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Rajkummar Rao is India’s ‘Newton’: Watch Trailer and Latest Updates | Hindi Movie News

From the very first glimpse, Rajkummar Rao in and as Newton makes the trailer appear extremely promising

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Newton
Like Newton's law, Rajkummar Rao's character in this film also attempts to find order in chaos. Twitter
  • Rajkummar Rao starrer-Newton draws attention to the clan of Indians who do not vote during elections
  • The film strikes a balance between humor and the urge to tell the real story of the group of Indians who choose not to participate in the decision-making process
  • Newton will have a theatrical release on September 22

New Delhi, August 30, 2017: In the beginning, the name “Newton” may stir thoughts about the great Scientist and his philosophies, but one you get a glimpse of the trailer, you will understand that Rajkummar Rao starrer “Newton” is a dark political comedy going by the simple rule “If you don’t change nothing, nothing will change.”

From the very first glimpse, Rajkummar Rao in and as Newton makes the trailer appear extremely promising.

Imagine sitting in a remote village somewhere in Chhattisgarh, far beyond the reach of technology and any worldly interference.

Imagine being surrounded by impassive villagers on one end and Maoists and police forces on the other, with both competing for cooperation and power among local people.

Now, what if you were to conduct election voting in such a scenario?

The Maoists would want the villagers to boycott the elections.

As per the trailer, this film is about the people living in villages, who hardly have any idea about exercising their right to vote, and showcases various shades of human emotions blended with humor.

Newton, a political satire starring Rajkummar Rao in a titular role, tells the story of an oddball named Nutan Kumar who is a stickler for rules and principles- this is revealed from the very first frame of the trailer when he refuses to marry an underage girl.

ALSO WATCH:  “Newton” Trailer Starring “Rajkummar Rao”  

The film is an intimate portrait of a government clerk with the single-minded agenda to conduct free and fair elections in a village riddled with conflict in Chhattisgarh. However, amidst violent clashes between Maoist guerrilla armies and Central Reserve Police Force (CRPF) jawans, Newton is exposed to a bigger problem- villagers who are not aware of their “right to vote”.

ALSO READ: Bollywood Film “Pink” focuses on India’s Struggle with sexual violence against Women

The film reflects an underlying social problem of the contemporary Indian society- the unrelenting saga of ignorant citizens who do not exercise their voting rights; of people who cannot make sense out of elections and those who deem it unnecessary and treat it like a joke.

What Inspired ‘Newton’ ?

In an interview with LiveMint in January, writer-director Amit Masurkar had said “the only day people feel powerful and really a part of the democratic process is Election Day: regardless of caste, gender, religion” which prompted him to make Newton.

The young director drew inspiration from the Indian Constitution and its Preamble. According to him, these are great documents but there exists an inherent gap between the virtues upheld in the Constitution and the reality of India that could make for quality cinema.

In another interview, Masurkar said, “the humor is incidental and the subject is serious. Some may find elements of a thriller. I would call it a ‘dramedy’.”

Newton Gives Hope To Bollywood

Newton comes at a time when Bollywood is slowly transitioning towards impactful cinema. With films like Nil Battey Sannata and Toilet : Ek Prem Katha, that lend support to adult literacy, and Clean India campaign respectively, ‘Newton’ also aims to impart awareness, however of a different kind. It belongs to the selective category of cinema that entertains yet provokes a viewer to reflect on what he saw, even long after the film has ended. 

The film very conveniently aims to give a wake-up call to everybody who considers voting as an insignificant activity. The trailer exposes how people in villages fail to exercise this right due to deep-embedded fear and hence, continue to stay defenseless.

With Rajkummar Rao’s words echoing in your ears “If you don’t change nothing, nothing will change”, the trailer comes as a gentle reminder that the power lies right in our hands.

The trailer looks quite promising and the film is all set to release on September 22.


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Know How The Content Providers Seem To Have Decided To Capture The Attention Of Masses

There are voices that the OTT content should come under CBFC certification. It is reported that at the CBFC, while the films from big makers are cleared out of turn so that they can meet their scheduled release dates, makers of smaller films have to wait a long time for that kind favour from the censors?

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Usually, the films with family entertainment, RomComs or mildly plausible action films work (Salman Khan types). The religious and saas bahu family themes have been hijacked by television channels. Pixabay

By Vinod Mirani

When a fad invades India, it does so in hordes. May it be mobile manufacturers, car makers, and so on and so forth. But, now, we have a line-up of streaming content providers. They enjoy an open, unhindered run on your small screens.

Usually, the films with family entertainment, RomComs or mildly plausible action films work (Salman Khan types). The religious and saas bahu family themes have been hijacked by television channels. Presently, though suddenly, we are now into this genre called nationalism/patriotism and biopics. But, that market is flooded and all future announcements for forthcoming films seem to be on patriotism and biopics! Not long before the law of diminishing returns takes over.

In fact, this week’s release, Romeo Akbar Walter, may prove to be an indicator to that considering the lukewarm reception the film has got. The thing is, those people who want to watch these films, they are mainly available in cinema halls. These films would not be as much fun on a small smartphone/tablet screen, also known as Over The Top (OTT).

The content providers seem to have decided to capture the attention as well as the initial eyeballs through a nonconventional way; providing content which is not available on cinema screens. That is to majorly deliver content that is morbid, gory, semi pornographic, drugs and all those things that are repulsive to a normal entertainment seeker and the family audience. Now this is the content designed for personal viewing with no one else watching over your shoulder!

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The CBFC does not work on precedents. Does not matter that a number of films, Hollywood as well as Indian with lengthier kissing scenes, have been passed with UA certificate! There is no consistency in policy. Pixabay

The target viewer is the youth and the purpose is to change their taste and preferences. Indian, Spanish, Mexican, all the content that I scanned through had gore, sex, and all that as common as well as the dominant factors. While providing such content, there are also some decent features but not enough yet.

But, how long can this trend last? There was an era when Malayalam films with a lot of titillation and suggestive sex were dubbed in Hindi language and, for the interior audience, interpolation was a regular practice as explicit sex scenes from porn films were added. They worked for a while but faded soon.

So, the issue is, while the Central Board Of Film Certification (CBFC) makes all kinds of demands from a feature film producer before his/her film is approved for public exhibition, this morbid mobile OTT streaming goes unchecked! The CBFC, in fact, has become the moral guardian of the Indian moviegoer; one to check on its ethics and morals!

Pahlaj Nihalani, the recent past Chairman of the CBFC, asked to delete a kissing scene from a Bond film from some 15 seconds to six seconds. Isn’t that ridiculous considering that Nihalani in real life can’t finish a sentence without adding a couple of BCs and MCs no matter if women or kids are around! Is it possible that a single panel member of the examining committee of CBFC, who watches films to rate them, has never watched an illicit porn film? And, to think that these people think a film is kosher only for six seconds, not 15! Do this politically connected panel members really qualify to sit in judgement over what the people should watch? That has been an eternal debate.

The CBFC does not work on precedents. Does not matter that a number of films, Hollywood as well as Indian with lengthier kissing scenes, have been passed with UA certificate! There is no consistency in policy. As is the wont of Indians, a seat of authority robs them of logic. It is a high to be able to judge others, especially when in an official position. As a rule, this lot found fault with every film presented for clearing. For example, the examining committee suggested 14 cuts to a children-oriented film, Mr India, in 1980. I can quote numerous such examples.

But, the issue is about parity. That is to say, while almost all other mediums are free of a watchdog, why are films censored? Why not OTT content? Come to think of it, what does the ‘power’ that the CBFC panel members and the Chairman
amount to when a motely mob negates their certification and blocks a film? Padmaavat, Manikarnika and so many other examples.

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Also, considering every other so-called group or organization or a community can ignore CBFC clearance and block a film’s release, the Board means nothing. And, this despite the highest court order ages back that the CBFC is the ultimate authority on cinema content! Pixabay

Coming back to streaming content and films, how come the film, PM Narendra Modi, is denied even the courtesy of a screening for the examining committee yet while the streaming episodes on the same subject, Modi, are already on people’s mobiles? So, how is the CBFC and Censor Certificate relevant anymore when a biopic on a person is blocked indefinitely while the same subject OTT platform, Modi: Journey Of A Common Man, produced by Eros Now, has already started streaming?

There are voices that the OTT content should come under CBFC certification. It is reported that at the CBFC, while the films from big makers are cleared out of turn so that they can meet their scheduled release dates, makers of smaller films have to wait a long time for that kind favour from the censors? In that case, suppose OTT content had to pass through censors, what would be the scene? Would it be the Amazon and Netflix that will get priority or a score of others who apply? After all, big shots get priority! Imagine the chaos that can follow. A 30-minute episode can end up
being chopped off to 15 minutes and the second episode of a series may appear weeks after the previous one!

Also, considering every other so-called group or organization or a community can ignore CBFC clearance and block a film’s release, the Board means nothing. And, this despite the highest court order ages back that the CBFC is the ultimate authority on cinema content! Something needs to be set right in the Cinematograph Act. To start with, the word Digital Content, should be made part of the Act.

@The Box Office
*The latest release, a highly promoted film, Junglee, just about manages to stay afloat. With a meagre opening day collections of three crore, it managed a face-saving weekend of around 13 crore. The film had a tapering effect at the box office with the start of the new week and closed its first week with a total of over 19 crore.

*The other release of the week, Salman Khan’s production, Notebook, failed to make its mark. With an opening weekend of Rs 2.3 crore, it had a low opening week figures of Rs four crore.

Also Read: Cambodia Approves Hydropower Dam, Solar Energy Plant to Meet Electricity Demand

*Akshay Kumar carries Kesari on his popularity though a regional subject with a limited appeal, it collects Rs 19 crore for its second weekend and Rs 30 crore for its second week taking its two week tally to Rs 135 crore.

*Badla has collected Rs 5.3 crore in its fourth week to take its four week total to Rs 79.3 crore. (IANS)