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Gear Up Indian Women Writers! Time to Call for Celebration on August 24

The festival is likely to call attention to gender issues, creativity, issues revolving around feminism

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Woman opening a sheet. Pixabay

Bengaluru, Aug 22, 2017: In today’s era, it would be wrong to say that there is a dearth of female writers or no female writers at all. From illustrated novels to mythology and humorous copies to science fiction — it would be a mistake to pigeonhole these writing styles as the male-centric. Definitely not when there are a plethora of women writers existent in this domain.

Here is a chance to all the women authors out there to showcase their talent to the city with an initiative called “SheThePeople”. It is a storytelling platform that invigorates women to swap ideas and work in a well-accorded manner.

The Women Writers’ Fest is being organised primarily for the first time in Bengaluru on August… Click To Tweet

Also Read: Women Writers’ Festival will discuss issues that shape Women Professionals in the 21st Century 

Pronouncing it as a  celebration of the Indian women writers, publishers, storytellers, editors and novelist, the communications consultant Rupali Mehra, also associated with the event, stated: “We have conducted two events in Delhi and Mumbai. Bengaluru was chosen this time as it has produced talented women authors and poets and has a vibrant reading culture,” mentioned The Hindu report.

The event will witness the participation of writers including Sowmya Aji, Shinie Antony, Jahnavi Barua, Jane De Suza, Priyanka Pathak Narain and Gita Aravamudan.

The founder of SheThePeople, Shaili Chopra said: “The idea was to give rise to a platform where we give women voices the majority. That said, our programmes are not restricted to just women. We encourage men to be part of this dialogue”.

The event is reported to have panel discussions on women writing humour, women bloggers, short stories, children’s literature, and mythology among others. The festival will put the spotlight on gender issues, feminism, creativity, and narratives created by women to define their space.

The festival is likely to call attention to gender issues, creativity, issues revolving around feminism, anecdotes devised by women to mark their space.

Author and blogger Kiran Manral on the need for an event focussing only women said: “Women writers need a space where they can discuss issues that inform their writing which can be different from what male writers face. A festival like this provides a warm nurturing space to have these conversations.”


NewsGram is a Chicago-based non-profit media organization. We depend upon support from our readers to maintain our objective reporting. Show your support by Donating to NewsGram. Donations to NewsGram are tax-exempt. 

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A little truth needs to be added in children’s literature

Children's literature needs to be developed with changing time and society

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Literature for Kids in India
Indian literature was all about mythology but now things are changing.Wikimedia Commons

– Paro Anand

I grew up in a house of books and reading. Every evening, we had what was called a “quiet time”, when we sat together just before dinner, listening to classical music and reading our own books. I hated that time. I resented being made to sit still and quiet. But my parents and sisters were avid readers; so I just had to fall in line.

I started reading whatever my sister seemed to enjoy. So at the age of 12 or so, I began reading “Great American Plays” and German poet Bertolt Brecht. I was part of a theatre group and so found reading plays fascinating. It did me more good than harm to be reading way beyond my years. I went back to reading these plays much later and enjoyed them in a totally different way. There didn’t seem to be much distinction between literature for children and adults. The lines had barely been formed. And there was no parental interference, we were free to pick any book off our parent’s shelves.

Yes, I was reading William Shakespeare, Pooh and also, Brecht, all at the same time. Whatever took my fancy. The biggest change from my growing-up years to my children’s and onwards is that there were practically no Indian books to choose from other than the usual mythology and folktales, not for the young reader, at any rate. When my children were growing up, there were some books for them to choose from that lay within India. Besides Ruskin Bond and R.K. Narayanan, there was also “Target” magazine which showcased some wonderful new writers like Sigrun Srivastava, Anupa Lal, Subhadra Sengupta and Deepa Agarwal, among many others.

“Target” and “Children’s World” spearheaded a much-needed trend of Indian writing in the contemporary context. Sadly, “Target” was closed down — a great disservice to children’s literature, I feel. Childrens Book Trust and National Book Trust were also bringing out exciting new writings like Arup Kumar Datta’s “The Kaziranga Trail”, which remains one of my all-time favourites along with Sigrun Srivastava’s “A Moment of Truth”.

And this trend has continued unabated. The growing number of foreign publishers coming into India and then starting a children’s imprint supports this. Of course, Penguin’s Puffin has been around for a long time, but they are bringing out exciting books that break new ground. Even Indian publishers like Duckbill, which is dedicated to young literature, Speaking Tiger launching Talking Cub, Rupa launching Red Turtle and Full Circle’s Tota Books are all important moves in the right direction.

Scholastic, the biggest children’s publisher worldwide, has been very successful in India, holding book fairs in schools. Schools themselves hold Book Weeks and book events where authors are invited. I am working with several book sellers who sell my books in the hundreds at schools. Supplementary readers are often from Indian authors.

The problem, I feel, is really one of access. While more and more schools are putting in a lot of effort to get books to their students, once that push is over and children have got excited by reading, where do they go? Where do they get more information about new releases and new authors? Media and bookseller support is a must. The growing trend of local literary festivals that has been sparked by the tremendous success of the Jaipur Lit Fest sees huge numbers of school students flocking there looking to meet and hear authors and buy copies.

Today, as I proudly receive my Sahitya Akademi Bal Sahitya Puraskar Award, I am humbled as I see how far we have come in the journey of winning a deserving status for children’s literature. Think of it, the Sahitya Akademi awards have been given since the 1950s to those writing for adults. The prize for children’s writers came only in 2010. So, yes, it has been a long time coming. But it is here.

There are now wonderful writers writing about real issues, real life — the lives that young people are grappling with every day. “Unbroken” by Nandhika Nambi (Duckbill) and “Slightly Burnt” by Payal Dhar (Bloomsbury) are wonderful books that are important in marking the paths of children’s literature in the modern context.

I speak, of course, only of Indian literature in English. There was a time when I could speak with some authority about the Indian languages but can no longer claim adequate knowledge. However, sitting on the stage to receive the Bal Sahitya Puraskar by Sahitya Akademi, I was so proud to be with other winners from 23 other languages, including Santhali, Manipuri, Dogri and others. It is important that our Indian languages and young literature in them are equally experimental, equally brave and path-breaking.

Yes, there is a place for mythology and folk tales. There is room for monsters and rakshasas, but there is also room for the monsters that inhabit our real world. The issues of dichotomy and prejudice. There is space for children to read about the issues that are already impacting them on an everyday basis as well as issues that they should know about. There is a time for fantasy and there is a time for truth. The fantasy has always been there. It’s time to put a little truth and trust in the hands of our young. (IANS)

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5 Women Whose Caliber, Achievements Would Inspire You

Women these days are spearheading in many sectors across the Globe and those listed below are some examples of the leading ladies.

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women
Indra Nooyi. Wikimedia
  • Women like Sheryl Sandberg, Arundati Bhattacharya, Indra Nooyi, Ursula Burns and Annie Wintour have achieved powerful positions defeating the patriarchal norms.
  • They are an inspiration to the millions wanting to succeed in life.

Sep 15, 2017: There was a time when very few names like Indira Gandhi and Kalpana Chawla were heard in the names of empowered women. But, times have certainly changed as every girl next door is now educated and independent. She is not just breaking the stereotypes but also setting a benchmark for a million more to become like her.

With a new wave of feminism being witnessed across the world, women are not just getting into various sectors but also leading it. Below are the examples of the World’s most powerful women whose work and strength are truly inspiring!

  1. Sheryl Sandberg

    Women
    Sheryl Sandberg.  Wikimedia.

Sheryl Sandberg, who served as the Chief Operating Officer for Facebook for four years has played an imperative role in the firm’s success. She is now a board member of the enterprise. Sandberg has been a strong advocate of feminism and equal work pay. She has also founded LeanIn.org, an organization for the empowerment of women across the globe.

2. Arundhati Bhattacharya

Women
Arundhati Bhattacharya. Wikimedia.

Arundhati Bhattacharya is the current Chairman of the State Bank of India (SBI) and one of the most successful bankers of India. She has been a  crucial part of the digitization of the system of SBI; thereby, keeping it at the number one position in the list of Indian banks. In 2016, Forbes magazine listed her as the 25th most powerful woman in the world. Arundhati also focused on making the organisation employee-friendly, especially for women.

Also Read: You Might be able to add Video Reviews to Google Maps Soon!

3. Indra Nooyi

Women
Indra Nooyi. Wikimedia.

Indra Nooyi, the current chairperson and Chief Executive Officer (C.E.O) of PepsiCo is one of the most renowned names in the world business. From Forbes to Times, she has featured in the list of world’s most powerful women many times. Despite the heavy competition in the market, PepsiCo has not just retained its position in the market but reached unprecedented heights under her leadership.

4. Ursula Burns

Women
Ursula Burns. Wikimedia.

Ursula Burns, the chairman of Xerox Corp is a role model for every woman out there. Fighting all odds and racism, she has reached a spot where she is known as one of the most influential personalities in the world. She was the first African-American woman to become the head of a Fortune 500 company.

She was the C.E.O of Xerox for from 2009-2016. She successfully established the company as a service provider, rather than just a manufacturer of printers and copiers during her tenure as the C.E.O.

5. Anna Wintour

Women.
Anna Wintour. Pixabay.

Anna Wintour, British-American journalist, who has been the editor-in-chief of Vogue for almost two decades.

In 2013, Vintour became the artistic director for Vogue’s publisher, Conde Nast. Her trademark of a pageboy bob haircut and dark sunglasses has been extremely followed. She has always been praised for her support lent to the young fashion designers.

by Megha Acharya of  Newsgram. 


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‘We shouldn’t have feminism in society’: Kangana Ranaut

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Kangana Ranaut
Kangana Ranaut. IANS

Mumbai, Sep 15, 2017:  Bollywood actress Kangana Ranaut, often caught in controversies due to her outspoken nature, says she is not a man-hater, and that she hopes to see a society which does not need feminism.

The National Award-winning actress was present here at the Jagran Cinema Summit on Friday. During an interaction session here, she was asked about her opinion on feminism and why some people called her a ‘man-hater’ after her fiery interviews in the last couple of weeks.

In response to that, Kangana said: “No, I am not a man-hater for sure… I think feminism is something… a sorry state to be in any society. The gender equality should be there, where feminism doesn’t need to act like a medicine on inequality.

“We should not have feminists, we shouldn’t have all these things… We shouldn’t have feminism in society.”

Kangana has always made some unusual choices in films — be it “Fashion”, “Tanu Weds Manu”, “Queen” or “Simran” — and how bold she is about making statements on her struggles in her personal and professional life.

Asked about her courage, Kangana said: “See, a person’s opinion shouldn’t have to do anything with her profession. My profession should not determine my voice as an individual. I think before an actress, I am a woman and a citizen of this country with a free voice, and my voice should be free from all baggage.” (IANS)