Never miss a story

Get subscribed to our newsletter


×
Image Source : ridingtheelephant.files.wordpress.com
  • It was on the portrait of the last Sikh king, Maharaja Duleep Singh that gave the two sisters a sizeable reputation
  • At first sight, they fell in love with the Indian art of miniature painting
  • Amrit and Rabindra, though born and brought up in the west, still hold their motherland to be the source and the image of their works

At a time when the idea of European individualism influenced the art and the philosophy of people, the Singh Twins, as they like to call themselves, worked with their mutual oneness, creating art that was unique and inspiring in nature. With the famous portrait of Maharaja Duleep Singh and the controversial painting depicting the Golden Temple after Operation Blue Star, Amrit and Rabindra Kaur have certainly made a mark in the history of art.

The partition of India led Amrit and Rabindra Kaur’s family to move to London. Talking about their life in Liverpool, where they have continued to live since the age of four, they told Firstpost, “We grew up in a quiet little village and were sent to a Catholic Convent school for its high standards of education, discipline and spiritual grounding. We were the only Indians and non-Christians there, but it didn’t stop us getting involved in the religious life of the school.”


The Christian imagery which is rich in iconography, symbolism, decoration and narrative, ignited their passion for art. They said that it played a huge part in influencing their aesthetic taste and led to their love of Art Nouveau, Renaissance, Pre-Raphaelite and Symbolists art. “As children we spent our spare time drawing fantasy and fairytale images inspired by these art movements,” they added.

Being similar in the physical sense of it is one thing but having the same ideology and passion comes with the kind of baggage most people, let alone artists, are not familiar with carrying. These sisters work on the same painting simultaneously, two at a time, which is as curious an approach as it is must be difficult to execute, says the Firstpost article.

Follow NewsGram on Twitter: @NewsGram1

“At school we were first separated in class and then placed in different classrooms, against our will. Later, when we were studying the 20th century Western Art History as part of a BA (Hons) degree in Combined Studies, we were heavily criticised by our art tutors for developing similar styles of work (something that was a natural outcome of our joint love for the Indian miniature tradition rather than any conscious decision on our part to be the same). They felt we were not being individual enough. Which went against the ideal they held and taught about ‘individuality’ being ‘the be all and end all’ of contemporary art,” the twins say.

At the very first sight, they fell in love with the Indian art of miniature painting. “The technical skill, intricate detail and imaginative compositions; their beautiful jewel-like quality with the illuminated gold work, their narrative power; their satire (often used within the social and political themes) and their rich symbolic language, fascinated us,” the Singh Twins said.

But they are disappointed at the receding influence of our traditional art in the modern Indian art. They feel that inspiration need not be looked elsewhere when there are so many indigenous art forms and techniques that are glorious and unique in its own way. “It seemed that India in general no longer valued this art form which was reduced to cheap imitations for the tourist industry,” they iterated.

A painting titled Nineteen Eighty-Four, which shows the Golden Temple after Operation Blue Star, garnered them praise but a fair share of negative reviews, as it was termed ‘violent’ by some. “The feedback to 1984 moved us but it also humbled us because we don’t feel that we had been particularly brave in depicting this event. It is easy to speak out against injustice when you are not in fear of serious repercussions. We sometimes wonder if we lived in Punjab whether we might perhaps have thought twice about creating it?” the twins ask.

Follow NewsGram on facebook: NewsGram


Casualty of War A Portrait of Maharaja Duleep Singh Copyright @ www.singhtwins.co.uk

But it was the commission from the National Museum of Scotland on the portrait of the last Sikh king, Maharaja Duleep Singh that gave the two sisters a sizeable reputation. In 2009, the sisters were to draw a portrait of the king with attention focused on the belongings of the Maharaja that were part of the museum’s collection. “We had been fascinated by the tragic story of Maharaja Duleep Singh for many years. It was a dream commission!” say the twins to Firstpost. The portrait was called the ‘Reclamation of the Last Maharaja’ and was regarded positively by most.

Amrit and Rabindra, though born and brought up in the west, still hold their motherland to be the source and the reflection of their works. “Despite living here (in the UK), our lives and our work is a reflection of our cultural values that continue to be inspired by our very Indian traditions,” they say.

– prepared by Ajay Krishna, an intern at NewsGram.

ALSO READ:


Popular

getty pictures

Divorce proceedings

Divorce is a hard fact in someone's life because it can affect all aspects of life like social, economic, and living status. Conditions become tougher if you have children. Recovering from divorce is also a painful process but good thing is that it is possible to get through it and place better in terms of both finances and emotions. The impact of divorce on finances can be life-lasting but taking precautions and thorough investigations of options can help a lot not only to save unnecessary costs but also some other hidden areas where you weren't aware. Following are some tips to save money during a divorce.

1.Avoid advice from everyone

Keep Reading Show less
ryunosuke kikuno/unsplash

Hosting the Olympics is an economic burden on host cities which mainly include construction delays, cost overruns, security issues, and environmental concerns.

By Saish

Gone are those days when people, sports enthusiasts, and governments lined up to host the Olympics. Hosting the Olympics, once seemed to be an immensely prideful event, but it has now transformed into an economic burden. Host cities grapple with a plethora of problems which mainly include construction delays, cost overruns, security issues, and environmental concerns.

Keep Reading Show less
ians

Tokyo Olympics 2020 Indian wrestler Ravi Kumar enter semi finals.

Indian wrestler Ravi Kumar (57kg) and Deepak Punia (86kg) enjoyed fruitful outings at the Tokyo Olympic Games as they secured semifinal berths in their respective weight categories at the Makuhari Messe on Wednesday.

On the opening day of the wrestling competition, Ravi Kumar defeated Bulgaria's Georgi Vangelov 14-4 on technical superiority to reach the last-four in the men's 57kg category, while compatriot Deepak Punia overcame China's Zushen Lin 6-3 on points to advance to the semifinals.

Ravi Kumar will take on Nurislam Sanayev of Kazakhstan in the last-four, while Punia will be up against David Morris Taylor of the USA.

Earlier, Ravi Kumar had won his opening-round bout by technical superiority against Colombia's Oscar Tigreros to secure a quarterfinal spot. Competing in the Round-of-16 bout against the Colombian wrestler, the 23-year-old Ravi Kumar, who is making his Olympic debut, showed no nerves as he dominated the bout to win by technical superiority (13-2).

Ravi Kumar landed attack after attack and went 13-2 up, winning the bout by technical superiority with minutes to spare. In wrestling, building up a 10-point lead over the opponent results in a victory by technical superiority.

India's 86kg freestyle wrestler Deepak Punia showed no signs of the niggle that had forced him to pull out of the Poland Open Ranking Series in Warsaw in June, as he defeated Nigeria's Ekerekeme Agiomor on technical superiority to secure a quarterfinal berth.

He got his Olympic campaign to a fine start as he was in control from the start of the bout and hardly ever allowed his Nigerian opponent any room to maneuver his moves, finally winning with a 12-1 on technical superiority.

Punia, who had also suffered an elbow injury just before the Games, was slow at the start but came into his own as the bout progressed, inflicting takedowns at regular intervals to earn points.

The Indian wrestler eased into a 4-1 lead at the break and extended his lead comfortably in the second period.

Punia, the silver medallist from the 2019 world wrestling championships, then set up a clash with China's Lin Zushen in the quarterfinals and defeated him 6-3.

(IANS/HP)