biodiversity, there continues to be several species in the Caribbean that are outside the spectrum of research and study. This includes the ‘smiley faced’ spider in the genus Spintharus- named for a smiley face pattern on their abdomens.
Previously recognized as one widespread species, researchers from the UVM discovered that there exist many more endemic species within the genus, 15 of which have been recognized in the research.
These samples were collected from Florida, South Carolina, Mexico, the Dominican Republic, Puerto Rico, Cuba, Jamaica, Mexico, the Lesser Antilles and Columbia.
Each team member got to decide names for the new species of spiders. Alongside naming them after friends and family members, many species have been named after distinguished figures.
“We all named the Bernie Sanders spider together,” said Lily Sargeant, one of the students who worked on the project. “We all have tremendous respect for Bernie. He presents a feeling of hope.”
Named after the great artist David Bowie, who passed away in 2016. His music will continue to inspire generations and the authors decided to honor his legacy by naming a spider in his name.
Named after the widely popular, and largely loved, former President of the United States Barack Obama. The authors love him for his statesmanship and humanitarianism, and named the spider species after him, to honor their president and his devoted service.
Named in honor of the Former First Lady of the United States for her poise, confidence and elegance, her fight for human rights and for always striving to uphold the principles of justice, fairness and equality for all.
The authors of the research also named a species of spiders after the naturalist and broadcaster Sir David Attenborough, to recognize and celebrate his efforts to educate people of the wonders of the natural world and sowing a seed of caring for nature in humanity.
The study has been published in the Zoological Journal of the Linnean Society.
“The Battle of the sexes” starring Emma Stone and Steve Carell talks about issue of gender equality- in both pay disparity and directing opportunity
It’s a great thing for the filmmakers to have what is usually a pretty film-oriented, film-loving audience
The filmmakers say they are expecting a variety of opinions in any one audience at Toronto International Film Festival
New York, USA, September 7, 2017: Few institutions in cinema can match the teeming, overwhelming Toronto International Film Festival as a conversation-starting force. It simply has a lot of movies worth talking about.
And this year, many of the films that will parade down at Toronto International Film Festival’s red carpets will hope to shift the dialogue not just in terms of awards buzz, but in other directions, too: equality in Hollywood; politics in Washington; even about nature of the movies, themselves. At TIFF, expect debate.
That’s what the filmmakers behind “The Battle of the Sexes,” one of the anticipated films heading to Toronto International Film Festival in the coming days, are hoping for. After the festival opens today with another tennis movie, the rivalry drama “Borg/McEnroe,” at Toronto International Film Festival with Jonathan Dayton and Valerie Faris (the directing duo who helmed 2006’s “Little Miss Sunshine”) will premiere their drama about the 1973 showdown between Billie Jean King and Bobby Riggs.
The movie, starring Emma Stone and Steve Carell, holds obvious parallels for a movie industry with its own issues of gender equality, in both pay disparity and directing opportunity. For others, it will recall issues that dominated last year’s U.S. presidential campaign. But “Battle of the Sexes” may surprise moviegoers in its broad sympathies on both sides of the net.
“The one thing we didn’t want to have happened was this polarizing political document,” said Dayton. “Right now, there’s enough of that in the world. We wanted to tell a more personal story and keep it from becoming too binary.”
The filmmakers say they are expecting “a variety of opinions in any one audience” at Toronto International Film Festival.
“It’s really the best way to release a film, at a festival like Telluride or Toronto,” said Faris. “It’s a great way to get the word out about a film. It’s a great thing for the filmmakers to have what is usually a pretty film-oriented, film-loving audience. It gives you hope that they’re still out there.”
The Toronto International Film Festival comes right on the heels of the Venice and Telluride festivals, but the size and scope of Toronto have long made it the centerpiece of the fall movie season. It’s where much of the coming awards season gets handicapped, debated and solidified. It’s also a significant market for new films, and this year several intriguing films — “I, Tonya,” with Margot Robbie as Tonya Harding, and “Hostiles,” a brutal Western with Christian Bale — are on the block.
But most eyes will be on the gala premieres of the fall’s biggest films at Toronto International Film Festival, including Alexander Payne’s “Downsizing,” Guillermo Del Toro’s “The Shape of Water,” George Clooney’s “Suburbicon,” and maybe the most explosive movie of the season, Darren Aronofsky’s mystery-shrouded allegorical thriller “mother!”
It can be a competitive landscape, with dozens of daily movie premieres and their respective parties, all trying to stand out. But several first-time directors may end up stealing the spotlight at Toronto International Film Festival. Greta Gerwig’s “Lady Bird” will sail into Toronto on waves of rave reviews from Telluride. Aaron Sorkin, arguably the top screenwriter in Hollywood for two decades, will present his directorial debut, “Molly’s Game.”
Sorkin didn’t initially anticipate he’d direct his script. But he became, he says, obsessed with the story of Molly Bloom (Jessica Chastain), the former elite skier who was indicted for running a high-stakes poker game in Los Angeles. It’s a potentially career-redefining movie for Sorkin — and he’s appropriately anxious.
“I’d feel the same way if we were launching it in Wyoming. I’m nervous because other than test audiences, this will be the first time people see it,” said Sorkin. “The Toronto Film Festival is a very prestigious place to debut a film, so I’m aware of the company I’m in and what’s expected in the movie. It will be up to others to decide if it delivered.”
“The Disaster Artist” poses a similar turning point for its star and director, James Franco. It’s about the making of what’s widely considered one of the worst movies ever made — the cult favorite “The Room,” by Tommy Wiseau. Franco, who plays Wiseau, considers it a new step for him as a filmmaker and says the film’s parody is laced with affection.
“The characters are outsiders. They are weirdos,” said Franco. “But everybody can relate to having a dream and trying to break into this incredibly hard business.”
The film will premiere to a surely raucous audience at a midnight screening. Franco, who first saw “The Room” with an especially excitable Vancouver audience, expects it to be the perfect debut for his film: “Canadians know how to do ‘The Room.”’
“The Disaster Artist,” which A24 will release in December, might give TIFF what “La La Land” did last year — a happily escapist movie about Hollywood. Other films will tackle less comic real-life tales, including Angelina Jolie’s searing Cambodia drama “First They Killed My Father,” the Winston Churchill biopic “Darkest Hour,” with Gary Oldman; and the documentary “The Final Year,” about the last year of Barack Obama’s administration.
Cameron Bailey, artistic director of the festival, said Trump’s presidency “was not a factor in the films we selected,” though he expects it to color the reception of many.
“Some of them will be received with the current political climate in mind,” said Bailey. “One of the things I think you learn from films like (the Watergate drama) ‘Mark Felt’ and (the Ted Kennedy drama) ‘Chappaquiddick’ and others that we have here is that the process of politics is not a pretty one. It involves a lot of conflicted motives, shall we say.”
And who better to make sense of the current political landscape than Armando Iannucci (“Veep,” “The Thick of It”), the master of rapid-fire political farce. In his second feature film, “The Death of Stalin,” he travels back to 1950s Russia only to find an expectedly timely tale of the madcap machinations of political power.
“It is bizarre, isn’t it? When I started showing it to people in January and February earlier this year, people said it resonated with Trump and Putin and fake news,” said Iannucci. “It is about autocracy. It is about what happens when democracy falls apart and one person decides everything. I’m kind of glad it does resonate now. But am I pleased?” (VOA)