Pune: Jailed Bollywood actor Sanjay Dutt will walk out a free man in the first week of March from the Yeravada Central Jail in 1993 Mumbai blasts case, official sources said here on Tuesday.
This comes days after Maharashtra Governor C V Rao rejected Dutt’s plea for pardon on September 15.
The governor had rejected the plea by retired Supreme Court judge, Justice Markandey Katju in March 2013, which came in the form of letters addressed to the president, the (then) prime minister, union home minister and other top officials.
“On September 15, Governor Rao declined the appeal and has forwarded his recommendation to the state government for further action,” an official, declining to be identified, told IANS.
While rejecting the pardon plea, the governor adhered to the state home ministry’s advice, on – among others – grounds that it could set a wrong precedent.
In his plea, Justice Katju had sought a pardon for Dutt on grounds that he was not a terrorist and also demanded pardon for elderly co-convict Zaibunissa Kazi.
Earlier, Dutt himself declared that he would not seek pardon from any quarter and abide by the Supreme Court verdict sending him to jail to serve the remainder of his five-year term at Yerawada Central Jail (YCJ), Pune.
According to current indications, Dutt is likely to complete his sentence and walk out of prison by the year-end or early 2016.
Dutt was convicted for his role in the March 12, 1993, Mumbai serial blasts and after his arrest in 1996 had spent 18 months in jail before getting bail.
In 2013, he was sentenced to five years imprisonment and was transferred to the Yerawada Central Jail for serving the remaining prison term of 42 months.
In the interim, the “Munnabhai M.B.B.S” actor was out four times on parole on various grounds and is currently released on furlough since August 27 for his daughter’s medical problems.
Mumbai: Bollywood actor Sanjay Dutt’s wife, named among those in the ‘Paradise Papers’ accused of parking their wealth in tax havens abroad, says all her financial dealings are above board.
Dilnashin figures among the 714 Indian links named in the ‘Paradise Papers’, said the Indian Express in a banner story done as part of a global probe carried out by the International Consortium of Investigative Journalists (ICIJ).
Her spokesperson said in a statement: “As per the requirements of provisions of Income Tax Act, 1961, all the properties, company or body corporate or shares in any company are declared in the balance sheet.”
Megastar Amitabh Bachchan has been named as part of the leaks, regarding shareholding in a Bermuda company acquired before the 2004 Liberalised Remittance Scheme kicked in.
A day before the big story broke, Amitabh had penned his thoughts on being named in the Bofors scandal and the earlier Panama Papers leaks.
“Tomorrow there could be more… And the process of our cooperation shall continue,” he wrote in a blog post on Sunday.
On the Panama Papers of last year, he wrote: “We were asked for reactions, for responses, for justification or not, for replies to their investigative queries… Two instant replies were given out by us… Of denial and misuse of the name. They were printed… but the questions continued.
“The fullest cooperation has been extended at all hours as dutiful citizens. And even after, if there is any more query that needs to be addressed, we shall comply.”( IANS)
Mumbai, October 10, 2017: Where fates change every Friday, some films catch more than just attention. These are movies that you already know will make it large, even before they hit the silver screens on a scheduled Friday.
Are you a Bollywood lover? Then plan your year keeping these 5 most anticipated Bollywood films of 2018 in mind!
Make sure you don’t miss the first-day first show because we know we won’t!
1. Chanda Mama Door Ke
After hitting the ground to play captain cool Mahendra Singh Dhoni, Sushant Singh Rajput is training hard to ‘fly high’ in a future project. For the same, the actor flew all the way to US Space and Rocket Center in Alabama, the NASA facility. But wait, what are we talking about?
India’s first space movie.
Yes, you read that right. Our very own Hindi film industry is ready to experiment with science fiction with Sanjay Puran Singh Chauhan’s Chanda Mama Door Ke. The film will feature Sushant, R Madhavan and Nawazuddin Siddiqui in titular roles, who have already begun preparing for their parts as astronauts.
The film is believed to trace and celebrate the journey of the Indian space programme, putting together an authentic space odyssey and culminating with India’s first astronaut’s landing on the moon.
From a miniature Rocket to a life size one , this grown up kid will never cease to Dream.
My mother always wanted her
‘ Sushant in Space ‘!! pic.twitter.com/9z4pI61PRF
Rajput, who received a brief training in the technicalities of flying in a space shuttle simulator and docking the shuttle to the ISS at Alabama, has been the first Bollywood actor to train at NASA. According to reports, even Madhavan will soon undergo a similar training for his role. These details make the film one of the 5 most anticipated Bollywood films of 2018!
The film, set for release on January 26, 2018, is believed to be India’s first realistic sci-fi film and has already created ripples in the audience’s minds. Let us see how all the Indian ‘Interstellar’ fans react to our very own production.
From the first looks that have been revealed, Pari seems to be everything you will not expect it to be. Anushka Sharma can be seen in a tattered, bruised look with blue eyes and a piercing gaze.
Anushka Sharma’s third production and a love story, Pari also stars Bengali actor Parambrata Chatterjee.
“Pari’ is a fantastic story. It promises an intriguing and engaging cinematic experience for the audience”, Prernaa Arora of KriArj Entertainment, the co-producers of the film, had shared in a previous interview.
Not much has been revealed about the film as of now, other than Anushka’s look that is going to haunt you for a long time. We think the silence around the film is doing great for the project, keeping people guessing and adding on to the eerie factor.
The film has been scheduled for a nationwide release on February 9, 2018.
3. Sanjay Dutt Biopic
Sanju Baba’s biopic featuring Ranbir Kapoor is undoubtedly the most anticipated movies of 2018. Directed by Rajkumar Hirani, the film will depict the journey of Bollywood’s most loved Munna in a way like never before.
A star kid, a heartthrob, a drug addict and then his conviction for his illegal possession of arms – Sanjay Dutt’s life has been no less than a Bollywood masala film. Now the story is all set to make it to the big screen and fans can’t wait!
The film also stars Paresh Rawal, Manisha Koirala (who will be playing Dutt’s parents), Dia Mirza (believed to be playing the role of his wife Maanyata) and Tabu in lead roles.
According to the rumors doing the rounds, the film is allegedly titled ‘Sanju’, which has been Sanjay Dutt’s nickname for quite a while now, with all his friends, family and fans alike addressing him like that.
The film is set to release on March 30, 2018.
After popularizing the need to build toilets and maintaining healthy sanitation habits, Akshay Kumar has another motive in life. In his next film, he touches an extremely sensitive topic- menstruation.
Was that an amused eyebrow raise I saw?
In Padman, Akshay plays the role of a Tamil Nadu based social activist, Arunachalam Muruganantham, the magician who turned around the face of menstrual hygiene in rural India by devising a low-cost sanitary napkin machine.
Directed by R Balki of Paa-fame, the film also stars Sonam Kapoor and Radhika Apte.
Padman will hit theatres on April 13, 2018.
“Ours is a love story, parts of which have been shot in the temple where Shiv and Parvati met – the Triyuginarayan Temple” said Arjun Kapoor in a previous interview to a leading portal.
The first released motion poster of the film carries the tagline ‘Love is a pilgrimage’. A simple love story between a tourist and a travel guide. Wait, that can’t be all there is to the story?
Well, we don’t know for now. But from the looks of it, and the buzz that the film has already created, it seems like the production is going to win hearts big time.
And did we tell you about Sara Ali Khan’s enchanting look in the film? Bollywood Nawab Saif Ali Khan’s little daughter with his first wife actress Amrita Singh marks her debut opposite Sushant Singh Rajput in Kedarnath.
Kedarnath is scheduled to release in June 2018.
– prepared by Soha Kala of NewsGram. Twitter : SohaKala
“Jadd se ya dhadh se?” Sanjay Dutt plays a cruel KBC with his daughter’s rapist, offering to either kill or castrate him.
The pleading begging rapist takes the knife and plunges it into his pants.
I squirmed, as I was meant to. Bhoomi a film about a father and daughter’s revenge on her wrongdoers set in the seamier side of the city of the Taj Mahal, is not an easy film to view. Just because it stars Sanjay Dutt, don’t expect him to rise Phoenix-like to the occasion. With remarkable disregard for his larger-than-strife image, Sanjay Dutt plays an aging caring doting father who is a helpless mute entity in the case to fight his daughter’s violators.
The rape-revenge motif has been done so much to death I wondered why we need another film on the theme. But “Bhoomi” has plenty of surprises to offer. It never lets the very beautiful Aditi Rao play the victim-card eventhough she is violated humiliated and vilified repeatedly. Yet she stands tall and dignified. This could be because Aditi Rao in the film’s titlular role is just so frigging ethereal. Her makeup-free scrubbed and honest face conveys hurt, suppressed anger and hastily dismissed bewilderment. She is a treat to watch.
Put her on screen with Dutt and you have magic. Scenes such as the one where she tells her broken dad it’s time to rise above the tragedy, are pitch-perfect in their shrill yearnings, neither overstating nor trivializing the very grim issue of rape.
Sanjay Dutt though a little wheezy and out of rhythm, is heartrendingly avuncular.His breakdown in the courtroom is so raw and unrehearsed it washes away all cynicism. He seems so protective of his “Betu” and so shattered by her violation that we tend to forgive the film’s absolute absence of novelty. A parent grieving over a daughter’s rape is not just familiar territory it is also a territory that threatens to explode under the weight of overstatement in our cinema.
With rather unnecessary detailing Bhoomi charts out the daughter’s rape. Shot in a ramshackle single theatre ironically named Bhagwan Talkies, the gangrape is filmed against a backdrop of a film being screened within the film. In this way we are reminded of how cinema is responsible for an increase in sex crimes.
But isn’t that exactly what the film does? For a very long time the trio of rapists indulge in a prolonged sexual torture by threatening the girl emotionally and physically. Some of the scenes showing Bhoomi’s humiliation move you. The others just seem like more of the same thing heated up and served steaming hot.
The narrative also suffers from serious lapses of continuity. In one overnight sequence as Dutt sits by his unconscious daughter’s hospital bedside his nails go from grown to clipped . Maybe he got bored sitting around doing nothing.
If the film holds so well it’s because of the father-daughter chemistry, so vivid and vital it nourishes the arid arteries of this done-to-death plot. Polish cinematographer Artur Zurawski shoots Dutt and Rao in deep shades of love and empathy, overriding the corny dialogues and schmaltzy situations to the point where we no longer mind the narrative’s excessive violence.
Clearly Omung Kumar is influenced by Sanjay Leela Bhansali specially in the climax where Zurawski’s camera captures hordes of rustic women from an aerial shot, letting their veils(a symbol of their collective izzat) float down after the plunging figure of the rapist. It’s a gorgeous moment celebrating a woman’s right to protect her body and mind from invasion.
“Bhoomi” could have been a much greater achievement if it had avoided all the familiar stereotypes of rape-and-revenge dramas. But Agra, and the Dutt-Rao chemistry save the day and elevate the film to a superior show of strength where a rapist is not allowed to get away with a sickeningly sexist statement such as this: “Women get raped all the time. Why did you have to get so worked up?”
It’s the indignity of being violated and denied redress that comes across strongly in this tempestuous drama where no one can be trusted to tell the truth in our faces without a secret agenda. Not even the director. (Bollywood Country)