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Artists give Malaysian Twist to traditional Chinese Ink Paintings

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Traditional Chinese Ink Painting, Pixabay

Malaysia, April 11, 2017: While traditional Chinese ink paintings are usually associated with scenic landscapes such as mountains, hills, rivers, bamboo forest, pine trees or flowers, a group of local Chinese ink artists have given a Malaysian twist to such Chinese paintings.

They are featured at the Ink Sense Chinese Painting Group Exhibition at contemporary art space L’Atelier Rouge in Jaya One in Petaling Jaya. Six artists are participating in this exhibition.

Collectors and art enthusiasts can spot a distinctly Malaysian flavour or theme in this exhibition, with some works proudly drawing inspiration from traditional kampung settings, rubber trees and batik prints.

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At the show, Ng Yen Tee, 45, whose background is western art, has four artworks based on traditional Malay wooden houses. In her “harmony-centred” works, Ng contemplates on the idea of “home” – for a family and a multi-cultural nation. She uses three colours in her batik designs to symbolise the three dominant races in Malaysia. She also infuses her paintings with a dark ink texture to create a strong contrast for these colours to make each painting “visually more attractive”. Six years ago, she took up Chinese painting lessons from an art teacher in Klang.

Graphic designer Yon Chuk Yim, 48, feels that Chinese ink artworks need not be restricted to traditional themes. She explores a mixture of contemporary techniques, such as color splashes, and overlaying colors over ink.

Yon, whose mentor is Yee Sze Fook, a full time artist, likes to paint on the whim rather than follow a theme.

Veteran artist Shirley Chu Siow Eng, 67, born in Fujian province in China, Chu migrated with her parents to Malaysia when she was five. Choosing rubber trees as her theme, she recalls her younger days when her father explained how rubber plantations provided jobs and resources for the local economy.

Chong Buck Tee, 67, a graduate of the Malaysian Institute of Art 1972, who is one of Malaysia’s foremost Chinese brush painting artists, with a career span of more than 30 years, who has won numerous awards at home and abroad and is currently the president of the Bakti Art Centre in Ampang, and advisor of the Selangor and Federal Territory of Kuala Lumpur Shui-Mo Art Society, loves to paint landscapes. At this exhibition, his striking work, Mystic Landscape, has a refreshingly modern feel. “My works are imaginary but based on what I have seen – either from my travels or from pictures,” says Chong.

Others taking part in the exhibition are Dr Kok Ming Fong and Karen Ng.

– Prepared by Upama Bhattacharya. Twitter @Upama_myself

 

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Rajdhani Express To Display Odisha’s Art, Culture And Heritage

Odisha's art, culture and heritage will be on display on the exteriors of New Delhi-Bhubaneswar Rajdhani Express

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Odisha, art, culture, heritage, Rajdhani Express
NALCO will sponsor high-quality designs on vinyl wrapping sheets to drape the Rajdhani trains. Wikimedia Commons

Odisha’s art, culture and heritage will be on display on the exteriors of New Delhi-Bhubaneswar Rajdhani Express.

East Coast Railway (ECoR) and National Aluminium Limited Company (NALCO) on Monday signed an agreement in this regard.

NALCO will sponsor high-quality designs on vinyl wrapping sheets to drape the Rajdhani trains. The ECoR has three sets of train rakes of Rajdhani Express.

The designs have been made such that each coach will have a distinct display. The designs will adorn the exteriors of the train, said an ECoR official.

The designs will promote three themes – dance forms, archaeological monuments and flora and fauna of the state.

“This will go a long way in promoting tourism potential of Odisha and promote traditional Odishan art,” said Ajoy Behera, ECoR principal chief commercial manager.

Odisha, art, culture, heritage, Rajdhani Express
The designs will promote three themes – dance forms, archaeological monuments and flora and fauna of the state. Wikimedia Commons

These designs will be placed between the glass windows of the coach on exterior side. There will be two more strips, one at the top and the other at the bottom, reflecting various designs in traditional Pattachitra form.

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Nalco’s designs and logos will also feature on the coaches. Reputed designers and agencies have been engaged in the exercise. (IANS)