New documentary ’78/52′ draws upon Alfred Hitchcock’s celebrated film Psycho
The documentary examines how Hitchcock shot the shower scene that went on to make history
78/52 will have a theatrical release on October 13
Washington D.C, September 1, 2017 : The trailer to 78/52 opens with Alfred Hitchcock’s distinctive voice that instantly brings goose-bumps, “I once made a movie. It was intended to cause people to scream and yell, but I was horrified that some people took it seriously.” Hitchcock’s film ‘Psycho’ changed the heartbeat of the world, and made the shower-scene immortal. And the documentary 78/52 aims to explore just that!
78/52, directed by Alexandre O. Philippe will present a detailed frame-by-frame analysis of the iconic shower scene from Psycho in an attempt to know more about ‘the man behind the curtain’.
The title of the documentary sounds as intriguing as the original sequence was.
If you are wondering about it, ‘78/52’ refers to the 78 set-ups and the 52 cuts that were taken to accomplish the iconic shower scene; a singular event that had taken one-quarter of Psycho’s shooting schedule.
For director O. Philippe, the murder in the shower scene was a critical and defining cultural moment; he calls it “the most important scene in the history of motion pictures”. According to him, the 3-minute long scene was “the culmination of decades of experimentation for Mr. Hitchcock, and the purest expression of his absolute mastery of the art and craft of film-making.”
Analyzing ‘The Man Behind The Curtain’
Hitchock had once admitted that the shower scene was his only motivation to make a film in the first place. And rightly so! The film (and the scene) went on to become one of the most celebrated works in the global film-making industry.
As per the trailer, 78/52 presents a captivating analysis of O. Philippe’s interpretation of this iconic scene that altered the course of world cinema.
The documentary is believed to explore the murder scene wherein the crook Marion Crane (character played by Janet Leigh) was repeatedly slashed with a knife by an intruder from different angles and perspectives. Additionally, the documentary will pay special emphasis on the technical aspects of shooting and the sequence’s impact on the culture and practice of movie-making.
ALSO WATCHTrailer of documentary 78/52
The trailer also reveals that the documentary aims to uncover the depiction of violence by critically studying the allusions and double meaning created by Hitchcock in the original 3 minutes-long sequence.
Following its Sundance premier, the makers have now released the trailer of the documentary ahead of its theatrical release which has generated immense curiosity among viewers worldwide.
Learn how @AlfredHitchcock created the legendary PSYCHO shower scene in the acclaimed new documentary 78/52!
Directed by Alexandre O. Philippe, the documentary features in-depth interviews of filmmakers, critics and fans including Guillermo del Toro, Jamie Lee Curtis, Eli Roth and Peter Bogdanovich among others.
It is captivating, it is enthralling; 78/52 is being touted as a multifaceted master class that makes for a intriguing piece of cinematic detective work.
78/52 will be officially released across all digital platforms on October 13
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Actress Radhika Apte feels that sexual abuse does not only exist in the world of showbiz but takes place in every alternate household.
“Sexual abuse takes place in every alternate household. So it’s not a part of just the film industry. You have so much child abuse, domestic abuse everywhere in the world, including India,” Radhika told IANS over phone from Mumbai.
She says it exists in “every field and household at some level or the other and that it all needs to be eliminated”.
Sexual abuse does not target just women, stresses Radhika.
“It’s also towards men, little boys and everybody. People exploit their power at every level.”
Radhika asserted that this needed to change.
“I think it starts from us putting our foot down and saying ‘no’ to things, however big your ambition is. You need to be brave about it, believe in your own talent, say ‘no’ and start speaking up because if one person speaks up, nobody is going to listen to him or her. But if 10 people do, then others would (listen to them),” she said.
The “Phobia” actress, who will be seen mentoring budding filmmakers in MTV’s upcoming digital show “Fame-istan”, says there has to be a more organised platform for people to work.
“There has to be more professional platforms as well as rules in place which is slowly happening.”
Sexual abuse has been a topic of debate in Bollywood and Hollywood. Prominent names from the entertainment industry are discussing how men in power take advantage of women in exchange for taking forward their dreams.
The sexual harassment saga started when a media house published a story in October revealing numerous accusations of sexual abuse against Hollywood producer Harvey Weinstein.
But why are no names taken in the case of casting couch in Bollywood?
“Because of fear, because people who have great ambitions are afraid. They think of what will happen to them if they take somebody’s name who has so much power. That’s what I am saying. Everybody has to speak up,” she added.
Radhika ventured into Bollywood in 2005 with “Vaah! Life Ho Toh Aisi!” and since then has explored genres like thriller, drama and adult comedy with films like “Rakht Charitra”, “Shor in the City”, “Badlapur”, “Parched” and “Hunterrr”.
Was it a conscious decision to act less in commercial entertainers?
Radhika said: “Nothing like that. You have to choose from the work that you have. You can’t say that ‘I want that’ if that’s not been offered to you. So, whatever is offered to you, you choose from that. You make your choice whatever you feel is going to be more challenging or something that inspires you or excites you.”
She says she makes her choices in the “spur of the moment” with whatever she feels intuitively. “I am not a very big planner.” (IANS)
Toronto, October 5:Sean Baker’s “The Florida Project” takes place in a blindingly purple low-budget motel named the Magic Castle, just down Route 192 from Disney’s Magic Kingdom. For the children of single parents who live there, the Kissimmee, Florida, motel is a playground — even if they’re living in poverty.
The Florida Project,” which opens in theaters Friday, is an ebullient, candy-colored movie wrapped around the very real issue of hidden homelessness. Families nationwide are living below the poverty line and eking out an existence in cheap motels, but the problem is particularly acute — and ironic — in the shadows of Walt Disney World.
The Florida Project stars Willem Dafoe as the kindly father-figure manager Bobby, but its central characters are played by newcomers. The feisty, scamming Halley (Bria Vinaite) is the 23-year-old mother to Moonee (7-year-old Brooklynn Prince), a free-spirited troublemaker who, with her friends (including the 6-year-old Valeria Cotto), are a delightful menace to Bobby and the motel’s residents. (voa)
Handicrafts are the products which are mostly made by hand.
The history of Indian handicrafts can be divided into three eras: Pre British, British era, and Post Independence.
Clay craft is the earliest form of crafts to have existed in India.
New Delhi, September 28, 2017: Handicrafts in India have a long history. From ancient to the contemporary times, handcrafters have preserved this art. This art has been passed on from one generation to the next. Pottery making, in fact, is one of its forms, whose existence can be traced back to the Harappan Civilization.
What are handicrafts?
Handicrafts are products that are produced either completely by hands or involve tools. Mechanical tools could also be used as long as the manual contribution of the artisan remains the central component of the produced object. The production of these crafts require great skill and represents a particular expression, culture or tradition. Handicrafts could hold a number of values, some of them being aesthetic, cultural, decorative, utilitarian, religious, functional etc.
Historical Perspective of Indian Handicrafts:
To understand the historical perspective of Indian handicrafts, we need to go back in time. Let’s take a look at the development and decline of the artisanal production under three different time periods: before the arrival of British in India, Under colonial rule, and after India got independence.
History of Indian Handicrafts Before the arrival of British:
Art and crafts, as we have already mentioned, has been a tradition in India since long. Textiles, the most important of the Indian handicrafts, reached the zenith of perfection during the Mughal period. While under Mughals, it was the art of weaving and silk spinning that scored refinement; it was metal works, ivory works and jewelry that reached great potential during the Gupta period. The handicrafts production during that time can be divided in four broad categories. The first category dealt with the village economy under the jajmani system, in which the products were articles of daily use. The second category was integrated with the urban areas, where artisans produced crafts mainly for the purpose of sale. The third category concerns the dadni system, in which the merchants advanced cash to the artisans for production. The final category includes the Karkhanas, where skilled artisans produced luxury crafts under the command of kings or high nobles. Handicraft production was the second biggest source of employment in the pre-British India.
History of Indian Handicrafts Under Colonial Rule:
Under the British rule, production of Indian Handicrafts faced a rather sharp decline. When the East India Company was in power, it forced monopoly over the production of artisans from Bengal, and the price of these products were fixed 15-40% lower than their actual market price. What came as the biggest blow to the Indian artisans, however, was the removal of most of the Indian princes and nobles, which as an effect, led to the destruction of the artisan’s major market.
History of Indian Handicrafts Post-Independence:
The plight of the artisans and the cultural importance of artisanal production was taken into accord after India got independent. The establishment of All India Handicrafts Board in November 1952, to look at the problems and find solutions concerning Indian Handicrafts; the Handicrafts and Handloom Export Corporation of India Ltd in 1958, to promote handicrafts exports; Opening of Crafts Mueseum in 1953 in Delhi, to develop people’s interest in handmade Indian goods, all alluded to the idea that India had finally realized the importance of its art and crafts, and did not want to leave any stone unturned for its development.
A brief history and development of different form of handicrafts in India:
Clay craft and pottery: Clay craft is the earliest form of crafts to have existed, in India or in the world. A simple earthenware made of clay or ceramic has been created and used by the rural population for centuries. Potters have had an integral traditional link with the villages. The earthen pottery has only been developing, with the addition of new colors, figures of gods and goddesses, and decorative elements like flowers.
Main centers: Uttar Pradesh (Nizamabad and Chinhat), where the pottery is dark black; Bengal which produces large figures of gods, especially on the occasion of Durga Puja; In Kashmir, Srinagar is the place where special glazed pottery is made; Terra-cotta roof tiles are a tradition in Orissa and Martha Pradesh; both Rajasthan and Karnataka are popular for their black pottery; Manipur in the northeast is also famous for its pottery.
Wood craft: Wood craft is widely produced and used throughout the country, with the most important products being household furnitures, carts and decorative objects. Baskets for storage and Toys, both for play and decoration are also made on a large scale.
Main centers: The elegant use of wood by skilled craftsmen can be seen in the houses at Gujrat and Kerala. Kashmir acquires a special position in this category of craft, with the walnut and deodar being the most favorite woods there. Saharanpur in U.P is also quite famous for its wooden furniture and objects of decoration.
Metal craft: Copper was the most widely used metal in India before Iron joined in. Utensils, jewelry, dagger, axe heads etc in the harappan finds suggest that casting of copper objects made use of moulds. Bronze was also an important metal for the artisan production. The skills of craftsmen on metals are of various types, such as embossing, engraving, moulding etc.
Main centers: Kashmir (Srinagar) and Ladakh (Zanskar) are the two main centres. In Uttar Pradesh, Moradabad, Aligarh, Varanasi are the main centres of metal craft. Kerala specializes in the bell metal, whereas Bidar in Karnataka is noted for its Bidri work. Tribal groups in India also appear to hold their specific metal craft traditions.
Stone craft: Stones, without a shadow of doubt, have been there with humans since the earliest. They have been crafted into various products such as tools, decorative objects, sculptures and even jewelry. Statue of Yakshi of Didarganj is one fine piece of stone sculpture and dates back to the Maurya period. Majestic Qutub Minar in Delhi, and forts at Agra, Delhi, Jaipur are all works of stone craft.
Main centers: Rajasthan due to a large availability of stones tops the list of most prominent places for stone works. Salem district in Tamil Nadu also makes it to the list along with Gaya in Bihar. The stone cutters of Orissa also share a long history with the craft.
Ornaments and jewelry: From grass jewelry to that of gold and diamonds, one can witness great diversity when it comes to ornaments and jewelry in India. Gold, gems, silver, diamonds, other metals and precious stones are some materials used for making ornaments. Bones, horns, sea shells, lac, glass etc are also used in many parts of the country to create ornaments. The Harappan finds revealed a number of ornaments, indicating their existence since long. There are many references in Ramayana and Mahabharata of gold being precious objects.
Main centers: Western ghats and Matheran in Maharashtra are noted for grass ornaments. Gujarat and Rajasthan share a rich and long tradition of jewelry. Kashmir is one of the most prominent places, again, with its exquisite jewelry, Varanasi and Awadh of U.P. are famous for gold studded jewelry.
Textiles: India had had one of the richest traditions of textiles made from different raw materials. It won’t be wrong to say that Indian textiles tend to reflect Indian culture and religious beliefs. Bengal was the chief center of cotton production and Carpet weaving reached its zenith at the time of Mughals. The most commonly knows fabrics are cotton, wool and silk. The three main techniques used for patterning are weaving, embroidery and dyes.
Main centers: Orissa and Andhra Pradesh are famous for ikat fabric, Gujarat and Rajasthan for bandhani, U.P. and Bengal for jamdani fabrics. Rajasthan is also noted for Masoria fabric.
-prepared by Samiksha Goel of NewsGram. Twitter @goel_samiksha