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Documentary ’78/52′ Explores The Killer From Hitchcock’s Classic ‘Psycho’ : Watch Trailer and Latest Updates

It is captivating, it is enthralling ; from the very first glimpse of the trailer, 78/52 appears to be a promising film.

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78/52
The iconic 3 minute murder sequence from Psycho has been honored with an entire documentary titled 78/52 devoted to its brilliance. Youtube
  • New documentary ’78/52′ draws upon Alfred Hitchcock’s celebrated film Psycho
  • The documentary examines how Hitchcock  shot the shower scene that went on to make history
  • 78/52 will have a theatrical release on October 13

Washington D.C, September 1, 2017 : The trailer to 78/52 opens with Alfred Hitchcock’s distinctive voice that instantly brings goose-bumps, “I once made a movie. It was intended to cause people to scream and yell, but I was horrified that some people took it seriously.” Hitchcock’s film ‘Psycho’ changed the heartbeat of the world, and made the shower-scene immortal. And the documentary 78/52 aims to explore just that!

78/52, directed by Alexandre O. Philippe will present a detailed frame-by-frame analysis of the iconic shower scene from Psycho in an attempt to know more about ‘the man behind the curtain’.

The title of the documentary sounds as intriguing as the original sequence was.

If you are wondering about it, ‘78/52’ refers to the 78 set-ups and the 52 cuts that were taken to accomplish the iconic shower scene; a singular event that had taken one-quarter of Psycho’s shooting schedule.

For director O. Philippe, the murder in the shower scene was a critical and defining cultural moment; he calls it “the most important scene in the history of motion pictures”. According to him, the 3-minute long scene was “the culmination of decades of experimentation for Mr. Hitchcock, and the purest expression of his absolute mastery of the art and craft of film-making.”

Analyzing ‘The Man Behind The Curtain’

Hitchock had once admitted that the shower scene was his only motivation to make a film in the first place. And rightly so! The film (and the scene) went on to become one of the most celebrated works in the global film-making industry.

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As per the trailer, 78/52 presents a captivating analysis of O. Philippe’s interpretation of this iconic scene that altered the course of world cinema.

The documentary is believed to explore the murder scene wherein the crook Marion Crane (character played by Janet Leigh) was repeatedly slashed with a knife by an intruder from different angles and perspectives. Additionally, the documentary will pay special emphasis on the technical aspects of shooting and the sequence’s impact on the culture and practice of movie-making.

ALSO WATCH Trailer of documentary 78/52

The trailer also reveals that the documentary aims to uncover the depiction of violence by critically studying the allusions and double meaning created by Hitchcock in the original 3 minutes-long sequence.

Following its Sundance premier, the makers have now released the trailer of the documentary ahead of its theatrical release which has generated immense curiosity among viewers worldwide.

Directed by Alexandre O. Philippe, the documentary features in-depth interviews of filmmakers, critics and fans including Guillermo del Toro, Jamie Lee Curtis, Eli Roth and Peter Bogdanovich among others.

It is captivating, it is enthralling; 78/52 is being touted as a multifaceted master class that makes for a intriguing piece of cinematic detective work.

78/52 will be officially released across all digital platforms on October 13


 

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Oscar Nominees Furious Over Exclusion From Telecast

Rachael Stanley, the Executive Director of the Costume Designers Guild, lamented the loss of attention for her guild's industry siblings

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Hollywood filmmakers like Alfonso Cuaron and Guillermo del Toro and leading craftspeople have condemned a decision by the Academy of Motion Picture Arts and Sciences to hand out four awards during commercial breaks in the hope of trimming the shows (Oscars) run time.

Nominees and their colleagues from the commercial-banished categories of cinematography, make-up and hairstyling, film editing, and live action shorts slammed the decision in interviews and via heated posts on social media, reports variety.com.

“I find it depressing that they are doing this. Hopefully it won’t be like the part of the show where they play clips from the Sci-Tech awards dinner. That always feels a bit sad, like they didn’t get invited to the real party,” said cinematographer Caleb Deschanel, a nominee this year for “Never Look Away”.

Deschanel is referencing the Academy’s annual Scientific and Technical Awards, held two weeks before the Oscars and typically hosted by a celebrity, which honours technical achievement in film.

Deschanel has been nominated six times stretching back to 1983’s “The Right Stuff”, but has yet to win.

Filmmaker Alfonso Cuaron, a multiple-nominee for producing, directing, writing and cinematography for “Roma”, criticised the Academy’s decision.

“In the history of cinema, masterpieces have existed without sound, without colour, without a story, without actors and without music. No one single film has ever existed without cinematography and without editing,” wrote Cuaron.

Three-time Oscar winner Emmanuel Lubezki called it “an unfortunate decision”.

Oscar winner Guillermo del Toro said he “would not presume to suggest what categories to cut during the Oscars show but cinematography and editing are at the very heart of our craft”.

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An Oscar Award.

“They are not inherited from a theatrical tradition or a literary tradition. They are cinema itself,” del Toro said.

Drake Doremus, indie director behind the late Anton Yelchin’s “Like Crazy”, even called for a “boycott”.

In a memo outlining the changes, Academy of Motion Picture Arts and Sciences President John Bailey said representatives from categories that were shunted off to the commercial breaks volunteered to have their award presented off-camera.

However, the board members who represent those crafts don’t speak for the unions or guild membership.

The show’s director, Glenn Weiss, will determine what emotionally resonant moments from the four speeches make it to air later in the broadcast, according to an individual close to the production.

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The show will cut any comment from presenters, as well as any recitation of the nominees, said the insider. While Bailey said the speeches will air in their entirety, that may not be the case on the big night as broadcasters reserve the right to cut them, the source said.

“This decision could be perceived as a separation and division of this creative process, thus minimising our fundamental creative contributions,” said Kees van Oostrum, President of American Society of Cinematographers, in a statement on Tuesday.

“To find out so close to the actual awards that you’ll be in the commercial break, it’s disappointing,” Lee Smith, last year’s film editing winner for “Dunkirk”, said.

Rachael Stanley, the Executive Director of the Costume Designers Guild, lamented the loss of attention for her guild’s industry siblings. (IANS)