New Delhi, Sep 24, 2017: Indian classical music generally has a limited audience. Pune’s popular vocalist Suhas Vyas feels that it is because classical music is for a certain class of people.
Asked why the genre is mostly restricted to the elite audience, Vyas told IANS in an email interview: “As it is called, it is classical music. Therefore, it is for a certain class of people. Surprisingly, our music has been received with extreme love abroad.”
“In India too, the audience is opening up and the newer generation is learning and taking the art to their generation too.”
He is doing his bit to promote Indian classical music by training students, conducting lectures and performing in India as well as abroad.
Earlier this month, he experienced “nothing short of extraordinary” when he performed in China.
“The show was in Xiamen, China for the BRICS Summit cultural conference. To represent our nation and culture on foreign soil was a great experience. The auditorium was packed to its complete strength and we received standing ovation,” he said.
What about language barrier?
“As they say art has no language, it is all about emotions. The entire audience connected with the music. I performed a very rare composition by S.N Ratanjankar (scholar and teacher of Hindustani classical music).
“One delegate came backstage after the concert. As we both didn’t understand each other’s language, he kept on pointing at his heart and then mine. I got the message.”
There is another reason why, he feels, the audience connected with his music at the event where artistes from other BRICS countries (Brazil, Russia, China and South Africa) also performed.
“Among all other performances, which were more opera style, ours was the only one which had a seating arrangement and percussion so, it fascinated the audience and was very well received,” said the artiste, whose music is about peace and spirituality.
People often use music as a means to promote peace, but when things go politically wrong, it’s the artistes who first get affected. Why?
“Artistes are usually the first ones to take the brunt because the reaction from artistes are the least damaging politically and gives maximum political mileage to parochial political parties and pressure groups during conflicts.A
“During peace time too, due to the public connect of artistes, it is the thing that gives most political mileage.” (IANS)
There are various benefits of learning classical music at an early age like it improves memory, emotional intelligence, and concentration, suggests a research.
The preschool module will have the young children learn classical music through different bodily movements like stomping, marching swaying, jumping or shaking. It will start from basic techniques like learning seven svaras of Indian classical music by teachers.
Each raga taught to the students in the module is linked with fun physical exercises or basic yoga techniques like padmasana and will help them memorize sooner.
August 3, 2017: The left and right side of the brain, both are important for a balanced and rounded education of the child. This is why the Society for the Promotion of Indian Classical Music And Culture Amongst Youth (SPIC MACAY) is introducing a new module for preschool Children and caters to the children between three and six years of age to imbibe classical music in them through the use of interactive and fun-filled educational activities like yoga and music.
There are various benefits of learning classical music at an early age like it improves memory, emotional intelligence, and concentration, suggests a research. The effect of learning music on the child’s brain in the formative years can contribute a lot to the development of their brain. It has proven to relieve tension, alleviate boredom and strengthen the child’s core, mentally and emotionally beneficial. Thus, SPIC MACAY is utilizing the power of music in order to educate young children through interactive sessions.
The preschool module will have the young children learn classical music through different bodily movements like stomping, marching swaying, jumping or shaking. It will start from basic techniques like learning seven svaras of Indian classical music by teachers. It will help the students to improve phonetic control and language skills. The students will also be taught different basic forms of yoga with naadyog, a meditation of sounds or mantras. According to a report by The Pioneer, Dr. Kiran Seth (who created this module) said, “This will inspire children from a young age of 3-5 years to become better human beings.”
The schools can introduce the module in whichever way they want. Any school can adapt by following the required procedure. First, they have to register at the SPIC MACAY office offline. After which that they can choose amongst two options. As per the first option, they can send their music teachers to Aarambh (the beginning) School for five days for training under the supervision of Dr. Seth, to learn the methodology of teaching basic classical ragas and interactive techniques to young students. In addition, the cultural society’s volunteers will regularly visit the schools to oversee the progress. The second option is that they can opt for a visit thrice a week by SPIC MACAY trained volunteers-teachers.
Children will be taught to play it like a game, putting their right and left leg forward to Sa Re Ga Ma, for the arohan (ascending) and avrohan (descending) notes, which will be done at different speeds. It will be done with the tanpura music in the background. Modules like these are designed to increase their meditative capacity and bring back focus amongst children, which can be lost due to overuse of electronic gadgets.
The module was designed after a five-year long research into child behavior. By mapping the change in their responses, post subjecting them to varied modules. Each raga taught to the students in the module is linked with fun physical exercises or basic yoga techniques like padmasana and will help them memorize sooner.
The society has a large network of volunteers throughout the country. So, this module can be implemented pan-India. The society also aims at regularly organizing its cultural events with the schools that opt for this module. These events which will have various artists performing will boost children’s interest in music. They are also providing several classical music CDs to schools free of cost.
At their 5th International Convention, Prime Minister Narendra Modi appreciated Dr. Seth for reviving our rich music, culture, and heritage. This move can bring a qualitative change in elementary education.
– prepared by Kritika Dua of NewsGram. Twitter @DKritika08
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December 10, 2016: Do you remember the story of the competition between Tanasena and Baiju Bawara? A small flock of deer came to Tanasena while he was performing and he put a garland round a deer fascinated by music. In response to this Baiju sang in the Mrgaranjani mode to bring back the same deer that had a garland around his neck.
These stories are hard to believe but Science has proven that different sounds have different effects on the system. So, the tale of Tanasena lighting up the lamp with his music is just another science experiment.
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Indian music is one of the oldest musical traditions of the world. The first available Sanskrit text, completely about dance, music and theater is the Natya Shastra, also known as the Fifth Veda. Wrote by sage Bharata Muni between 200 B.C. and 200 A.D, it has 36 chapters with around 6,000 sutras incorporated. It is believed that it is inspired by Lord Brahma.
During the Vedic times, Rishis would study different sound vibrations and the effects of it on the human body. They would practice tonal patterns and its connection with human mind, body and soul. In temple, priests would chant Vedic shlokas.
For the modern science, music is all about vibration. Where there is sound, there is bound to be vibration. For a person who cannot recognize the completeness of the sound, music is just a noise as he is just hearing bits and pieces of vibrations. For a person who listens and understands the wholeness of the sound, everything is music. The chirping of birds is music, the sound of the flowing water is music and the sound of a baby laughing is music. There is no sound in the world that is not music.
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Indian classical music can be quite complicated. Unlike western music, Indian music has a loose structure. It is a creation of the moment. But even with all the ragas and complicated rhythmic cycles, one does not need to know the science behind it to appreciate the beauty of this art form. It’s all about the feelings and effects on the listeners from the experience. The music is more about the creation of the performer who creates an experience of meditation for the listener. The Indian classical music is more than just entertainment. It is a spiritual experience.
It is expressed in the one dimension of yoga, that human body is Shiva’s damaru, which is a symbol for the rhythm of the life. The sound that you hear when you are excited or scared is the rhythm of the body. It is not just the voice you hear when your heart is beating fast. Every pranic nadi in the body has its tune. Every chakra in our body has a sound. Sound and our body are related to each other.
Every sound is different and it has a different impact. When you hear a certain kind of music, you love it. It makes you joyful. Some other sound makes you upset. Sounds have a deep impact on human emotions. You cannot remember the number of times when you have listened to a kind of music and got to reminiscing. Sounds also change the chemistry of our system. The kind of music you listen to reflect your personality.
India has a great number of stories about the legends in the field of music. The most famous among these is Tanasena, who could light lamps with his music. Two brahmin girls, Tana and Riri, sang and that caused the rain to pour down and relieved Tanasena of the pain from the heat of the en-kindled lamps. Some musicians could fill a dry garden with greenery and fruits and flowers. .This might be true or just an exaggeration. Whether it is true or not we might never know, but science believes that sound can do some unexpected things. In the program, Samyama, chanting Shiva would take people to an entirely different dimension of experience.
There is tale of Baiju Bavara where he melted the heart of Humayu. After conquering the city of Campanera, Humayu ordered slaughtering in the city. The army would just indiscriminately kill everyone. Baiju Bawara sang and it made the emotion of mercy flow in Humayu’s heart. Humayu was filled with pity and mercy and he stopped the slaughtering and released the prisoners.
The Malakaumsa mode has such an incredible potential that it can melt a stone into a liquid. If the vibrations of this mode can melt a stone, what effect will it have on the human heart? The Malakaumsa mode delivers such emotions that it is capable of changing the hearts of the greatest men. This is the reason why Tirthankara Paramatmas use only Malakaumsa mode to deliver their discourse.
Muni Sri Nandisena of Jain Svetambara sect compiled Si Ajitsanti Stotra. In this, he has mentioned the importance of chanting stotras in the morning and evening. The person chanting or listening to these stotras develop a strong immune system against various diseases.
Music has been an integral part of every culture on the planet. It is not just a tuneful arrangement of sounds; it is a stepping stone in the spiritual process. One can see the importance of music in every culture, every religion in the world. Especially with Indian culture, music is not just a form of entertainment; it is a way to connect with God. With Indian classical music, it is possible to walk through the creation of the music.In Indian culture, if you get deeply involved in the ragas, the tunes, it will help you in meditating.
Music opens up many doors. It does not matter if you prefer cinema music, classical music or any other form of music; it will give you a whole other experience of life. If you have an interest in music and you have got ears to hear, the whole existence of the humans and the world is just music.
New Delhi: Rahul Sharma, the son of santoor maestro Pandit Shiv Kumar Sharma, regards it a misconception that one needs to be absolutely aware of the know-how of classical music in order to enjoy it.
Following his fathers’ footsteps in taking the Indian classical music scene globally, the young maestro is often seen adding a foreign touch to his work.
“It’s a misconception that if you don’t understand the classical music you cannot enjoy it. This is not true. Today I see several youngsters at my concerts. I guess when they see a younger artist who has the potential to be an icon, a connection is made with the younger listener.”
“I think more classical concerts should be broadcast live and collaborations with popular western artistes will also help in making people aware of Indian classical music,” Rahul told reporters on the phone from Mumbai.
He had collaborated with Egyptian artist Georges Kazazian and Indian playback singer Sunidhi Chauhan for a project in 2011.
It was not the first time that Rahul joined hands with an international artist. He has also worked with French pianist Richard Clayderman and keyboardist Kersi Lord. He even collaborated with international musician Eric Mouquet on “Deep India” concert in 2013.
With the receding popularity of classical music amongst youth, does he think the art form is fading?
“Not at all. Apart from my collaborations with Grammy winners such as Kenny G, Eric Moquet of ‘Deep Forest’, which had great sales in India, we also managed to reach the number one spot on the Billboard jazz charts with Kenny G and my album ‘Namaste’.”
“I don’t think it (classical music) is neglected. It’s an individualistic imagination that helps an artiste to bring in audiences in India,” said the musician, who started accompanying his father to concerts at the age of 24 in 1996.
The talented composer, who gave music for the 2002 Hindi film “Mujhse Dosti Karoge!”, is a sought-after concert artiste and has released more than 40 albums including “Maya”, “The Rebel” and “Samandar”.
Rahul, who endorses Brooke Bond Taj Mahal Tea, a brand that has been synonymous with classical music, became part of a 14-hour-long music concert recently in Mumbai with sitarist Shahid Parvez and djembe player Taufiq Qureshi along with other artistes to celebrate the brand’s golden jubilee.
The artiste says he was floored by the idea as it presented different variations of Indian classical music.
“I think it’s a great idea to have so many classical musicians come together spanning a 14-hour duration. The beauty about Indian classical music is that it has a time cycle and different ragas are played from sunrise to sunset,” he said. (Sugandha Rawal, IANS)(Image source: blogspot.com)