Friday November 16, 2018
Home Opinion A tweaked tin...

A tweaked tinsel town, buffoonery on the floor

0
//
Republish
Reprint

 

By Sreyashi Mazumdar

Trailing on the pages of Indian cinema, one might get an inkling of the epiphanic changes the industry has gone through over a period of time; starting from cheesy and cocky songs to that of movies essaying buffoonery and irrationality, the industry has belittled art per se.

Picture credit: campusghanta.com
Picture credit: campusghanta.com

In an attempt at garnering accolades and attention- in cash or kind- Bollywood glitterati have ended up laying off their creative and personal integrity. Movies like Happy New Year, Dabang, R Rajkumar, Phata Poster Nikla Hero, Dhoom 3, Ra One etc exemplify the plummeting standards of the fraternity. Despite parallel cinema gradually creating its niche amid the hovering cliché, commercial movies seem to refute every possible odd, thus fleshing out a potpourri of  hamminess, crassitude and mockery.

“There was a time when I used to make sure that I don’t miss night shows on Fridays, but now I don’t feel like spending even a penny on movies. I used to be a Bollywood buff. Though movies like Deewar or Sholay might seem irrelevant to some, but the seething tension brewing owing to Nehruvian socialism during 80s and their subsequent portrayal through movies rendered some meaning to the art of film making. Mr. Bacchhan’s angry man disposition reflects upon the kind of reveries one used to bear during that particular period of time owing to the closed economy our nation was endorsing. Now a days, filmmakers are coming up with mindless movies like Happy New year and what not…I mean who would have ever thought that an actor like Shah Rukh Khan would be a party to such a plot,” lamented 50-year-old Sayan Adhikari, a film studies professor.

Picture credit: wallpapers99.com
Picture credit: wallpapers99.com

There was an era when singers like Kumar Sanu, Alka Yagnik, Sonu Nigam or our beloved Nightingale Lata Mangeshkar mesmerized millions through their melodic voices; however, now a days the songs that seem to reverberate discs and pubs are the ones illustrating aftermaths of binge drinking, overt and overhauled definitions of human body parts- both male and female- like Tandoori murgi hoon yaar, Pink Lips, Jalebi Bai, Kaddu Katega Toh Sab Main Batega. Though titillating and grooving, the aforementioned songs hint at the denigrated form of lyricism.

Stalwarts like Ajay Devgan, Shah Rukh Khan, Shahid Kapoor, or other sought after actors of the fraternity, despite having done wonders in movies like Omkara, Chakh De India, Haider, respectively, have been testified taking up inane projects. Limning the pervading trend, film critic Rajeev Masand once put forth a relevant point during a tete-e-tete with fourthreefilm.com, “I think the stars are excited by the fact that they are getting opportunities to stretch themselves. They protect themselves by also having a lot of blockbusters – because that is what gives you longevity and the ‘big bucks, let’s be honest. But they are definitely taking more chances and taking advantage of these new opportunities.”

The present status quo permeating Indian cinema reflects upon directors’ and actors’ desperation to helm the stage and mint money. It seems that the creative minds have given up on their penchant for quality and acumen, and have taken to an easier and degraded path to entertain the masses. The fraternity needs to fend off its Jo Dikhta Hai Woh Bikhta Hai policy to let loose the magic of art and creation.

 

Click here for reuse options!
Copyright 2015 NewsGram

Next Story

Yami Gautam Feels Need For Stories of More Stronger Women

Yami Gautam said that when she was shooting for "Uri", she was very intrigued largely with the stories of personnel from the armed forces

0
Yami Gautam
Need for stories of more stronger women: Yami. Flickr

Actress Yami Gautam, who will next be seen in the upcoming film “Uri”, says there is a need for stories of more stronger women on the silver screen.

Yami is excited to be a part of a real life story based on the armed forces. So much so, that it instantly inspired her to hope to bring forth stories of women who have been trailblazers and pioneers in the armed forces in India.

“With the way content is evolving and such compelling stories coming out, there’s a great need for stories of more stronger women. Some amazingly strong powerful women characters have been seen in recent films,” Yami said in a statement.

The 29-year-old actress is inspired by two women Punita Arora, the first woman in India to attain the rank of Lt. Genaral in the Indian Army and Priya Jhingan who wrote a letter to the then Army Chief in 1992 to be accepted as a woman in the armed forces and a year later she was, becoming the first Indian woman to have joined the Army.

Yami Gautam said that when she was shooting for “Uri”, she was very intrigued largely with the stories of personnel from the armed forces.

Yami Gautam
Yami Gautam. Flickr

She said: “It truly does make me wonder if stories of women from such background is something that could make for compelling stories. We have incredible women heroes from the army, navy who have done incredible acts in their careers.

“I think these stories must be done and Uri has really been a reason to bring forth such a thought to me.”

“Uri” also stars Vicky Kaushal, who will be seen playing the role of an Indian commando who is involved in the 2016 surgical strikes.

Also Read- WhatsApp Announces 20 Teams To Curb Fake News Globally

Based on the surgical strikes of 2016 carried out by the Indian Armed Forces, “Uri” traces the significant event.

It also features Kirti Kulhari and Paresh Rawal in lead roles. Produced by RSVP movies, “Uri” will hit the theatres on January 11, 2019. (IANS)