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Two-Day Exhibition Traditional and Folk Art (TAFA) in Delhi Celebrates works of well-known Traditional Artists across India

The exhibition is taking place at Hungarian Information and Cultural Centre in Delhi and is on view till December 3

(Representative Image) Kuna woman selling Molas in Panama City, Wikimedia

New Delhi, Dec 2, 2016: A two-day exhibition Titled ‘Traditional and Folk Art (TAFA)’ aims to promote indigenous art forms and features works of well-known traditional artists pan-India.

The exhibition features paintings by Mithila artist Manisha Jha, Kerala Mural artist Jijulal V M, Prakash Joshi from Rajasthan among others, mentioned PTI.

This exhibition is a complete visual treat to art connoisseurs with ‘Mata ni Pachedis’ from Gujarat, ‘Kalighat’ paintings from West Bengal as well as ‘Kalamkari’ from Andhra Pradesh. Gond works, which is a popular art form of Madhya Pradesh hang beside the striking ‘Chola’ bronzes from Tamil Nadu and ‘phad’ and ‘pichwai’ from Rajasthan.

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Exquisite collection by Mithila artist Manisha Jha is based on the theme of ‘nature’ and ‘deities’. For Jha, the unique thing about such art form is that it is not bound by any ‘rules and regulations’.

“It is one of the only art forms which are practised and preserved by women. I am the third generation of my family and my inspiration comes from my grandmother and mother. They used to decorate the house with these paintings.”

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“This is a unique form of folk art where the artist is not restricted by any particular rule or regulation,” Jha adds. Her paintings- “Tree of Life” and “Krishna”, represent all the three forms of paintings done by Brahmins, Kayastha and Dusadh, mentioned PTI report.

In the paintings, Brahmins most of the time used pink, yellows and other bright colours. But, it is opposite in the case of Kayasths. The line paintings used by them were monochromes- which were in black and red. She says, one can see the reflection of all that in here paintings here.

“I focus on scales and detailing which is very important aspect of the art. ‘Line’ technique in the paintings is reflection of the detailed artistic work which the painter uses,” says  Jha.

Jha, who is architect-turned-artist, has been exhibiting Mithila paintings for 19 years. She says, Sita Devi and Godavari Das brought popularity to the art form.

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The art form has come a long way and has gained popularity with the efforts of empowered women like Sita Devi, Godavari Das, Yamuna Devi. And now, their works have popularised the paintings across the globe.

The exhibition aims to promote artists who have been practising folk art forms for generations but haven’t got the right platform to display their works.

Traditional ‘Phad’ paintings by Prakash Joshi depict scenes from mythology as well as nature. He belongs to a family, which for almost 300 years has been practising the folk art, mentioned PTI.

“The outlines in Phad paintings are first drawn in blocks and later filled with colours. My paintings depict various folklores while addressing pressing issues like saving the environment.”

“The use of vibrant colours create a subtle impression on cloth which is unique in comparison to any other form of art,” Jha further adds.

The exhibition is taking place at Hungarian Information and Cultural Centre in Delhi and is on view till December 3.

– prepared by NewsGram with PTI inputs


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Aadhaar Helpline Mystery: French Security Expert Tweets of doing a Full Disclosure Tomorrow about Code of the Google SetUP Wizard App

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Google comes up with a new feature

Google’s admission that it had in 2014 inadvertently coded the 112 distress number and the UIDAI helpline number into its setup wizard for Android devices triggered another controversy on Saturday as India’s telecom regulator had only recommended the use of 112 as an emergency number in April 2015.

After a large section of smartphone users in India saw a toll-free helpline number of UIDAI saved in their phone-books by default, Google issued a statement, saying its “internal review revealed that in 2014, the then UIDAI helpline number and the 112 distress helpline number were inadvertently coded into the SetUp wizard of the Android release given to OEMs for use in India and has remained there since”.

Aadhaar Helpline Number Mystery: French security expert tweets of doing a full disclosure tomorrow about Code of the Google SetUP Wizard App, Image: Wikimedia Commons.

However, the Telecom Regulatory Authority of India (TRAI) recommended only in April 2015 that the number 112 be adopted as the single emergency number for the country.

According to Google, “since the numbers get listed on a user’s contact list, these get  transferred accordingly to the contacts on any new device”.

Google was yet to comment on the new development.

Meanwhile, French security expert that goes by the name of Elliot Alderson and has been at the core of the entire Aadhaar controversy, tweeted on Saturday: “I just found something interesting. I will probably do full disclosure tomorrow”.

“I’m digging into the code of the @Google SetupWizard app and I found that”.

“As far as I can see this object is not used in the current code, so there is no implications. This is just a poor coding practice in term of security,” he further tweeted.

On Friday, both the Unique Identification Authority of India (UIDAI) as well as the telecom operators washed their hand of the issue.

While the telecom industry denied any role in the strange incident, the UIDAI said that he strange incident, the UIDAI said that some vested interests were trying to create “unwarranted confusion” in the public and clarified that it had not asked any manufacturer or telecom service provider to provide any such facility.

Twitter was abuzz with the new development after a huge uproar due to Telecom Regulatory Authority of India (TRAI) Chairman R.S. Sharma’s open Aadhaar challenge to critics and hackers.

Ethical hackers exposed at least 14 personal details of the TRAI Chairman, including mobile numbers, home address, date of birth, PAN number and voter ID among others. (IANS)

Also Read: Why India Is Still Nowhere Near Securing Its Citizens’ Data?