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Bollywood Deewane : 5 Most Anticipated Bollywood Films of 2018

Are you a Bollywood lover? Then plan your year keeping these 5 most anticipated Bollywood films of 2018 in mind!

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5 most anticipated Bollywood films of 2018
Are you a Bollywood fanatic? Then we are sure you can wait for these movies to hit the theatres near you! Instagram

Mumbai, October 10, 2017: Where fates change every Friday, some films catch more than just attention. These are movies that you already know will make it large, even before they hit the silver screens on a scheduled Friday.

Are you a Bollywood lover? Then plan your year keeping these 5 most anticipated Bollywood films of 2018 in mind!

Make sure you don’t miss the first-day first show because we know we won’t!

 1. Chanda Mama Door Ke

After hitting the ground to play captain cool Mahendra Singh Dhoni, Sushant Singh Rajput is training hard to ‘fly high’ in a future project. For the same, the actor flew all the way to US Space and Rocket Center in Alabama, the NASA facility. But wait, what are we talking about?

India’s first space movie.

Yes, you read that right. Our very own Hindi film industry is ready to experiment with science fiction with Sanjay Puran Singh Chauhan’s Chanda Mama Door Ke. The film will feature Sushant, R Madhavan and Nawazuddin Siddiqui in titular roles, who have already begun preparing for their parts as astronauts.

The film is believed to trace and celebrate the journey of the Indian space programme, putting together an authentic space odyssey and culminating with India’s first astronaut’s landing on the moon.

Rajput, who received a brief training in the technicalities of flying in a space shuttle simulator and docking the shuttle to the ISS at Alabama, has been the first Bollywood actor to train at NASA. According to reports, even Madhavan will soon undergo a similar training for his role. These details make the film one of the 5 most anticipated Bollywood films of 2018!

The film, set for release on January 26, 2018, is believed to be India’s first realistic sci-fi film and has already created ripples in the audience’s minds. Let us see how all the Indian ‘Interstellar’ fans react to our very own production.

 2. Pari

From the first looks that have been revealed, Pari seems to be everything you will not expect it to be. Anushka Sharma can be seen in a tattered, bruised look with blue eyes and a piercing gaze.

Anushka Sharma’s third production and a love story, Pari also stars Bengali actor Parambrata Chatterjee.

5 most anticipated Bollywood films of 2018
Pari is being co-produced by Anushka Sharma

“Pari’ is a fantastic story. It promises an intriguing and engaging cinematic experience for the audience”, Prernaa Arora of KriArj Entertainment, the co-producers of the film, had shared in a previous interview.

Not much has been revealed about the film as of now, other than Anushka’s look that is going to haunt you for a long time. We think the silence around the film is doing great for the project, keeping people guessing and adding on to the eerie factor.

The film has been scheduled for a nationwide release on February 9, 2018.

  3. Sanjay Dutt Biopic

Sanju Baba’s biopic featuring Ranbir Kapoor is undoubtedly the most anticipated movies of 2018. Directed by Rajkumar Hirani, the film will depict the journey of Bollywood’s most loved Munna in a way like never before.

A star kid, a heartthrob, a drug addict and then his conviction for his illegal possession of arms – Sanjay Dutt’s life has been no less than a Bollywood masala film. Now the story is all set to make it to the big screen and fans can’t wait!

The film also stars Paresh Rawal, Manisha Koirala (who will be playing Dutt’s parents), Dia Mirza (believed to be playing the role of his wife Maanyata) and Tabu in lead roles.

According to the rumors doing the rounds, the film is allegedly titled ‘Sanju’, which has been Sanjay Dutt’s nickname for quite a while now, with all his friends, family and fans alike addressing him like that.

The film is set to release on March 30, 2018.

 

4. Padman

After popularizing the need to build toilets and maintaining healthy sanitation habits, Akshay Kumar has another motive in life. In his next film, he touches an extremely sensitive topic- menstruation.

Was that an amused eyebrow raise I saw?

5 most anticipated Bollywood films of 2018
Akshay Kumar in and as the Padman. Instagram

In Padman, Akshay plays the role of a Tamil Nadu based social activist, Arunachalam Muruganantham, the magician who turned around the face of menstrual hygiene in rural India by devising a low-cost sanitary napkin machine.

Directed by R Balki of Paa-fame, the film also stars Sonam Kapoor and Radhika Apte.

Padman will hit theatres on April 13, 2018.

 5. Kedarnath

“Ours is a love story, parts of which have been shot in the temple where Shiv and Parvati met – the Triyuginarayan Temple” said Arjun Kapoor in a previous interview to a leading portal.

The first released motion poster of the film carries the tagline ‘Love is a pilgrimage’. A simple love story between a tourist and a travel guide. Wait, that can’t be all there is to the story?

Well, we don’t know for now. But from the looks of it, and the buzz that the film has already created, it seems like the production is going to win hearts big time.

And did we tell you about Sara Ali Khan’s enchanting look in the film? Bollywood Nawab Saif Ali Khan’s little daughter with his first wife actress Amrita Singh marks her debut opposite Sushant Singh Rajput in Kedarnath.

Kedarnath is scheduled to release in June 2018.

– prepared by Soha Kala of NewsGram. Twitter : SohaKala

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A New Mindset: Need of Bollywood

Till the 1980s it was usually traders, merchants and traditional money lenders

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Every generation since the beginning of the Indian film Industry has seen a fresh set of people finance it. PIxabay

If the Industry has survived (thrived?) so many decades it is because of the influx of fresh capital from new, glamour struck players. Every generation since the beginning of the Indian film Industry has seen a fresh set of people finance it. Till the 1980s it was usually traders, merchants and traditional money lenders. Then the exhibitors and distributors started advancing money and a lot more of glamour struck venture capital came in. Of course, sine the 1930s the top stars of the time always set up their own production companies and the trend continues to this day. Every decade technology delivers a bonanza to the perpetually cash-strapped film industry.

The popularity of radio and records and cassettes saw music royalty bring in extra cash in the 70s and 80s. This was pattern was replicated by the coming of TV and home video in the 80s and 90s and now streaming rights. However, the big break was the spread of Multiplexes. Suddenly, box office exploded as these modern hangout cinemas pulled the young urban youth and families back to the cinemas. The overseas market, largely driven by large South Asian diaspora, changed another market dynamic. Some younger filmmakers realized this and tailored their films for this well-paying market segment.

A paradigm shift happened in the mid-90s when some young media professionals-turned-entrepreneurs set up the first fledgling studios (after the demise of the earlier lot in the early 50s). A few of the old timers reimagined themselves and stayed in the new sweepstakes. Some music companies too became quasi studios venturing into film production and distribution. By the turn of the millennium, Bollywood had become not only a global brand but a billion-dollar Industry. Entertainment was recognized as Industry making institutional finance available to film producers. Import of equipment was liberalized and foreign shooting became convenient. Slowly the disorganized mom and pop business moved towards professionalism and eventually corporatization. Bank finance, insurance, contracts, copyright came into play.

Mindset, Bollywood, New
If the Industry has survived (thrived?) so many decades it is because of the influx of fresh capital from new, glamour struck players. Pixabay

However, more change was to come in the decade that followed. The rise of the Internet following the mobile revolution changed the game altogether. Rising income and aspirations and changing lifestyles altered the media and entertainment landscape. Digitalization of cinema from pre and post production to distribution and exhibition has also contributed to a dramatic change in Indian cinema. Today you can make a film on your smartphone and commercially release it. Now there are film makers who are making films only for the digital space.

By 2010, major studios — Fox, Disney, Reliance ,Viacom and Zee had arrived and further changed the market dynamics. In the last decade, video-on-demand and Over-the-Top (OTT) platforms together with broadcast TV not only brought additional revenue but newer niche markets. Audience is consuming filmed entertainment differently across different screens. Now Amazon, Jio, Netflix, Hotstar, Zee 5, Alt, Apple, Facebook, Google et al are commissioning films and are the new financiers of the movie industry. Thousands of new and old members of this large fraternity are getting back into the creative mainstream. There are at least a 100 production companies all over India. There are more trained professionals than ever before and encouragingly a lot more women in power in Bollywood. Every year at least twenty first timers make a mark and many of them from small towns with no family connection. For a change the big potboilers compete with small, new age films.

There are many young, often first-time film makers who are making path breaking cinema which a substantial enough audience is loving it. Today’s top actors are also a lot more adventurous. In any case, even the most commercial of films are much more rooted in reality than before. Production design, cinematography and sound are now of international standard. Unfortunately, marketing costs have spiraled up but without the adequate research and media planning resulting a lot of wasteful expenditure. Star prices still remain abnormally high, often being 40 per cent to 50 per cent of the entire budget. Interestingly, after a gap of many decades, talent from smaller towns and even villages are coming to Bollywood and many are making it to the top. Also, a lot more films are set in smaller towns reflecting concerns of a new class of film lovers.

The most heartening development, though, is the influx of streaming services. Not only do they bring a lot of money into the system but also offer a far, far wider variety of films: shorts, documentaries, animated, real-life dramas but also all genres of features films. They are not hung up on stars or big names. Besides, in another welcome development, a number of big producers and directors and even top stars have ventured into producing content for these digital giants. Thankfully, all of them are also giving breaks to new writers and film makers and some exceptionally talented actors.

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There are some endemic problems which still linger. Paucity of screens and over production make it unviable for smaller, especially independent films to get a release. The obsession with big screen in an age where 80 per cent of all content is watched on TV and increasingly online is rather an archaic approach. It is estimated that half the world will watch content on handheld devices by 2025. With a multitude of leisure alternatives films, including those made by Bollywood, have to compete with texting, social media, gaming, sport, live events, streaming audio and video, adventure and even travel and dining out.

Writing largely still remains a weak link and is invariably derivative and mediocre. We need a more energetic and creative fraternity which is willing to experiment and is willing to move to newer platforms. This obsession with the big screen has to end. A few hundred cineastes and critics hung over on purity of cinema cannot let opportunities drift away. Film making is ultimately about storytelling and an audience. Why should screen size be a limitation? A new mindset is what is most required in the Indian film industry, particularly Bollywood. We can, in the next five years, double the size of the filmed entertainment Industry to $6 billion per year. (IANS)