Friday October 20, 2017
Home World A 3-year-old ...

A 3-year-old Giraffe ‘Ozzie’ surprises Visitors by its Painting at a Lion sanctuary in Nevada

0
65
The paintings consist of a disorganized conglomeration of colorful lines.

Les Vegas, May 31, 2017: Few giraffes have the talent that Ozzie was born with, but the three-year-old giraffe paints at a lion sanctuary in Nevada and his work is selling reasonably well.

Standing almost four meters (13 feet) tall and weighing 635 kg, Ozzie surprises visitors to the Lion Habitat Ranch in Henderson, 25 km southeast of Las Vegas, with his colourful pictures, reports Efe.

“Ozzie likes to paint. If he didn’t he wouldn’t do it because we have no way to force him,” Keith Evans, President and owner of the lion preserve measuring 34,000 square meters with its 36 lions, dozens of birds and house artist Ozzie, told EFE.

NewsGram brings to you top news around the world today.

The animals there are accustomed to living peacefully together and the lions’ roars don’t bother Ozzie, and neither does the busload of excited schoolchildren on a field trip to see him at work on his latest creation.

In his habitat, surrounded by a fence where the curious station themselves, Ozzie moves around with a brush in his mouth, calmly using it to paint on various canvases that will be fastened to the fence for others to admire.

The paintings consist of a disorganized conglomeration of colorful lines – some might call it “abstract art” at its finest – and each one is about 20×25 cm (8×10 inches) and sells for $40, although larger ones measuring 40×50 cm fetch up to $300.

Follow NewsGram on Facebook

Ozzie eats up to 20 kg of vegetables each day, snacking on Brussels sprouts and chunks of cauliflower in exchange for returning the paintbrush to his caretaker after each artistic foray.

Ozzie arrived at the lion sanctuary when he was eight months old. Since then he has been honing his talents, says Evans, whose lion preserve is visited by an average of 3,000 people each month.

He says the giraffe “works” on his paintings at three sessions each day, painting a maximum of two works per session, and he doesn’t mind having his picture taken with his fans.

The artwork is sold at the ranch’s store, along with other items such as T-shirts, hats and scarves. (IANS)

Next Story

Goddess Parvati portrayed as “Servant” in a Japanese Mobile Game; Hindus Urge Removal of the Character

1
87
Goddess Parvati
Goddess Parvati characterised as servant in a japnese game. ush

Nevada, October 9: Hindus are upset at “Fate/Grand Order” (FGO) mobile role-playing video game, developed by Japan’s Delightworks Inc., for reportedly portraying goddess Parvati as one of the “new” servants; as it trivializes a highly revered Hindu deity.

Distinguished Hindu statesman Rajan Zed, in a statement in Nevada today, urged Tokyo headquartered Delightworks Inc. to withdraw the character of goddess Parvati in its free-to-play FGO video game, whose tagline is “This is a story about taking back our future”.

Zed, who is President of Universal Society of Hinduism, said that in this mobile game set-up, the player became the Master who summoned and commanded servants controlling their movements, including goddess Parvati; while in reality, the devotees put the destinies of themselves in the hands of their deities.

Moreover, Goddess Parvati depicted in FGO appeared more like a belly-dancer than the Hindu deity devotees were used to seeing, Rajan Zed pointed out, and termed it as incredibly disrespectful.

Zed indicated that reimagining Hindu scriptures, symbols, concepts and deities for commercial or other agenda was not okay as it hurt the devotees. Controlling and manipulating goddess Parvati by the game-player was denigration. Goddess Parvati was meant to be worshipped in temples and home shrines and not to be reduced to just a “servant” in a video game to be used in combat in the virtual battleground.

Rajan Zed further said that Hindus were for free speech as much as anybody else if not more. But faith was something sacred and attempts at belittling it hurt the devotees. Video game makers should be more sensitive while handling faith related subjects, as these games left a lasting impact on the minds of highly impressionable children, teens and other young people, Zed added.

Hindus welcomed entertainment industry to immerse in Hinduism but taking it seriously and respectfully and not for refashioning Hinduism scriptures, symbols, concepts and deities for mercantile greed. He or other Hindu scholars would gladly provide genuine entertainment industry seekers with the resources they needed for their study and research regarding Hinduism, Zed stressed.

Hinduism was the oldest and third largest religion of the world with about 1.1 billion adherents and a rich philosophical thought and it should not be taken frivolously. No faith, larger or smaller, should be mishandled, Rajan Zed noted.

In this game, Goddess Parvati is shown as carrying Trisula (trident), which is her greatest weapon; while in reality, Trisula is Lord Siva’s most powerful weapon. In the game, when Parvati is equipped with Nandi, it increases her performance; but in Hinduism, Nandi is Lord Siva’s mount. This kind of misinformation spreading creates further confusion among non-Hindus about Hinduism, Zed states.

Delightworks Inc. undertakes planning, development and management of games. Tactical, turn-based FGO, on iOS/Android platform and composed by Kinoko Nasu, is claimed to be “easy to learn, but hard to master”. “Servant” in this game is “an attendant that serves the Master” and follows orders.

Goddess Parvati finds mention in Mahabharata and Puranas.

One response to “Goddess Parvati portrayed as “Servant” in a Japanese Mobile Game; Hindus Urge Removal of the Character”

  1. It isn’t like how they portrayed the Goddess was disrespectful and who cares if they make a mistake or two in a 100% accurate portrayal if someone does find interest in learning more about the Goddess they can just do research on their own as many would realize a game is different from real life and shouldn’t be seen as a perfect source of information in regards to real world topics they mention.

Leave a Reply

Your email address will not be published.

Next Story

Newly Discovered Fish Fossil in Nevada (US) has Shark like Features

Researchers learned of the fossil about five years ago after fossil collector Jim Jenks of West Jordan, Utah, stumbled upon it near Winecup Ranch north of Wells

0
24
Birgeria americana, newly discovered fish species
The 26-cm-long fossil preserving the right side of the skull of Birgeria americana. VOA
  • A fossil found in northeastern Nevada shows a newly discovered fish species 
  • Scientists believe, it looked and ate like a shark
  • Researchers call this fish, Birgeria Americana 

New Delhi, August 9, 2017: A fossil found in northeastern Nevada shows a newly discovered fish species that scientists believe looked, and ate, like a shark.

The fossil is what remains of a bony, sharp-toothed fish that would have been about six-feet-long (1.83 meters) with long jaws and layers of sharp teeth.

The type of jaw and teeth on the fish suggest it would have chomped down on its prey before swallowing it whole, like a shark, the Reno Gazette-Journal reported.

“The surprising find from Elko County in northeastern Nevada is one of the most completely preserved vertebrate remains from this time-period ever discovered in the United States,” said Carlo Romano of the University of Zurich, lead author of a Journal of Paleontology article about the find.

The fish, which researchers called Birgeria americana, predates Nevada’s most famous fossil, the Ichthyosaur, by more than 30 million years. The Ichthyosaur was a 55-foot-long (16.76 meters) reptile. One of the largest concentrations of Ichthyosaur fossils was found near Berlin, Nevada. The find led to the Ichthyosaur becoming Nevada’s state fossil.

Birgeria americana found in Nevada
Possible look of the newly discovered predatory fish species Birgeria americana with the fossil of the skull shown at bottom right. VOA

The evidence shows the fish was alive and well about 1 million years after mass extinction 66 million years ago wiped out an estimated 90 percent of marine species.

It also shows a large fish was surviving in water previously thought to be too warm to support such life.

At the time, water near the equator, which is where land that became Nevada was positioned about 250 million years ago, could have been warmer than 96 degrees. “The eggs of today’s bony fish can no longer develop normally” at such a high temperature, researcher said.

ALSO READ: Living Fossil in Illinois Waterways: Disappeared from 1990’s Water, Fish “Alligator Gar” is back in US Rivers

Researchers learned of the fossil about five years ago after fossil collector Jim Jenks of West Jordan, Utah, stumbled upon it near Winecup Ranch north of Wells.

“It was just a very lucky find,” said Jenks, who was credited among the paper’s authors. “I happen to notice the teeth glinting in the sun. That is what caught my attention.”

Jenks turned the fish over to the New Mexico Museum of Natural History and Science, which has a large collection of fossils and connections with leading researchers. (VOA)

Next Story

Exclusive: “Memesis” Depicts my Inner Feelings during the time of Pregnancy : Artist Rajni Sahni

0
53
Rajni with her Paper Pulp Cast work made in 2003. NewsGram

– by Tusheeta Kaushik

July 31, 2017: Curated by Jitendra Padam Jain, an exhibition titled “Memesis” was a solo show of Prints and Painting by artist Rajni Sahni and was conducted at Shridharani Art Gallery at Triveni Kala Sangam from July 11th- 21st in New Delhi. “Memesis”, she says, is a representation of herself and the visual perceptions she had in her mind during the time of pregnancy.

Reporter Tusheeta Kaushik of NewsGram spoke to Rajni Sahni on how different forms of visual arts helped her in expressing her mind s visual perceptions in reality, on how art is such a potent form of creative expression which helps in soothing her mind whenever she s going through different emotions and phases in life and on how her mother found the spark and talent in her when she was a little girl.

Tusheeta: When did you realize your passion for art? When was the first time you expressed yourself through art?

Rajni: I realized my passion for art when I passed my diploma in painting from South Delhi Polytechnic College. There, an art critic appreciated it and then there was no turning back after Santiniketan. I started expressing myself through art when I found an artist in myself and that was during my Santiniketan days.

Tusheeta: Anyone or anything that inspired you to take this art form?

Rajni: As a little girl, I was inspired by my mother since she used to appreciate my work and pushed me to never stop myself from expressing through drawings and sketches. Later, as a student at South Delhi Polytechnic College for Women, Professor Jain Gajera inspired me through his works and teachings.

“Metamorphosis” | Etching on paper | 2011

Tusheeta: How did painting help you or relax you at the time of conceiving?

Rajni: Painting had a huge calming effect on me during my 9-month pregnancy! I had some critical conditions. I was there in a room for 6 months and had difficulty in moving from the bed. So, it was my husband who insisted me a lot on unleashing my pain and emotions through art. I agreed and the depiction of my imagination through the usage of different colours made me calm and composed. That s when I thought of starting a series named “Memesis” which depicts my inner feelings during the time of pregnancy. Etching, Painting, Print Making, Lithography, Paper Pulp Casting and Sculpture making are different forms of visual arts that I have worked on.   

“Saviour” | Etching on Paper | 2012

Tusheeta: You’ve mentioned about the magical relation with your daughter. How and why is it so unique and special to you?

Rajni: (Laughing) My daughter is a big critic of my art work. Her appreciation, criticism, guidance and support matters to me. She herself is great at craft making. She s in class 6th and I m glad that I m close to her and the fact that she likes sharing about her daily routine with me.

“Untitled”| Paper Pulp| 2002

 

“I ll weave my life myself ” | Viscosity on Paper | 2011

Tusheeta: You’ve talked about the complex, yet compassionate and a lovable relationship between a mother and her daughter. How this powerful relationship is depicted in your work?

Rajni: I have made a few art works showcasing my relationship with my daughter. I also have had a powerful relationship with my mother, she s been my pillar and I love my daughter immensely, that s the reason I love to showcase the beauty of a mother and daughter relationship through my art work.

Woman from the lap of woman | Paper pulp and thread on paper| 2002

 

“In the lap of nature”| Etching on Paper | 2011

Tusheeta: So, when do you usually paint and what kind of impact does painting have on you?

Rajni: See, it s not just about me as an artist. Any artist out there doesn’t t really have a regular time schedule for painting. Whenever I feel like painting, I paint. I might work on my art piece for a week then I might work on some other piece after a month. It all depends on my mood and whenever I feel like expressing something. I love painting, it has made me what I m today.

 

– reported by Tusheeta Kaushik of NewsGram. Twitter  @TusheetaKaushik