New Delhi, October 16, 2017 : Filmmaker Divya Khosla Kumar, who has made films like “Yaariyan” and “Sanam Re”, says she would love to make women oriented films as women are now in every field and doing wonders.
“I would love to if I get an amazing script,” said Divya. However, when it comes to actress, she feels that choice is completely dependent on character.
“I don’t have actress or actor in mind as I feel character gives you definition of whom you should cast,” said the filmmaker was set to walk the runway as a showstopper for designer Charu Parashar at Amazon India Fashion Week (AIFW) Spring- Summer 2018 on Sunday.
Parashar will showcase a collection titled ‘Immortelle’ that derives inspiration from the Victorian glass house through its lush flora and fauna and the undying spirit of a woman.
Talking about the designer, Divya Khosla Kumar said: “The cloth has fitted me so beautifully I like the concept as it showcases women undying spirit. Women work so hard. I think it is time to pay homage to them as they never give up and this is what the line celebrates.”
Talking about how the role of women has changed in the film industry, she says, “Initially it was very male dominated and there were hardly any women director but now women have entered everywhere and they are making their mark. I think its more to do with talent than differentiating on gender.” (IANS)
Jio MAMI hosted a brunch to discuss and inspire women equality and quality films, which was graced by Manisha Koirala, Shabana Azmi, Kiran Rao, Anupama Chopra, Sayani Gupta, Kriti Sanon, Neha Dhupia and many more
Mumbai, October 17, 2017: Veteran actress Shabana Azmi on Monday said it is the time people started seeing the world through a “feminine gaze”.
The pro-equality actress was speaking at “#F for Freedom MAMI” segment of Jio MAMI 19th Mumbai Film Festival.
“I am very delighted that MAMI this year is concentrating on making women’s work more visible. I think it is high time that we started to see the world through feminine gaze,” she said.
Jio MAMI hosted a brunch to discuss and inspire women equality and quality films, which was graced by Manisha Koirala, Shabana Azmi, Kiran Rao, Anupama Chopra, Sayani Gupta, Kriti Sanon, Neha Dhupia and many more.
Manisha Koirala, who has been vocal about gender equality, said she was happy that JIO MAMI is recognizing women’s contribution.
“Tumhari Sulu” actress Neha Dhupia said that things aren’t changing but with a little initiative, things will change in coming times. “Just because there is a women-centric film after 30-40 others release, everyone feels that things are changing but they are not changing just yet.”
Kiran Rao, the lady behind the initiative, expressed that main objective was to inspire women and get them in mainstream cinema, either in front or behind.
“The initiative was started two years ago, to inspire females to be part of the film industry, not just tell their stories. We want females to join film industry as writers, actors, technicians, creative arts and camera persons as this will improve the condition of women,” said Kiran.
Film critic Anupama Chopra said that the issue of equality in the film was not just limited to Bollywood, “it is rampant everywhere”. (IANS)
Mumbai, October 9, 2017 : Filmmaker Kundan Shah, who gave Indian cinema a different brand of humor with the cult black comedy “Jaane Bhi Do Yaaro” and subsequently television shows like “Nukkad” and “Wagle Ki Duniya” with the ‘aam aadmi’ at the centrestage, died early on Saturday, a family member said. He was 69.
“He died in his sleep early in the morning,” his relative told IANS.
Satish Kaushik, who wrote dialogues for “Jaane Bhi Do Yaaro” and acted in it, said Shah suffered a cardiac arrest.
His last rites were performed at Shivaji Park crematorium by daughter Shilpa with close family members and friends from the film fraternity in attendance, including “Jaane Bhi Do Yaaro” actors Naseeruddin Shah and Satish Shah, as well as Sudhir Mishra, Anil Kapoor, Deepak Dobriyal, Ratna Pathak, Raveena Tandon and Ashoke Pandit.
The filmmaker, hailed by the Indian film fraternity as a “master storyteller”, would have turned 70 on October 19.
His tryst with learning about film direction began at the Film and Television Institute of India (FTII) in Pune. Just last week, he was at the institute for an event. He had even paid a tribute to actor Tom Alter, who died on September 29, and had spoken about a tentative script that he wrote for a part two of “Jaane Bhi Do Yaaro”, his debut directorial which came out in 1983.
In an interview to IANS, Shah had said he had applied for a loan of Rs 400,000 to make the movie, but then the production cost went up and finally it was made at a budget of Rs 725,000 as the National Film Development Corporation (NFDC) came on board as producer.
“Jaane Bhi Do Yaaro” narrated a tale of two simple and honest photographers, who witness a murder and get dragged into the corrupt real estate circle where politicians and bureaucrats are involved. The film, laced with slapstick comedy, didn’t fetch good box office, but achieved cult status with time.
“When I was making the film, I never thought it would be such an acclaimed movie. Every filmmaker has some dreams and this film has given me more than I dreamt of. It surpassed my expectations,” Shah had told IANS.
He had received his first and only National Film Award – Indira Gandhi Award for Best First Film of a Director – for it. This was the same award that Shah had returned to the Ministry of Information and Broadcasting during the student protests in FTII in 2015 over Gajendra Chauhan’s appointment as its chairman.
The movie featured actors like Naseeruddin Shah, Ravi Baswani, Om Puri, Pankaj Kapur, Satish Shah, Satish Kaushik, Bhakti Barve and Neena Gupta. And Shah believed it gave “a lot to the entire cast and crew and its success is beyond their imagination too”.
After making “Jaane Bhi Do Yaaro”, Shah moved to television and worked there for seven years — giving such gems as “Nukkad”, “Wagle Ki Duniya” and “Yeh Jo Hai Zindagi”, all of which gave the Indian telly audience a reason to laugh away their worries with stories of everyday struggles.
With its simple yet compelling narrative, the Doordarshan show “Nukkad”, told stories of lower income people battling issues while trying to survive in a tough social and economic climate.
“Yeh Jo Hai Zindagi” saw Satish Shah infuse laughter by essaying different characters from many professions and regions of India, in different episodes.
“Wagle Ki Duniya”, based on cartoonist R.K. Laxman’s character of the common man, dealt with the woes of the middle-class Indian. With impeccable performances by Anjan Srivastav and Bharati Achrekar, it’s still etched in the minds of Hindi TV buffs of the late 1980s.
It is for Shah’s sensitivity towards the common man that filmmaker Prakash Jha dubbed him as the “Common Man of Cinema”.
Shah returned to films with the 1993 coming-of-age romantic drama “Kabhi Haan Kabhi Naa”, which saw Shah Rukh Khan romance Suchitra Krishnamoorthi.
“He was a good man and a genius filmmaker,” Suchitra, who wishes a “glorious afterlife” for Shah, told IANS.
In a long career, Shah came up with few but impactful works.
Filmmaker Mahesh Bhatt described Shah as a brave man “who added vigour to the alternate cinema stream with movies like ‘Jaane Bhi Do Yaaro'”.
Actor Satish Kaushik said Shah gave “comedy a new face”, while Sudhir Mishra, who was his friend, said Shah was “wise, crazy, academic, imaginative and mourned the impossibility of true love”.
Seven years after “Kabhi Haan Kabhi Naa”, Shah came up with “Kya Kehna”. With teenage pregnancy at its core, the Preity Zinta-starrer was ahead of its time and did well. His subsequent projects “Hum To Mohabbat Karega”, “Dil Hai Tumhaara” and his last movie as a director “P Se PM Tak” failed to get commercial success. (IANS)
Hyderabad, October 8, 2017 : Prabhas always thought he was too shy to emote in front of the camera, and had planned a career in the hospitality sector. But not only did he enter showbiz, but attained global fame with the “Baahubali” film franchise. The actor says he still gets conscious at public events — and is learning the art of handling stardom.
“I am still shy when I go to interviews. I want a lot of people to come and watch my film but I can’t face (that many) people,” Prabhas told IANS in a candid interview.
“After being in the industry for 13-14 years now, I still don’t know how to handle stardom. My fans feel bad that their hero doesn’t come out so much. I’m better than before, and trying to improve,” he added.
His father is famous producer Uppalapati Surya Narayana Raju and his uncle Krishnam Raju Uppalapati has also made a name in Telugu cinema.
Many would have thought that his family’s film roots would lead him naturally into the film industry. But that was not the case.
Prabhas says he had denied his family’s suggestion to try his luck in the field, and that he still can’t put a finger on what made him change his mind.
“My uncle is an actor, my dad is a producer, so they asked me if I was interested, and I was like ‘How can someone act in front of so many people with lights and emote’. I used to feel shy… My parents asked me once or twice (about the decision to be an actor) and I said that it is impossible.
“I had thought I will do some business because I am lazy and I can’t do jobs. I had thought that maybe I will go into hotel business because our family loves food. And north Indian food is very famous in Hyderabad.”
So what changed his mind?
“This is what I remember, (though I) actually don’t know what happened inside my mind. One day I was watching my uncle’s film directed by Bapu. I imagined myself in my uncle’s character… Then I think it slowly started somewhere.”
Prabhas, who started his career with Telugu film “Eeshwar” in 2002, says he faced a hard time making his family believe about his newfound acting ambition.
“One day, I told my friend that I want to act, and he didn’t believe me… He believed me after at least 10 days. And now he is the producer of ‘Saaho’.”
He made his place in the southern film industry with projects like “Raghavendra”, “Barish: The Season of Love”, “Varsham”, “Jeene Nahin Doonga”, “Chatrapathi”, “Yogi”, “Rebel” and “Pournami”.
But his role as Amarendra Baahubali and Mahendra Baahubali from the “Baahubali” universe changed the whole game for him, and made him popular both in India and around the world.
Filmmaker S.S. Rajamouli put together a story about the battle for control of an ancient kingdom between two brothers in two parts — with dance, music, emotion and drama.
The first part “Baahubali: The Beginning” came out in 2015 and the second “Baahubali 2: The Conclusion” was released earlier this year. The second instalment will have its TV premiere on Sony MAX on Sunday.
After “Baahubali” becoming a phenomenon, Prabhas admits that fear of failure with upcoming projects looms large.
“Fear of failure is definitely there for every film. It was present for ‘Baahubali’; then, after the first part, it was there for the second part. Now, there are so many expectations and audience wants to see something else… Fear is there, but what we can do is believe in something and try to make it.”
On the film front, Prabhas is busy with “Saaho”, which will mark Shraddha Kapoor’s Telugu debut. The film is being shot simultaneously in Hindi, Tamil and Telugu. He also has a period love story in his kitty. (IANS)