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Scripts that came to A.R Rahman were secondary

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Scripts that came to A.R Rahman were secondary
Scripts that came to A.R Rahman were secondary. wikimedia commons
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Mumbai, Dec 19, 2017: Grammy and Oscar winning composer A.R Rahman says that in the last few years, he had not been offered many musical scripts where he could project his magic. He says his upcoming film “99 Songs” will be the answer to several questions.

Since the 1990s, Rahman has delivered hit songs like “Hamma hamma”, “Rangeela re”, “Chaiyya chaiyya” and “Jai ho”.

But if we look at some of his latest compositions, some believe that he has missed out in keeping the ‘Rahman magic’ alive.

Asked if he could find out the missing link in his latest work, Rahman told IANS here: “It also depends on what the director wants to do, like the problem that I dealt with in the last few years was that. All the films that came to me were different, where music was secondary.”

“The kind of music that you are talking about needs a certain conviction. Are they (filmmakers) coming to me with enough of that, to create good musical stories?”

He said that his upcoming production “99 Songs” would be the answer to the questions being raised. “The questions that you are asking, about me not being able to create such magic, the fact is, those kind of scripts are not coming anymore,” he added.

On producing films, he said: “There is a reason why we put so much effort to set out our production company. From here, I want to make musical stories and celebrate music ideas. So yes, in a way, in the last 25 years, my life has changed — from being a music composer to a visionary, from a writer to producer and film director,” said the artiste, who has earned the title ‘Mozart of Madras’.

The musician is currently performing in different Indian cities for his live gig A.R. Rahman Encore — The Concert in association with MTV, which celebrates 25 years of his journey as a composer.

Asked to choose his favourites, he said: “Choosing five songs is tough. I would say ‘Humma humma’, ‘Tu hi re’, ‘Maa tujhe salaam’, ‘Chaiyya chaiyya’, ‘Khwaja mere Khwaja’, but there are more.”

Which one is the closest reflection of his personality?

“I think all my compositions are the reflection of my personality and I am the combination of everything. I am funny, light-hearted when I spend time with family. And then there are times when I get into the zone of spirituality. I think such emotions and moods are there in all of us. At times, music takes us to different zones too,” he said.

Rahman has created compositions for filmmaker Ashutosh Gowariker’s movies — “Lagaan”, “Swades” and “Jodhaa Akbar”, but failed to impress his fans with his last work in “Mohenjo Daro”.

“That story goes beyond our civilisation, to an era where we do not know that well about how the music was. And if you look at the story, it has got so many things happening in it. It was not a ‘Lagaan’ where the picture was clear. In ‘Mohenjo Daro’, Ashu tried something different. At least, we should appreciate that,” said the music maestro. (IANS)

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YouTube Becomes The Most Used Application For Music: Report

This report also shows the challenges the music community continues to face.

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The YouTube Music app is displayed on a mobile phone in Los Angeles. VOA

If you are listening to music, chances are you’re on YouTube.

A music consumer report by the industry’s global body IFPI published Tuesday found that 86 percent of us listen to music through on-demand streaming.

And nearly half that time, 47 percent is spent on YouTube.

Video as a whole accounted for 52 percent of the time we spent streaming music, posing challenges to such subscription services as Spotify and SoundCloud.

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The content-sharing platform is also adding a tool, thus, allowing creators to add or remove non-skippable advertisements in bulk. Pixabay

But while Spotify’s estimated annual revenue per user was $20 (17.5 euros), YouTube’s was less than a dollar.

The London-based IFPI issued a broader overview in April that found digital sales for the first time making up the majority of global revenues thanks to streaming.

The report published Tuesday looked into where and when we listen to music.

It found that three in four people globally use smartphones, with the rate among 16- to 24-year-olds reaching 94 percent.

The highest levels were recorded in India, where 96 percent of consumers used smartphones for music, including 99 percent of young adults.

YouTube
YouTube music will separate the movies and music section on the platform. Pixabay

But music does not end when we put away our phones, with 86 percent globally also listening to the radio.

Copyright infringement was still a big issue, with unlicensed music accounting for 38 percent of what was consumed around the world.

“This report also shows the challenges the music community continues to face — both in the form of the evolving threat of digital copyright infringement as well as in the failure to achieve fair compensation from some user-upload services,” said IFPI chief Frances Moore.

The report noted that “96% of consumers in China and 96% in India listen to licensed music.”

Also Read: Google Maps Gets A New Update That Lets You Access Music

It did not, however, say how many of those consumers also listened to music that infringed copyrights.

Overall, the average consumer spent 2.5 hours a day listening to music, with the largest share of it consumed while driving, the industry report said. (VOA)