Friday October 20, 2017
Home India Gunehar: The ...

Gunehar: The Paragliding Zone of India in Himachal Pradesh is home for Emerging Artists

0
73
'In The Woods' exhibition
The aim of the 'In The Woods' exhibition was to make art more accessible by taking it out of the restricted and elitist space. VOA

Himachal Pradesh, Jun 16, 2017: Art is not a commodity but an experience, say connoisseurs, and this experience can take an entirely new form when it interacts with its surroundings — walls, lights, music, furniture and other artwork around it — or even moves beyond it.

What if the whole idea of art from its creation to exhibition is transformed? What if the creation of an artist is juxtaposed with the supreme creation — mother nature itself? What if the surrounding walls are replaced by trees and shrubs, artificial lights by the natural play of sunlight and shadows, and recorded music by the sounds of crickets, birds and the wind?

One such experience was showcased in Gunehar, a small village in Himachal Pradesh, which falls between Bir and Billing, famous as the paragliding zone of India.

Every three years, a unique art residency programme called “ShopArt ArtShop” is organised in Gunehar by German-Indian art curator Frank Schlichtmann, where artists break free from rules and restrictions of art galleries and curators, to create art in the foothills of Himalayas while interacting with nature as well as the villagers.

However, Schlichtmann took it a notch higher this June with an exhibition titled “In the Woods” where various artists’ works were displayed in the natural setting of a forest above Gunehar.

The idea was to make art more accessible by taking it out of the restricted and elitist space, he said.

“First, it’s a different way of doing an art exhibition because these usually take place in galleries and only for city people, and that too, for a select few.

“We want to achieve something first for the artist. So here, the artists have a chance to work outside all the restraints put by the galleries and the curators,” Schlichtmann told IANS.

Schlichtmann, who not only curated the exhibition which concluded on June 11 but also displayed a few of his own artworks, said that in India, the art scene starts and ends with painting and sculpture. “That’s all that they consider as art anyway.”

He added that the aim of the exhibition as well as the triennial art residency project is also to bring forward the emerging artists of various art forms.

“The emerging artists, who are actually the interesting ones and are taking the art scene forward, have to fight a lot to even get a spot. For instance, a famous curator whom I know actually charges the artists to curate,” Schlichtmann said.

The exhibition displayed terracotta sculptures of Mudita Bhandari, photographs by Ratika Singh, paintings by Neha Lavingia, as well as a soundscape by Nikhil Narendra, an e-book project by Rohini Kejriwal and a live installation by Gauri Sharma.

Bhandari, who displayed works which seamlessly blended with the forest surroundings, says that it was a completely different experience to first work for “ShopArt ArtShop” and then for “In the Woods”.

“It’s very regular to have an exhibition in a city where you have a gallery, where you have a setup and where you know everything. There you are in your comfort zone.”

“But it is very different when you don’t have a setup at all. I had nothing, not even a table to work on and was working on flat cement space when I came for ShopArt ArtShop,” Bhandari told IANS.

“All our traditional potters are working under these circumstances. We, as city people, have never done it and there is still something that divides their way of doing things and our way of doing things,” she said.

Bhandari, an art graduate from Shantiniketan, prefers terracotta because it’s “very porous and very alive” and it changes with every season.

“When you place terracotta works outdoors, you see some fungus coming in — the green thing. When the rains are gone and the sun is out, the green dries up and it’s all brown,” she said.

“So it’s very evolving and is living in that particular space which is why I relate to terracotta much more.”

About exhibiting her works outside in the forest, Bhandari says it created a link between her process of creating the artwork and the way it is displayed for the audience.

“When I am working, there are so many light elements that come in and go as the sun goes from one direction to another. So I watch the work play with those lights and shadows.”

“It was a fantastic thing to actually bring the work out in the open. This was my way of sharing that play of lights and shadows in real time and with people, because each light or shadow would have its own character and it creates a mood of its own,” she said. (IANS)

Next Story

India Demands Data on UN Staff Misconduct, Use of Immunity

0
5
United nations
India has demanded the secretariat disclose information about misconduct by UN staff. Flickr

United Nations, Oct 7: In an attempt to break the wall of silence around the crimes and UN staff misconduct and those on its assignments, India has demanded the secretariat disclose information about such cases and the immunity invoked against prosecutions.

Yedla Umasankar, the legal advisor in India’s UN Mission, touched a raw nerve here by criticising the UN on Friday for not vigorously following up allegations of serious wrongdoing by its employees who enjoy the equivalent of diplomatic immunity, a prized possession of its staff.

“It appears that the UN system itself may be reluctant to waive immunity even for serious misconduct carried out by its personnel while serving on its missions, so that such cases can be prosecuted by the host governments,” he told the General Assembly’s committee on legal affairs.

“Even a few of such instances or allegations of crimes committed by UN personnel is highly damaging for the image and credibility of the United Nations system and its work around the world,” he added.

His statement also touched on the practice of some countries that protect their wrongdoers at the UN.

Umasankar demanded that secretariat disclose how many cases of serious misconduct by UN personnel were registered and the number of cases where the UN refused to waive immunity to allow their prosecution.

He also wanted to know in how many cases the host country wanted the immunity waived so it can prosecute those accused; the number of times the UN asked the host country or the country that sent them to prosecute them; how many times it consulted countries before waiver of the immunity of their personnel and how many of them refused UN’s request to waive their citizens’ immunity.

The information he wanted does not cover the diplomats sent by member countries to represent them at UN bodies and enjoy diplomatic immunity with the nations hosting the UN facilities.

After scores of serious allegations of sexual misconduct by peacekeepers, especially exploitation of children, the UN vowed to uphold a policy of zero tolerance and began publishing data on such cases in peacekeeping operations including how they were dealt with.

Starting with the year 2015, it began identifying the nationalities of those accused.

However, it has not made public a roster detailing all the allegations and proven cases of serious misconduct across the entire UN.

While the focus has been on sexual exploitation and abuse reported on peacekeeping operations, Umasankar said that “at a broader level, the issue of accountability has remained elusive in some cases”.

He attributed it to “the complexities of legal aspects relating to sovereignty and jurisdiction”, the immunity or privileges that may be necessary for UN operations, and the capability or willingness of countries to investigate and prosecute the accused.

He noted that the UN itself cannot make criminal prosecutions.

While Indian laws has provisions for dealing with crimes committed abroad by its citizens, not all countries have them, he said.

Those countries should be encouraged and helped to implement such measures, he added. (IANS)

Next Story

Indo-Pak Peace Talks Futile Unless Islamabad Sheds Links with Terrorism, says Study

A Study by a U.S. think tank calls India and Pakistan talks futile, until Pakistan changes its approach.

0
54
India and Pakistan
India and Pakistan. Wikimedia.

A Top United States of America (U.S.) think tank, Carnegie Endowment for International Peace called the relations between India and Pakistan futile, unless Islamabad changes its approach and sheds its links with Jihadi terrorism.

A report “Are India and Pakistan Peace Talks Worth a Damn”, authored by Ashley J Tellis stated that such a move supported by foreign countries would be counterproductive and misguided.

The report suggests that International community’s call for the India and Pakistan talks don’t recognize that the tension between the two countries is not actually due to the sharp differences between them, but due to the long rooted ideological, territorial and power-political hatred. The report states that these antagonisms are fueled by Pakistani army’s desire to subvert India’s powerful global position.

Tellis writes that Pakistan’s hatred is driven by its aim to be considered and treated equal to India, despite the vast differences in their achievements and capabilities.

Also ReadMilitant Groups in Pakistan Emerge as Political Parties : Can Violent Extremism and Politics Co-exist? 

New Delhi, however, has kept their stance clear and mentioned that India and Pakistan talks cannot be conducted, until, the latter stops supporting terrorism, and the people conducting destructive activities in India.

The report further suggests that Pakistan sees India as a genuine threat and continuously uses Jihadi terrorism as a source to weaken India. The report extends its support to India’s position and asks other international powers, including the U.S., to extend their support to New Delhi.

Earlier in September, Union External Affairs Minister Sushma Swaraj in the United Nations General Assembly (UNGA) slammed Pakistan for its continuous terror activities. She attacked the country by saying that India has produced engineers, doctors, and scholars; Pakistan has produced terrorists.

Sushma Swaraj further said that when India is being recognised in the world for its IT and achievements in the space, Pakistan is producing Terrorist Organisations like Lashkar-e-Taiba. She said that Pakistan is the world’s greatest exporter of havoc, death and inhumanity.

-by Megha Acharya  of NewsGram. Megha can be reached at @ImMeghaacharya. 

Next Story

Delhi University Students Win the Enactus World Cup 2017

India wins the Enactus World Cup 2017

0
30
Delhi University
India wins Enactus World Cup 2017. Twitter.

New Delhi, Sep 30: After an extremely tough competition between different students across the world in the Enactus World Cup 2017, Team India, represented by Shaheed Sukhdev College of Business Studies (SSCBS), Delhi University emerged as the winner. The winning projects were project UDAAN and Mission RAAHAT.

Supporting the Government of India’s Digital India and Swachh Bharat Abhiyan mission, RAAHAT strives to effectively eliminate open defecation and provide safe sanitation in the urban slums; whereas, UDAAN aims at narrowing the digital divide between rural and urban India by setting up computer centres.

The Delhi University college team was led by the college’s faculty advisor, Anuja Mathur and student president of SSCBS Student President Aditya Sharma. The winning projects included 34 more members. The Enactus India and Enactus SSCBS were presented the Ford Better World Award of USD 50,000.

Also Read: Three Indian Women on Fortune’s Most Powerful Business Women

President and Global CEO, Enactus, Rachael A. Jarosh congratulated the Indian for winning the world cup and called the projects- RAAHAT and UDAAN, inspirational success stories of Enactus students, who are sowing businesses. She said that the projects address the real world challenges efficiently and innovatively. Enactus India President Farhan Pettiwala said that the two projects created by Delhi University students contribute to the country’s betterment, as they support the Government’s civil and social agenda.

Enactus is an international nonprofit organisation, with 72,000 students from 1,700 universities in 36 countries, which held its annual global event in London from September 26 to 28. A selected group of 3,500 students, business, government leaders and academicians across the globe were present at the event. Participants for the final competition round are qualified from over 72,000 university students. Each team has about 17 minutes to present their projects of entrepreneurial action.

Enactus works to nurture the entrepreneurial skills of students, and to address fundamental, social and economic challenges by developing innovative and experiential learning opportunities for students.

-by Megha Acharya of NewsGram. Megha can be reached at @ImMeghaacharya.