Sunday August 25, 2019
Home Entertainment 10 Bollywood ...

10 Bollywood movies to binge watch in 2018

0
//
10 Bollywood movies to binge watch in 2018
10 Bollywood movies to binge watch in 2018. IANS

Mumbai, Jan 2, 2018: Like every year, a lot of films are ready to hit the screens in 2018. So, know where to put your money.

Here’s a list of must-see Bollywood films this year:

* “Pad Man”: On January 26, it’s Akshay Kumar, and no one else. I will put my money on this heart-warming saga of Arunachalam Muruganantham, the man who manufactured economical sanitary napkins even at the risk of being belittled.

Here is another man-of-the-masses part for the ever-enterprising actor who never shies away from seeming less than heroic because he knows that the true hero is the one who dares to venture into the unknown even at the risk of stumbling and falling.

“Pad Man” is directed by one of my favourites R. Balki who courts the quirky with compelling credibility.

In “Shamitabh”, it was the Big B giving voice to mute star Dhanush. In “Ki & Ka”, a working wife gets herself a happy house-husband. In “Pad Man”, gender-sensitisation reaches the cyclic level. Yes, it’s that time of the month.

* “Sonu Ki Titu Ki Sweety”: Luv Ranjan is a director who gets into the head and the bed of the young without acting like a twit of a director. His remarkable proclivity for youthful candour is in full view in this wackily-titled rom-com where Sonu’s (Kartik Aaryan) over-possessive best friend Titu (Sunny Singh) gets a girlfriend Sweety (Nushrat Bharucha). It’s a lip-smacking bromance versus romance on February 9.

* “Hichki”: For my money and time, Rani Mukerji doing the role of a teacher with a neurological disability is just what the doctors prescribed. This official remake of a little-known American film “Front Of The Class” is the kind of inspirational story we all need in our lives. Release date is February 23.

* Sanjay Dutt’s biopic: Ranbir Kapoor playing Sanjay Dutt in a film directed by Raj Kumar Hirani is not quite my idea of an inspirational biopic. Nonetheless, this one is of interest for us to know what mistakes one can make in the journey of life. So this can be taken as an inspirational film in reverse. Verdict is on March 30.

* “October”: Titled “October” but releasing in April. A Shoojit Sircar film by any name or in any month smells just as sweet. Sircar teams up with the most successful star of 2017 (not counting Salman Khan) — Varun Dhawan — for what the director describes as the most unusual love story. We can’t wait for April 13.

* “Veere Di Wedding”: The sheer joy of watching a gallery of interesting female actors navigated by Kareena Kapoor Khan and Sonam Kapoor is enough reason to give this ‘chic-flick’ a run for its money. Release date is May 18.

* “Fanne Khan”: A famous singer played by Aishwarya Rai Bachchan kidnapped by the father (Anil Kapoor) of a wannabe singer — an extremely unusual premise and a solid project to bring together Aishwarya and Anil Kapoor after “Taal”. Directed by debutant Atul Manjrekar, this remake of a Belgian film promises something unusual. Release date is June 15.

* “Gold”: If Akshay Kumar owns Republic Day, he also exercises a quasi-copyright over the Independence Day week. On August 15, comes “Gold”, a film recreating India’s historic win for hockey at the 1948 Olympics.

Reema Kagti’s film would be a fictional take on what actually happened. The game of hockey would feature prominently in the plot. But there will also be strong human drama playing at the forefront. And it wouldn’t be just the Olympics victory in 1948 we will be looking at. “Gold” will look at 12 crucial years in India’s history. Wow! Can’t wait!!

* “Super 30”: Not kicked by Vikas Bahl’s directorial abilities after seeing the mess he made in “Shaandaar”. But it would be interesting to see the life of the maths genius Anand kumar brought to life on screen by Hrithik Roshan who hasn’t done a biopic before. Releasing on November 23.

* “Zero”: Aanand L. Rai gets together with Shah Rukh Khan for a game changer this Christmas. Crucial for SRK who needs a clutter-breaker. Releasing on December 21.

And of course, Sanjay Leela Bhansali’s “Padmavat(i)”. (IANS)

Next Story

A New Mindset: Need of Bollywood

Till the 1980s it was usually traders, merchants and traditional money lenders

0
Every generation since the beginning of the Indian film Industry has seen a fresh set of people finance it. PIxabay

If the Industry has survived (thrived?) so many decades it is because of the influx of fresh capital from new, glamour struck players. Every generation since the beginning of the Indian film Industry has seen a fresh set of people finance it. Till the 1980s it was usually traders, merchants and traditional money lenders. Then the exhibitors and distributors started advancing money and a lot more of glamour struck venture capital came in. Of course, sine the 1930s the top stars of the time always set up their own production companies and the trend continues to this day. Every decade technology delivers a bonanza to the perpetually cash-strapped film industry.

The popularity of radio and records and cassettes saw music royalty bring in extra cash in the 70s and 80s. This was pattern was replicated by the coming of TV and home video in the 80s and 90s and now streaming rights. However, the big break was the spread of Multiplexes. Suddenly, box office exploded as these modern hangout cinemas pulled the young urban youth and families back to the cinemas. The overseas market, largely driven by large South Asian diaspora, changed another market dynamic. Some younger filmmakers realized this and tailored their films for this well-paying market segment.

A paradigm shift happened in the mid-90s when some young media professionals-turned-entrepreneurs set up the first fledgling studios (after the demise of the earlier lot in the early 50s). A few of the old timers reimagined themselves and stayed in the new sweepstakes. Some music companies too became quasi studios venturing into film production and distribution. By the turn of the millennium, Bollywood had become not only a global brand but a billion-dollar Industry. Entertainment was recognized as Industry making institutional finance available to film producers. Import of equipment was liberalized and foreign shooting became convenient. Slowly the disorganized mom and pop business moved towards professionalism and eventually corporatization. Bank finance, insurance, contracts, copyright came into play.

Mindset, Bollywood, New
If the Industry has survived (thrived?) so many decades it is because of the influx of fresh capital from new, glamour struck players. Pixabay

However, more change was to come in the decade that followed. The rise of the Internet following the mobile revolution changed the game altogether. Rising income and aspirations and changing lifestyles altered the media and entertainment landscape. Digitalization of cinema from pre and post production to distribution and exhibition has also contributed to a dramatic change in Indian cinema. Today you can make a film on your smartphone and commercially release it. Now there are film makers who are making films only for the digital space.

By 2010, major studios — Fox, Disney, Reliance ,Viacom and Zee had arrived and further changed the market dynamics. In the last decade, video-on-demand and Over-the-Top (OTT) platforms together with broadcast TV not only brought additional revenue but newer niche markets. Audience is consuming filmed entertainment differently across different screens. Now Amazon, Jio, Netflix, Hotstar, Zee 5, Alt, Apple, Facebook, Google et al are commissioning films and are the new financiers of the movie industry. Thousands of new and old members of this large fraternity are getting back into the creative mainstream. There are at least a 100 production companies all over India. There are more trained professionals than ever before and encouragingly a lot more women in power in Bollywood. Every year at least twenty first timers make a mark and many of them from small towns with no family connection. For a change the big potboilers compete with small, new age films.

There are many young, often first-time film makers who are making path breaking cinema which a substantial enough audience is loving it. Today’s top actors are also a lot more adventurous. In any case, even the most commercial of films are much more rooted in reality than before. Production design, cinematography and sound are now of international standard. Unfortunately, marketing costs have spiraled up but without the adequate research and media planning resulting a lot of wasteful expenditure. Star prices still remain abnormally high, often being 40 per cent to 50 per cent of the entire budget. Interestingly, after a gap of many decades, talent from smaller towns and even villages are coming to Bollywood and many are making it to the top. Also, a lot more films are set in smaller towns reflecting concerns of a new class of film lovers.

The most heartening development, though, is the influx of streaming services. Not only do they bring a lot of money into the system but also offer a far, far wider variety of films: shorts, documentaries, animated, real-life dramas but also all genres of features films. They are not hung up on stars or big names. Besides, in another welcome development, a number of big producers and directors and even top stars have ventured into producing content for these digital giants. Thankfully, all of them are also giving breaks to new writers and film makers and some exceptionally talented actors.

Also Read- World Wildlife Conference to Discuss Tackling Illegal Trade in Endangered Wild Fauna and Flora

There are some endemic problems which still linger. Paucity of screens and over production make it unviable for smaller, especially independent films to get a release. The obsession with big screen in an age where 80 per cent of all content is watched on TV and increasingly online is rather an archaic approach. It is estimated that half the world will watch content on handheld devices by 2025. With a multitude of leisure alternatives films, including those made by Bollywood, have to compete with texting, social media, gaming, sport, live events, streaming audio and video, adventure and even travel and dining out.

Writing largely still remains a weak link and is invariably derivative and mediocre. We need a more energetic and creative fraternity which is willing to experiment and is willing to move to newer platforms. This obsession with the big screen has to end. A few hundred cineastes and critics hung over on purity of cinema cannot let opportunities drift away. Film making is ultimately about storytelling and an audience. Why should screen size be a limitation? A new mindset is what is most required in the Indian film industry, particularly Bollywood. We can, in the next five years, double the size of the filmed entertainment Industry to $6 billion per year. (IANS)