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- Handicrafts are the products which are mostly made by hand.
- The history of Indian handicrafts can be divided into three eras: Pre British, British era, and Post Independence.
- Clay craft is the earliest form of crafts to have existed in India.
New Delhi, September 28, 2017: Handicrafts in India have a long history. From ancient to the contemporary times, handcrafters have preserved this art. This art has been passed on from one generation to the next. Pottery making, in fact, is one of its forms, whose existence can be traced back to the Harappan Civilization.
What are handicrafts?
Handicrafts are products that are produced either completely by hands or involve tools. Mechanical tools could also be used as long as the manual contribution of the artisan remains the central component of the produced object. The production of these crafts require great skill and represents a particular expression, culture or tradition. Handicrafts could hold a number of values, some of them being aesthetic, cultural, decorative, utilitarian, religious, functional etc.
Historical Perspective of Indian Handicrafts:
To understand the historical perspective of Indian handicrafts, we need to go back in time. Let’s take a look at the development and decline of the artisanal production under three different time periods: before the arrival of British in India, Under colonial rule, and after India got independence.
History of Indian Handicrafts Before the arrival of British:
Art and crafts, as we have already mentioned, has been a tradition in India since long. Textiles, the most important of the Indian handicrafts, reached the zenith of perfection during the Mughal period. While under Mughals, it was the art of weaving and silk spinning that scored refinement; it was metal works, ivory works and jewelry that reached great potential during the Gupta period. The handicrafts production during that time can be divided in four broad categories. The first category dealt with the village economy under the jajmani system, in which the products were articles of daily use. The second category was integrated with the urban areas, where artisans produced crafts mainly for the purpose of sale. The third category concerns the dadni system, in which the merchants advanced cash to the artisans for production. The final category includes the Karkhanas, where skilled artisans produced luxury crafts under the command of kings or high nobles. Handicraft production was the second biggest source of employment in the pre-British India.
History of Indian Handicrafts Under Colonial Rule:
Under the British rule, production of Indian Handicrafts faced a rather sharp decline. When the East India Company was in power, it forced monopoly over the production of artisans from Bengal, and the price of these products were fixed 15-40% lower than their actual market price. What came as the biggest blow to the Indian artisans, however, was the removal of most of the Indian princes and nobles, which as an effect, led to the destruction of the artisan’s major market.
History of Indian Handicrafts Post-Independence:
The plight of the artisans and the cultural importance of artisanal production was taken into accord after India got independent. The establishment of All India Handicrafts Board in November 1952, to look at the problems and find solutions concerning Indian Handicrafts; the Handicrafts and Handloom Export Corporation of India Ltd in 1958, to promote handicrafts exports; Opening of Crafts Mueseum in 1953 in Delhi, to develop people’s interest in handmade Indian goods, all alluded to the idea that India had finally realized the importance of its art and crafts, and did not want to leave any stone unturned for its development.
A brief history and development of different form of handicrafts in India:
- Clay craft and pottery: Clay craft is the earliest form of crafts to have existed, in India or in the world. A simple earthenware made of clay or ceramic has been created and used by the rural population for centuries. Potters have had an integral traditional link with the villages. The earthen pottery has only been developing, with the addition of new colors, figures of gods and goddesses, and decorative elements like flowers.
Main centers: Uttar Pradesh (Nizamabad and Chinhat), where the pottery is dark black; Bengal which produces large figures of gods, especially on the occasion of Durga Puja; In Kashmir, Srinagar is the place where special glazed pottery is made; Terra-cotta roof tiles are a tradition in Orissa and Martha Pradesh; both Rajasthan and Karnataka are popular for their black pottery; Manipur in the northeast is also famous for its pottery.
- Wood craft: Wood craft is widely produced and used throughout the country, with the most important products being household furnitures, carts and decorative objects. Baskets for storage and Toys, both for play and decoration are also made on a large scale.
Main centers: The elegant use of wood by skilled craftsmen can be seen in the houses at Gujrat and Kerala. Kashmir acquires a special position in this category of craft, with the walnut and deodar being the most favorite woods there. Saharanpur in U.P is also quite famous for its wooden furniture and objects of decoration.
- Metal craft: Copper was the most widely used metal in India before Iron joined in. Utensils, jewelry, dagger, axe heads etc in the harappan finds suggest that casting of copper objects made use of moulds. Bronze was also an important metal for the artisan production. The skills of craftsmen on metals are of various types, such as embossing, engraving, moulding etc.
Main centers: Kashmir (Srinagar) and Ladakh (Zanskar) are the two main centres. In Uttar Pradesh, Moradabad, Aligarh, Varanasi are the main centres of metal craft. Kerala specializes in the bell metal, whereas Bidar in Karnataka is noted for its Bidri work. Tribal groups in India also appear to hold their specific metal craft traditions.
- Stone craft: Stones, without a shadow of doubt, have been there with humans since the earliest. They have been crafted into various products such as tools, decorative objects, sculptures and even jewelry. Statue of Yakshi of Didarganj is one fine piece of stone sculpture and dates back to the Maurya period. Majestic Qutub Minar in Delhi, and forts at Agra, Delhi, Jaipur are all works of stone craft.
Main centers: Rajasthan due to a large availability of stones tops the list of most prominent places for stone works. Salem district in Tamil Nadu also makes it to the list along with Gaya in Bihar. The stone cutters of Orissa also share a long history with the craft.
- Ornaments and jewelry: From grass jewelry to that of gold and diamonds, one can witness great diversity when it comes to ornaments and jewelry in India. Gold, gems, silver, diamonds, other metals and precious stones are some materials used for making ornaments. Bones, horns, sea shells, lac, glass etc are also used in many parts of the country to create ornaments. The Harappan finds revealed a number of ornaments, indicating their existence since long. There are many references in Ramayana and Mahabharata of gold being precious objects.
Main centers: Western ghats and Matheran in Maharashtra are noted for grass ornaments. Gujarat and Rajasthan share a rich and long tradition of jewelry. Kashmir is one of the most prominent places, again, with its exquisite jewelry, Varanasi and Awadh of U.P. are famous for gold studded jewelry.
- Textiles: India had had one of the richest traditions of textiles made from different raw materials. It won’t be wrong to say that Indian textiles tend to reflect Indian culture and religious beliefs. Bengal was the chief center of cotton production and Carpet weaving reached its zenith at the time of Mughals. The most commonly knows fabrics are cotton, wool and silk. The three main techniques used for patterning are weaving, embroidery and dyes.
Main centers: Orissa and Andhra Pradesh are famous for ikat fabric, Gujarat and Rajasthan for bandhani, U.P. and Bengal for jamdani fabrics. Rajasthan is also noted for Masoria fabric.
-prepared by Samiksha Goel of NewsGram. Twitter @goel_samiksha
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Malgudi, a small fictional town in South India has been part of the childhood of most Indians. It is an old, shabby, and peaceful town that is unruffled by politics. The stories set in this small town ring the sense of belongingness in the hearts of its readers. The familiar feeling that feels like home resonates with their soul. And teaches important life lessons to the readers through simple tales. Malgudi Days is one of the books that every Indian child should read. The book is a compilation of 32 short stories that paint a beautiful picture of small-town in India around the '60s and '70s
R. K. Narayan, one of the most well-known and popular writers within India and outside India is the creator of this town and the occurrences of this town. The stories follow the characters Swami and his friends through their everyday lives. Be it the story of fake astrologers who scam and loot the people by his cleverness, or the story of a blind beggar and his dog where the money blinded the man with greed; each story has a lesson to learn, morals and values hidden in it. As the stories are simple, easy to understand yet heart-touching it makes it easy for the kids to connect with each character and imagine the story as if the reader themselves were the protagonist of the story. In simple words, we can say that R.K. Narayan simply told stories of ordinary people trying to live their simple lives in a changing world.
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As written during the Indian Independence movements and finally published in 1943. The stories in the Malgudi days beautifully encapsulated the transitioning milieu of the British era to post-Independence India. Each of the stories portrays a facet of life in Malgudi and simultaneously a life in an Indian town. R.K. Narayan was one of the first writers who pioneered Indian writings in the English language and the book was later republished outside India in 1982 by Penguin Classics. Thus, the book enjoyed a worldwide audience. The New York Times even described the virtue of the book as "everyone in the book seems to have a capacity for responding to the quality of his particular hour. It's an art we need to study and revive."
The beautiful storytelling of the book was assisted by beautiful illustrations allowing the children to let their imagination teleport them to the world of Malgudi. All the illustrations in the book were illustrated by the world-renowned cartoonist, R.K. Laxman who is also R.K. Narayan's younger brother. The illustrations complimented the scenes from the stories and excited the children, keeping them engaged in reading the book for hours.
The illustrations complimented the scenes from the stories.Pixabay
The short stories from Malgudi Days were later adapted into a television adaptation in 1986. This show was directed by actor and director Shankar Nag. It was filmed both in Hindi and English, containing 54 episodes and the first 13 episodes respectively. Later the series was revived for additional 15 episodes. The show featured several popular celebrities from the Kannada film industry of those days – Girish Karnad, Vishnuvardhan, Ananth Nag, Arundhati Nag and Vaishali Kasaravalli, to name a few. The series was premiered on the Doordarshan channel and became the window into the town Malgudi for many. The show did not only excel in its storyline the TV adaptation elevated the storytelling as the show was technically very sound and stood out in its fantastic detailing in terms of locations and sets. With the cinematography being creative The Malgudi days- TV series once again warmed the hearts of both young ones and adults.
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Malgudi- our childhood home
Malgudi days hold a special place in the hearts of whoever has read the book as a child. With the detailed descriptions of the town and stories one almost gets a feeling that they've visited the place themselves. The characters, Swami and his friends feel like they were all readers' childhood friends. The surreal feeling of being home in the world of Malgudi. The world of Malgudi is intimate, warm, lifelike, and engaging. The setting is modern, and the life portrayed in these stories is contemporary. Still, there is an old-time air about It. R K Narayan once described Malgudi as "Malgudi is where we all belong, and where we wish we lived."
Keywords: Malgudi days, Malgudi, R K Narayan, R K Laxman, storytelling, our childhood home Malgudi
Well, if you'll notice then the moon takes twenty-nine days to complete its lunar cycle, whereas women's menstrual cycle is generally 28 days! Coincidence? I think, not.
It is believed that when a woman goes through her menstrual cycle, she goes through the different lunar energies. In fact, in ancient times it was said that the natural rhythm of women was to menstruate under a new moon and ovulate under a full moon.
At the same time, it is also believed that the cycle and its stages are connected to different seasons, namely, spring, summer, autumn, and winter.
Let us see how the lunar cycle is related to a woman's menstrual cycle!
It must be noted that the menstruation period is during the new moon period and also during the winter season. It is said that this is a reflective phase; a phase of silence, introspection, and solitude. During this phase, a woman's body is more sensitive, and so they're able to connect with it and hear the messages it gives. Interestingly, this is also the time when a woman naturally recycles energy as she menstruates, and hence, it's also the for their rest and recovery.
The Crescent moon represents the pre-ovulation period. This is also the season of spring, and so the time corresponds to an increase in physical energy. During this period, a woman's mental strength is at its peak and their thoughts are much clearer. At the same time, emotions are more stable during this period, and because of which women tend to be more social and outgoing.
This phase of the moon represents ovulation, and the season associated with this phase is summer. It must be noted that this period is full of energy and vitality. At the same time, this period plays a significant role in the lives of women because it's actually a fertile phase in all aspects of their life, be it personal or professional. During this period, the self-confidence and self-esteem in women tend to rise, and along with this, an increase in their sex drive can be seen very well.
This phase of the moon represents pre-menstruation, which is also associated with the autumn season. During this period, a woman's physical energy starts to decline. Metaphorically, just like a tree sheds its leaves, a woman, too, feels the need to let go of anything that is not benefiting her. At the same time, memory and the ability to concentrate decrease in this period.
I hope, now you will not think of the moon just as a celestial body, but as a companion in the lives of women!
Keywords: Women pre-Menstruation, Feminine, women Health Fitness, the moon represents the pre-ovulation period, period and moon cycle.
The Pakistan Electronic Media Regulatory Authority (PEMRA) has directed Pak TV channels to stop airing what it calls indecency and intimacy in dramas, Samaa TV reported.
A notification issued by the authority states that it has been receiving numerous complaints from viewers who believe that the content being depicted in dramas does not represent the "true picture of Pakistani society".
"PEMRA finally got something right: Intimacy and affection between married couples isn't 'true depiction of Pakistani society and must not be 'glamourized'. Our 'culture' is control, abuse, and violence, which we must jealously guard against the imposition of such alien values," said Reema Omer, Legal Advisor, South Asia, International Commission of Jurists.
"Hugs, caress scenes, extramarital affairs, vulgar and bold dressing, bed scenes and intimacy of married couples are being glamourized in utter disregard to Islamic teachings and culture of Pakistani society," PEMRA stated, as per the report.
The authority added that it has directed channels time and again to review content with "indecent dressing, controversial and objectionable plots, bed scenes and unnecessary detailing of events".
Most complaints received by the PEMRA Call Centre during September concern drama serial "Juda Huay Kuch is Tarah", which created quite a storm on social media for showing an unwitting married couple as foster siblings in a teaser for an upcoming episode. However, it only turned out to be a family scheme after the full episode aired, but by that time criticism had mounted on HUM TV for using the themes of incest to drive the plot, the report said. (IANS/JB)
Keywords: Pakistan, Islam, Serials, Dramas, Culture, Teachings.