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In a packed auditorium, a short film begins with the opening scene of a young woman worried about attending a meeting with her injured foot. Her friend cautions her that if she does not wear high heels she wont be able to make a good impression. The woman heeds the advice but even before she can make it to the meeting, she stumbles and her heels fall off.
She picks them up and marches into the meeting anyway. She realises her success does not depend on her heels and the film “Parwaaz” – which translates to flight – ends with the shot of the young actor triumphantly flinging away her heels as the audience applauds.
What is remarkable is that this one-minute-short – which questions popular stereotypes and highlights the challenges that working women face – is created by 13-year-old Anuradha who studies in the seventh standard at the local Government Girls Senior Secondary School in Delhi’s working-class periphery.
“Women might not be explicitly instructed to wear heels, but the notion of looking good and confident, and doing it because everyone is doing it… these are big factors in what choices we make for ourselves, even if the choices are not the most comfortable,” Anuradha, the budding filmmaker, told IANS.
It was not just Anuradha but around 40 girls aged 11-13 years who came together for a rare workshop earlier this month and made some unique films on what freedom meant to them. The brief ‘Little Directors’ workshop included sessions on film language, conceptualising, interpreting, shooting and communicating via visuals.
The workshop sought to promote media literacy among these children, many of whom are born to unskilled and semi-skilled workers and daily-wage earners like plumbers and rickshaw-pullers. Now equipped with film-making skills, these young first-time filmmakers chose to tell remarkable stories translating the theme ‘aazadi’ (freedom) to choice for women in offices, schools and in society at large. Many ideas stemmed from what they see and challenges they face in real life.
Reshma, an 11-year old participant, chose a non-narrative format for her film which clubbed the voice-over of a poem with visuals of girls studying or working on domestic chores. The first few lines of the poem ask: “Why aren’t women allowed to go out freely? Why aren’t they allowed to study as much as they want?”
“In villages, it is common to marry off girls at a young age and dismiss their study plans for their marriage. In my village near Bareilly (Uttar Pradesh), I have seen girls pleading to study more but their parents decide otherwise,” young filmmaker Kajal Kumari, whose film transports one to a land of her imagination, said.
In the short film, a girl’s parents are seen announcing her marriage while she is a student. Crestfallen, the girl wishes for an alternative reality. Soon, a fairy godmother comes to her rescue and asks her to accompany her to a land of books.
Documentary filmmaker Samina Mishra, who facilitated the workshop along with actor Nina Sabnani, said that in most cases for these girls, freedom interestingly translated to choice. For others, it meant overt questioning of those unsaid societal norms that women are subjected to.
Sabnani and Mishra were involved in the creative exercises and production in the two-day workshop, which was a part of the IAWRT Asian Women’s Film Festival in New Delhi in early March. The intention of the exercise was to familiarize the young participants with the basics of filmmaking so they could tell their stories with confidence, while also giving people an opportunity to hear fresh voices that hitherto resided in young minds, the organisers shared.
Kajal, studying in VIII class, said that she always had a penchant for storytelling and that filmmaking was a good tool since “everyone grows up watching television, films and now videos on their mobiles”.
Another group, hoping to send a message about freedom of choosing clothes, brought in costumes like shorts and crop-tops to add nuance to their film.
Yet another group, while experimenting with film formats, chose to shoot an interview around the word ‘freedom’, and ultimately concluded with the idea that freedom is a state of mind.
In the workshop, the girls acted, handled the camera, learned framing, editing and making a coherent film with a message. Many now desire to learn more about acting and cinematography, even as a career choice.
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An attempt at gender mainstreaming, ‘Little Directors’ not just equipped these adolescent girls with the necessary skills for storytelling, but encouraged their line of thinking about freedom of women in their own communities and society.
Their feminist minds already racing towards telling stories of change, initiatives like these manage to catch them young while building in them skill-sets that would lend meaning and direction to their future lives. (IANS)
The city of Delhi has seen it all; from sultanate rule, to dynasties, and to colonial rule. From monarchy to democracy, Delhi has gone through its phases. But, in order to know and explore the nuances of Delhi, you must read these beautiful books.
1. City of Djinns: A Year in Delhi by William Dalrymple
This book was written while Dalrymple was still flirting with his love for the Medieval India. The author writes, "Moreover the city- so I soon discovered- possessed a bottomless seam of stories: tales receding far beyond history, deep into the cavernous chambers of myth and legend," and just like this, Dalrymple takes you in a tour to discover Discover Delhi.
2. Delhi by Heart: Impressions of a Pakistani Traveller by Raza Rumi
This book explores how the author explores his identity as a South Asian Muslim and how his city of Lahore is a mirror image of Delhi. Rumi, in this book, tries to co-relate the past with the present by comparing its festivals, streets, and markets.
3. Delirious Delhi: Inside India's Incredible Capital by DavePrager
This book is quite interesting. The story of this book revolves around the lives of Dave and Jenny who have recently moved to Delhi when their firm began to go down. The city of Delhi in this book is shown through their eyes as they try to make their way in the city that holds together a very large population.
4. The Heart has its Reasons by Krishna Sobti, Translated by Reema Anand, Meenakshi Swami
The original title of this book is "Dil - o - Danish". This book tells the reader about the streets of Old Delhi and almost transport the reader back in the past. This book is basically set in the 1920's, and tells the tale of a man's extramarital affair, his children out of wedlock, black magic, and Chandni Chowk's rich culture of sweets and the perils of being a widow. Interestingly, many have compared the author of this book to Jane Austen.
5. Delhi: A Novel by Khushwant Singh
Who would talk about Delhi and not remember Khushwant Singh? This amazing book is just like a narrative of the author's fulfilled love affair with the city and with a eunuch. The narrator in this book is an aging man who is trying to discover the city. This book is truly a masterpiece, where it takes the readers on the history of Delhi glimpsing at what makes the city what it is– simply beautiful.
There are some of the Indian cities which are older than time. Therefore, we must know which cities are they, and what has been their history!
1. Varanasi (1200 BC–)
Varanasi is one of the oldest cities of India, and has been a center of religious and cultural activity since the Bronze Age. In fact, this city might have been in existence from a very long time, since it finds mention in the Rig Veda. It is believed that the city of Varanasi was thriving for more than 1600 years before the fall of the Roman Empire in Europe. This city is one of the holiest places for Hindus and Jains, and even Lord Buddha gave his very first sermon here in 528 BC. In Hinduism, it is believed that dying in Varanasi brings salvation, which is the reason why the city is always brimming with pilgrims.
2. Ujjain (700/600 BC–)
Ujjain was once considered as one of the most prominent cities in the Middle India. In fact, the name of this city is repeatedly mentioned in the literature of that period, i.e. in the works of stalwarts like Kālidāsa. This city has seen the rise and fall of numerous empires, from the Mauryas to the Avantis, Nandas, and even the Guptas. This city, just like Varanasi, is also considered as one of the holiest cities in India, and hosts one of the officially recognized Kumbh melas, the Ujjain Simhastha Kumbh, in which people across the world take place.
3. Madurai (500 BC–)
Madurai been a major center of culture and trade for more than 2500 years. In fact, the name of this city has been mentioned in the writings of the great traveler, Megasthenes, and has been ruled by several empires from the Pandyas and the Cholas to the Karnata, and finally the British. Interestingly, ‘'Koodal,' was one of its ancient name which means 'a congregation of learned men'. There is no doubt that Madurai was an epicenter of scholars and religious teachers in the southern part of India.
4. Thanjavur (300 BC–)
Thanjavur was formerly known as Tanjore. This city is pretty famous for its Tanjore style of painting, which is a traditional style that is characterised by the use of gold foil, religious imagery, and simple compositions. This city is best known for being the home of the Great Living Chola Temples, which is now a UNESCO World Heritage site. Till date, people across the world visit this place in order to experience its rich history and heritage.
By- Digital Hub
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Human hair wigs on display at a store Image source: Photo by Markus Spiske on Unsplash
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