"It was always there in me. Even as a 3-year-old, I used to like to dance. I used to dance in the fields instead of walking..it was innate in me"
His latest choreographic work "Ganjam" staged recently in New Delhi advocating his Guru Deba Prasad Dais's Tridhara, union of the three dance streams, showcasing the contemporary and novelty of the much aged tradition.
Malaysian dancer Datuk Ramli Ibrahim, 62,has famously been alluring audiences with his performances and choreography of various Indian traditional dances for more than
three decades now. He has gone on to perform and win awards both locally and
overseas, and has also groomed many a talented dancer.
A cultural icon and a dynamic force in Malaysian playhouse, he is trained in both Indian classical dance and modern dance styles. In Malaysia, Ramli is hailed as a pioneer dancer and choreographer of international footing in numerous dance forms namely – Bharatanatyam, Odissi as well as Contemporary Dance.
Tridhara is the union of the three dance streams, namely, tribal, folk and classical.Produced more than 40 original dance repertoires in the traditional and contemporary idioms. For Ramli, theatre is the all-obsessing instrument for his creative vision.
Odissi-via flickr
"But I stood my ground. I argued that the Malaysian constitution and policies did not object to Indian Diaspora's dances."
-in an interview with The Hindu
Indian Government has honoured Ramli Ibrahim with Sangeet Natak Akademi award for my contribution to Odissi.He has also been awarded Datukship, which is similar to Padma Awards in India.
In an interview with the Narthaki magazine, when asked, about his views on guruship, he replied:
"I don't like people diving at my feet! Whatever you do, you must start with a pure inner heart, not just an outward ritualistic show. When it comes to a performance or class, if they don't come up to expectations or make me wait, they get hell from me. That's the guru in me. If you do not have respect for your art or for your parents' money, why are you wasting my time and yours? That's why we have performed very few arangetrams. We do not recommend arangetrams unless the student is serious about making dance a very important part of his / her life. Otherwise, it has no relevance. For a lot of students, arangetram is the beginning of an end. Most of them start a kitchen class. Too many mediocre teachers and dancers around. Over popularizing Bharatanatyam has resulted in this."
Yajush is studying journalism in New Delhi. Twitter :@yajush_gupta