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Virtual Reality Journalism : A new way of story telling

For filmmakers, virtual reality also presents a new way to tackle issues such as police brutality

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  • A virtual reality experience that places viewers inside a virtual segregation cell
  • Rather than just watching the action, virtual reality places viewers squarely in the middle of it
  • Virtual reality is quickly emerging as a tool in a journalist’s storytelling arsenal

To capture the experience of being imprisoned in a solitary confinement cell for their readers, editors at The Guardian newspaper collaborated with producers at The Mill, a virtual reality company, to create 6×9, a virtual reality experience that places viewers inside a virtual segregation cell.

https://www.youtube.com/watch?v=1us-VbK9Ka0&feature=youtu.be

The resulting video is unnerving in its authenticity. Incorporating ambient sound and audio excerpts from interviews with former prisoners, viewers experience what is likely to be the closest encounter with solitary confinement that they will ever have, short of visiting prison themselves.

“It was an incredible experience, I was sweating and my heart was beating really fast and it was really upsetting. I found myself tearing up a little bit. … It was a very emotional, physical and mental experience,” said Emilia Petrarca, who watched 6×9 at the Tribeca Film Festival’s “Storyscapes” event in New York City.

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Storytelling tool

For journalists, virtual reality is quickly emerging as another tool in their storytelling arsenal.

“It’s about access,” said Francesca Panetta, special projects editor at The Guardian. “This is access to a space and to an environment that you wouldn’t normally have,” she added.

Rather than just watching the action, virtual reality places viewers squarely in the middle of it. News organizations such as The New York Times and USA Today are discovering it’s a powerful medium for storytelling.

“It just opens the door to another level of immersion outside of just traditional filmmaking and just creates another level of sympathy as well, and empathy for the viewer,” said Jared Vladich, visual effects producer at The Mill.

Picture of the virtual segregation cell.
Picture of the virtual segregation cell. Image source: VOA

For filmmakers, virtual reality also presents a new way to tackle issues such as police brutality.

In “Perspective 2: The Misdemeanor,” viewers experience a violent police confrontation from the perspectives of both cop and civilian.

“You see a heated topic happen from one person’s eyes, sort of build empathy for that character, and then you see it from another person’s eyes,” said Morris May, CEO of Specular Theory, the company behind the film. Filming multiple perspectives required a day’s worth of repeated takes, during which the line between reality and fiction began to blur.

“People thought this accident was actually happening, so we have extras in the film that came by with their cellphones and started filming, not even realizing that this was a film shoot because there’s no camera visible and there’s no film crew visible at all,” May said.

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Generating revenue

In addition to the tricky mechanics of filming, virtual reality productions can be cost-prohibitive.

The Guardian‘s Panetta said, “For journalism, it’s quite expensive. So for a newspaper, which is an industry that its financial model is still being questioned, it’s a very expensive medium.”

At The New York Times, editors have found that partnering with advertisers is one way to generate income on virtual reality projects.

“We think there’s a good business here. Virtual reality is a powerful way to tell stories for journalists, but it’s also become a powerful way for brands to tell their stories,” said Sam Dolnick, associate editor at the Times.

The company has partnered with clients like Tag Heuer and Mini to create virtual-reality experiences that target Times readers.

“We think there’s a potential around virtual reality becoming some kind of premium offer, and whether that’s for subscribers, a new paywall, we’re experimenting, we’re thinking about it,” Dolnick added.

The New York Times has given away more than 1 million basic Google Cardboard viewers to subscribers. A recent virtual-reality experience transported viewers to the top of One World Trade Center with National Geographic photographer Jimmy Chin, for breathtaking views of New York City.

With the new era demanding more from its people,the long-term profitability of virtual reality remains to be seen, and the new medium has journalists and filmmakers pushing the boundaries of storytelling.

-by Newsgram staff with inputs from VOA

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Factors to Consider When Hiring a Defense Attorney in New York City

If you can’t afford to hire an attorney, the court will appoint a public defender for you

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Hiring, Defense Attorney, New York
If you have a good income and you’re capable of hiring your own attorney, then you’re bound to be fine. Pixabay

It’s important for you to know that your income plays a major role when you seek legal representation. If you have a good income and you’re capable of hiring your own attorney, then you’re bound to be fine. However, if you can’t afford to hire an attorney, the court will appoint a public defender for you. The constitution guarantees you the right to be represented by a defense lawyer.

Before you hire a lawyer to represent you in the case, you need to discuss with that attorney about their billing structure, as the cost is one of the major factors to consider. When you explain your case to the lawyer, he/she can be able to determine the amount of money that the case will cost you. The following are other factors you need to consider when hiring a New York City criminal lawyer.

 

  • The skill of the lawyer

 

If the attorney you’re about to hire has much experience in cases such as yours, the attorney will charge you more for the legal services. In most cases, you’re advised to look for the most qualified attorney to present you in a case because you will have higher chances of winning the case.

Hiring, Defense Attorney, New York
It’s important for you to know that your income plays a major role when you seek legal representation. Pixabay

 

  • The seriousness of the case

 

If you have committed a serious offense, you need to hire a competent attorney to represent you. Serious cases such as rape, murder, and drug trafficking are taken very seriously in court, and if you’re found guilty, the penalties are very harsh. You can get a life sentence or face the hangman’s noose very easily. A New York City criminal lawyer who is capable of making you run away with murder will demand a higher cost than compared to petty crime such as trespass.

 

  • The complexity of legal issues in the case

 

When you have a case with complex issues that may require expert witnesses or private investigators, it will attract a higher cost to build a strong defense. For example, you want to raise the defense of legal sanity; you can hire a psychologist to prove that fact. Such experts require an average retainer of up to $300/hr, depending on the circumstances of your case.

Also Read- Google Remove Stalker Apps That were Available on its Play Store

 

  • Whether the attorney charges by the hour or a flat fee

 

Attorney charges are different. There is a defense lawyer who normally charges a flat rate, and you may find another who prefers to charge by the hour. You should consider your case, and if you find that your case will go to trial or take a long period of time before it’s determined, you should seek the services of an attorney who charge a flat rate. However, if you find that your case will not take a long time before it’s determined, you should go for the attorney who charges by the hour.

Conclusion 

You should always hire the most qualified defense attorney to take you through the court proceeding. The attorney has the experience and influence in a court of law because he/she understands the technicalities of the case before the court.