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Mohammad Iqbal: The Man Behind Partition and a Pariah in India is Still Sung by Secularists

Iqbal is a pariah in India as many regard him a hypocrite, communal Islamist

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Allama muhammad iqbal at Lahore Museum. Wikimedia

Aug 22, 2017: Indian history has been crafted by the leftists who have done nothing more than distorting the facts to put unfit personalities as honourable. One such person which some great minds in India honour are Mohammad Iqbal, the man behind “Pakistan” who held the idea more of a secular symbol. Even in the past, West Bengal Chief Minister Mamata Banerjee praised him to drum up Muslim votes. However, Iqbal is also a pariah in India as many regard him a hypocrite, communal Islamist.

What many secularists till date fight for is the lack of respect for Iqbal. According to them, the song should have been the national anthem of India.  However, it wasn’t made the song of the nation owing to its Muslim author.

Tarek Fatah, a well-known journalist expressed his views on social media:

He went on by exposing the dark reality behind the nationwide popular song- ‘Sare Jahan se acha’

Now, if we look into our history books we will be able to spot Iqbal for the patriotic song he wrote- ‘Sare Jahan se acha, Hindustan Humara’.

The song became the anthem of the opposition to British India. ‘Tarana-e-Hind’  (song of Hindustan) became the catchy phrase at that time. The under mentioned line became the new sensation as it carried the sentiments graciously.

“Mazhab nahin sikhata apas mein bair rakhna, Hindi hain hum, watan hain Hindustan hamara”

(Religion does not teach us to hate each other, we belong to Hind, our nativeland is Hindustan)

In no time, Iqbal underwent into an outright transformation after his return from England. The man who discerned Hindustan as an amalgamation of Hindu-Muslim, returned as an Islamic philosopher only to become Pakistan’s progenitor. Sooner he became intolerant of Hindus and wrote Taran-e-mili (song of community), which was the negation of the taran-e-hind he wrote formerly.

From Hindustan humara to Chin o Arab hamaara, this is how Iqbal demonstrated multi-faceted character:

“Chin o Arab hamaara, Hindustan hamaara, Muslim hain hum, watan hain sara jahaan hamaara”

(China and Arabia are ours, Hindustan is ours, we are Muslims, the whole world is our nativeland).

Our history books have entirely omitted the fact where Iqbal proposed the two-nation theory, which ultimately led to the partition of Indian subcontinent and plethora of lives suffered. He is even called the father of the nation (Pakistan).

Iqbal addressed Allahabad session of the Muslim League in December 1930 as president of the session:

“I would like to see Punjab, the North Western Frontier Provinces (NWFP), Sind and Balochistan amalgamated into a single state. Self-government within the British Empire, or without the British empire, through the formation of a consolidated North Western Indian Muslim state, appears to be the final destiny of Muslims, at least of North West India”.

He dreamt of Muslims emerging as a Global Power, rising above the political and geographical constraints. The dream of Iqbal is still lived in Pakistan.

This surfaces the question that how can a person with such dogmatic outlook be ever called great? and How can the person because of which the nation witnessed massive bloodshed be ever called great? 

 


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‘World’s Oldest’ Buddha Statue Unearthed in Pakistan During Excavations

A centuries-old sleeping Buddha statue has been unearthed during excavations near Bhamala Stupa in Haripur district of Pakistan's Khyber-Pakhtunkhwa.

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Buddha Statue is found excavated in Pakistan. Pixabay.

Islamabad, November 17: A centuries-old sleeping Buddha statue has been unearthed during excavations near Bhamala Stupa in Haripur district of Pakistan’s Khyber-Pakhtunkhwa.

Khyber-Pakhtunkhwa Directorate of Archaeology And Museums Director Abdul Samad told Dawn News: “The 48-feet-long sleeping Buddha statue dates back to the third century, which makes it the world’s oldest sleeping Buddha statue.”

He said that archaeologists found the statue, with its head intact, during excavations near the Bhamala Stupa.

“We have discovered more than 500 Buddha-related objects during excavations, in addition to the 48-feet long ‘sleeping Buddha’,” he said.

The latest discoveries by the archaeologists have opened new chapters in the history of the ancient Taxila Valley Civilisation.

“This is one of the few sites in the world to have the cruciform Stupa, which was reserved for Buddha himself,” Samad had said. (IANS)

 

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These 8 successful Muslim women are showcasing Freedom their way!

Though there are forsure many but here we present to you the some handful of success stories of Muslim women in modern world. Totally independant and unbounded, they have carved a niche for themselves in many fields through their creativity, talent and self - belief

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Bashing unfreedom-The new age Muslim woman.Pixeby

Not everyone is following rigid fundamentalism these days. In 2017, people and specially some inspiring Muslim women are embracing freedom and individuality through their inspirational work in global markets. Be it fashion, lifestyle,sports or politics- they are setting standards in every domain, breaking stereotypes all the way long!

Have a look at the success stories of these leading Muslim ladies and what they believe in.

SAUFEEYA GOODSON

Dubai based fashion entrepreneur Saufeeya is a global figure appearing in many fashion magazines. Being the co-owner of Modest Route, she has re- branded Modest fashion in a very stylised manner grabbing the attention of 2million followers on instagram page. She is frequently mentioned in Vogue or Teen Vogue under the trademark of her bold, daring and contemporary outfits made for modern age Muslim woman. This trendsetter with her avant garde style has been revolutionizing Islamic modest clothing in world.

CAROLYN WALKER-DIALLO

Carolyn hit the headlines when she was sworn in with the Quran back in 2015, becoming the first ever New York City Civil court judge to do so. She bravely stood up to the backlash that resulted later but her strong act inspired many Muslim women around the world. It somehow relieved them from communal stigmatization that they go through.

LINDA SARSOUR

Linda Sarsour- civil right's activist
Linda Sarsour- civil right’s activist.wikimedia.commons

 

Linda, a Palestinian- American civil rights activist, is popularly known for her key role in helping to organize the 2017 Women’s March in Washington.It was a public demonstartion led by women coming together from all walks of life. With her resolute, Linda instilled in a belief in thousands of women to fight for their vanity,esteem and rights.

BEHNAZ SHAFIEI

it is hard to imagine a female road racer/motocross rider and being a Muslim woman makes it a rare case, but Behnaz is exactly that. Born in Iran- a country where women are not allowed for exercising such liberties and are often ridiculed for their driving skills, Behnaz enjoys the fact that many men cannot do the stunts she performs with ease and confidence on her motorbike. She is the only Iranian female to be involved in road racing professionally challenging the preconceived notions of the society in regard to women.

RUMA

Known for her fashion blogs, Ruma recently got mentioned on the Twitter page of H&M where she was applauded for her distinctive panache that voice traditional modesty. According to her the haute hijab empowers feminine sensibility.Being a dreamer as well as achiever, she looks forward to inspire her followers with stories and lessons learned from her life by using social media to promote the art of fashion.

HALIMA ADEN

Halima is a model known for being the first Somali-American Muslim woman to take part in a beauty pageant donning a hijab.With all grace and modesty she hit news by reaching the semifinals of Minnesota USA pageant. She even graced the fashion runway for Kanye West at his show Yeezy season 5. Keeping at bay all Muslim stereotypes, this flamboyant model appeared on the front cover of Allure, wearing a Nike hijab with a caption saying, “This is American Beauty.” 

SHAHD BATAL

As a YouTuber and blogger, Shahd’s focus is mainly on providing viewers with her own original tips on how to attain healthy skin or apply makeup. Sudanese by birth but now living in Minneapolis, her tutorial videos are popularly hitting the internet since 2014. They were recently rehashed and showcased via her new sleek channel. From wearing a classic head-wrap and making pen perfect eyebrows, to her very personal stories with regard to the Hijab, she has been earnestly devoting herself to portray Hijab as a motif of modern age accessory.

 

SHARMEEN OBAID-CHINOY     

Muslim Women
SHARMEEN OBAID-CHINOY- Pakistani filmaker.wikimedia.commons

 Sharmeen has been mentioned by esteemed Time magazine as one of the 100 most influential people in the world. A Muslim woman filmmaker, journalist and activist born in Pakistan, most of her films highlight the inequalities that women face. She has received two Academy awards, six Emmy and Lux Style award for her bold vision. Even the Pakistani government has honored her with the second highest civilian honor of the country, the Hilal-i-Imtiaz for her dauntless contribution to films.

These handful examples of empowering, influential and compelling Muslim women express a great deal- to come out of the shackles of a society that restricts you and your creative energies.Not just to the Muslim women of today, they are inspirational for all women who seek for self – actualization.

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‘Don’t mask ‘masala’ as history’ says Mewar Royal on Padmavati

The upcoming movie Padmavati is surrounded by controversies. This time its Mewar Royal commenting on the movie's theme.

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Padmavati movie shot. Instagram

New Delhi: The drama and debates over Sanjay Leela Bhansali‘s Padmavati — the story of Rajput queen Padmini — has upset a direct descendant of the Mewar royal family. Baijiraj Trivikrama Kumari Jamwal, daughter of Mahendra Singh Mewar — the 76th Maharana of the Mewar dynasty and a former Lok Sabha member — is otherwise quietly going about her life as an English teacher at a school here.

But amidst heightened protests against Padmavati, which she has tagged an “inauthentic venture”, Trivikrama says it’s unfair that her family’s name is being dragged into generating “free publicity” for the film. “The sad part is that the film is getting free pre-release publicity and that a commercial and inauthentic venture like this is using my family’s name.

“It’s not just a question of incorrect portrayal, which is established from the trailer and the ‘Ghoomar’ song itself, but also the fact that you’re using my family’s name for the commercial pre-release publicity of your film, free of cost… And the national media is talking about it. That’s my problem,” Trivikrama told IANS in an interview here.

Bhansali’s Padmavati has been mired in controversy. The conjecture that it distorts history has led organizations like Shri Rajput Karni Sena and Sarv Brahmin Mahasabha to go up in arms against the release of the movie, while BJP leaders have been making statements and appeal to stop its release on December 1.

“That’s why I am so upset. People have political and commercial agendas. There’s nothing wrong with commercial enterprises and politics, but misusing and exploiting somebody’s pride, honor and dignity for such shallow purposes, that is where I step in and say, ‘Sorry, not acceptable’,” Trivikrama said.

The makers have maintained there is no dream romance sequence shown between the Rajput queen and invader Alauddin Khilji, as had been alleged by some. But a few political leaders and Jaipur’s former princess Diya Kumari have suggested Bhansali must show the movie to some historians prior to its release.

Trivikrama questions: “It depends on who the historians are because history is also colored. It has to be a well-represented congress of historians. He (Bhansali) should approach the most authentic voice, which is the family itself. That he hasn’t done.”

Her mother, Maharani Nirupama Kumari commented: “He has already made the film. What’s the point of showing it to historians now?”

To many, the story of Rani Padmini remains a mystery. What is the story Trivikrama has grown up with?

“If you go as a tourist to Chittorgarh Fort, you’re taken to Padmini’s Palace, and you’re shown a couple of mirrors. The tourist guide tells you about it and he points out a little pond and says she stood over there and Alauddin Khilji saw her face.

“But that is just packaging culture to sell to ignorant tourists,” she said.

Trivikrama said Rani Padmini finds a mention in “Veer Vinod”, a record book on Mewar’s history.

“It’s a historical record that shows yes she was there, she was the wife of Rawal Ratan Singh and she was only an excuse that Alauddin Khilji used to invade Chittor. The real reason was a very calculated military decision to invade,” she said.

“Padmini was not in the picture at all, except now what has been made into a tale, which is a figment of the imagination, I believe. It’s not there in history,” she said, pointing out that their family is one of the oldest families with an unbroken succession.

She estimated that there were over 30 generations between now and the first Jauhar — self-immolation led by Rani Padmini in 1303 during the siege of Chittor

What about the epic Awadhi poem Padmavati?

“Apparently, it’s a self-confessed piece of fiction. I’m ready to accept that you (Bhansali) have made a piece of fiction. But then don’t drag my family’s name into it and claim you’re the custodian of my family’s history,” asserted Trivikrama, a Ph.D. in English literature.

She said filmmakers are doing a lot in the garb of artistic license.

“Sure you have that, but then along with the artistic license, there should be artistic integrity and sensitivity,” she said, pointing out how the representation of Rani Padmini is “wrong” even in terms of dance and clothes.

“Instead of making it clear that it is Bollywood masala, you’re saying it is history and misleading and ‘miseducating’ the future generations.”(IANS)