Sunday December 17, 2017

A Career in Music Will Take You Places

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Image-music.com

An online listener posts a comment on twitter after listening to ‘Muhazi’ a tune from Mighty Popo aka Jacques Murigande. Within a flash of a second other followers flood his wall with comments expressing how much they too love the song. What was a private discussion finally became a platform for social debate, but at least…

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Lata Mangeshkar writes on her association with the late actor, Raj Kapoor

An experiment between a biography and an autobiography, a special book, will be launched to mark the 93rd birth anniversary of late actor Raj Kapoor and singer Lata Mangeshkar writes on her association with the late actor

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Lata Mangeshkar writes on her association with the late actor, Raj Kapoor
Lata Mangeshkar writes on her association with the late actor, Raj Kapoor. IANS

December 14, 2017: (Editors note: To mark the 93rd birth anniversary of late actor Raj Kapoor, a special book — an experiment between a biography and an autobiography — will be launched by his children Randhir Kapoor, Ritu Nanda, Rishi Kapoor, Rima Jain and Rajiv Kapoor on Thursday evening. Presented here is an exclusive extract from “Raj Kapoor: The One And Only Showman” where noted singer Lata Mangeshkar writes on her association with the late actor)

It was sometime in 1948 I was recording a song at the Famous recording studio for music director Anil Biswas. At that time, Raj Kapoor had a very small office on the second floor in the same building. Anil Biswas contacted him and asked him to come down to the studio and listen to my voice. I sang and he listened. There was no reaction. He listened and left! Next day, Anil Biswas called and said that Raj Kapoor has called you at the Mahalaxmi office.

In Kohlapur, I had seen Prithviraj Kapoor’s film “Sikandar” fifteen times. I was a great fan of his. He was tall and so handsome. I thought it might be a good opportunity to meet my favourite star’s son, Raj Kapoor.I accepted the invite and went. Raj Kapoor was sitting on his desk in his office. I sat across the table. He said ‘I want you to sing for my film,’ and asked me what that would cost him. I responded by saying any amount that he gave me would be acceptable. He replied by offering me rupees 500 for the same. At this time, Ram Ganguly was the music director and both Shankar and Jaikishen were music arrangers. They all worked together at Prithvi Theatres.

Shankar was on the tabla and Jaikishen on the harmonium. They sang and taught me the song ‘Jiya bekarar hai’ for the film “Barsaat.”

It was after this recording that Raj Kapoor took the decision that the music director for the film would be Shakar-Jaikishen and not Ram Ganguly. This was the historic decision, with Shailendra and Hasrat Jaipuri handling the lyrics, that created the evergreen music of R.K. Films.

I also recall Raj-ji cautioning Jaikishen. He was concerned about my ability to sing commercial film songs, being a classical singer. Hearing this I was naturally very upset. I was new and had not worked in the film industry. I sang all the songs in Barsaat. It was very gratifying for me to hear of a request from Raj saab for a bhairavi alaap in a certain song in Barsaat. I sang it and he loved it and was very happy. The music of this film was very successful.

Later, for the following films, he would leave the details of the melody to me. But he always wanted an alaap which would touch the hearts of millions of people.

I recall a time when we were recording the famous song in Awara, ‘Ghar aaya mera pardesi’, with Manna Dey accompanying me. We reached the recording theatre. Shankar and Jaikishen made us learn the lyrics and the melody of the song, but Raj saab, who came later, rejected our entire day’s work. He said to Jaikishen, ‘I don’t want a popatiya song!’ He changed the whole song. He also added an alaap to the song! All this went on till 3 a.m. and only after it was done did he say, ‘Now let us eat!’ He had arranged food for the entire unit. I remember the entire team sat in the middle of the road and ate. There was almost no traffic those days, particularly at 3 a.m. A sheet was spread on the road where we all ate and left for home.

This was his way of working…

I was also bad tempered. I used to fight. I was recording with his son Randhir Kapoor for his film “Kal Aaj Aur Kal”. Raj-ji had come for the recording. There, he told me that he was soon starting his next film called “Satyam Shivam Sundaram” for which he wanted my brother Hridaynath Mangeshkar to score the music. I replied to him saying that I would ask my brother. I managed to persuade my brother who was not really interested in scoring scores for films…

I left for my US trip where I was shocked to hear from Mukesh, ‘Hridaynath ki picture gayi (Hridaynath has lost the film)!’ Hridaynath called and said that he had accepted the film because of me but the newspapers were writing otherwise. He was offended and embarrassed. I was very angry with Raj-ji. On my return, I called him and said, ‘why did you do this?’ I had persuaded him because you had asked me to!’ (IANS)

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Facebook, Google, Bing and Twitter Join The Trust Project to Help Users Combat Fake News

In their bid to combat fake news and help readers identify trustworthy news sources, Facebook, Google, Twitter and several media organisations have joined the non-partisan "The Trust Project"

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To Combat Fake News
To Combat Fake News Facebook, Twitter , Google have joined 'The Trust Project'. PIxabay.

San Francisco, Nov 19: In their bid to combat fake news and help readers identify trustworthy news sources, Facebook, Google, Twitter and several media organisations have joined the non-partisan “The Trust Project”.

“The Trust Project” is led by award-winning journalist Sally Lehrman of Santa Clara University’s Markkula Centre for Applied Ethics.

Starting from Friday, an icon will appear next to articles in Facebook News Feed.

When you click on the icon, you can read information on the organisations’ ethics and other standards, the journalists’ backgrounds, and how they do their work.

“Leading media companies representing dozens of news sites have begun to display ‘Trust Indicators’. These indicators, created by leaders from more than 75 news organisations also show what type of information people are reading a” news, opinion, analysis or advertising,” the university said in a statement.

Each indicator is signalled in the article and site code, providing the first standardised technical language for platforms to learn more from news sites about the quality and expertise behind journalists’ work.

“Google, Facebook, Bing and Twitter have all agreed to use the indicators and are investigating and piloting ideas about how to best to use them to surface and display quality journalism,” the university said.

German press agency DPA, The Economist, The Globe and Mail, the Independent Journal Review, Mic, Italy’s La Republica and La Stampa, Trinity Mirror and The Washington Post are among the companies starting to go live with “Trust Indicators” this month.

The Institute for Non-profit News has developed a WordPress plug-in to facilitate broader implementation by qualified publishers.

“An increasingly sceptical public wants to know the expertise, enterprise and ethics behind a news story. The Trust Indicators put tools into people’s hands, giving them the means to assess whether news comes from a credible source they can depend on,” Lehrman explained.

The eight core indicators are: Best Practices; Author Expertise; Type of Work; Citations and References; Methods; Locally Sourced; Diverse Voices and Actionable Feedback.

New organisations like the BBC and Hearst Television have collaborated in defining the “Trust Indicator” editorial and technical standards, and in developing the processes for implementing these.

“Quality journalism has never been more important,” said Richard Gingras, vice president of news products at Google.

“We hope to use the Type of Work indicator to improve the accuracy of article labels in Google News, and indicators such as Best Practices and Author Info in our Knowledge Panels.”

“The Trust Indicators will provide a new level of accessibility and insight into the news that people on Facebook see day in and day out,” said Alex Hardiman, Head of News Products at Facebook.

A growing number of news outlets are expected to display the indicators over the next six months, with a second phase of news partners beginning implementation work soon. (IANS)

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Just in! No More Blue Tick to Verify your Account on Twitter

The announcement came after people criticised Twitter for verifying the account belonging to the organiser of the white supremacist rally in Charlottesville, Virginia, that left one dead in August

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Twitter app on a mobile phone. Pixabay

San Francisco, November 10, 2017 : Twitter has suspended its account verification exercise – a process that gives public figures on the micro-blogging platform a blue tick mark next to their names.

The announcement came after people criticised Twitter for verifying the account belonging to the organiser of the white supremacist rally in Charlottesville, Virginia, that left one dead in August, TechCrunch reported on Friday.

“Verification was meant to authenticate identity and voice but it is interpreted as an endorsement or an indicator of importance.

“We recognise that we have created this confusion and need to resolve it. We have paused all general verifications while we work and will report back soon,” read a tweet from @TwitterSupport account.

Jason Kessler, the organiser of the supremacist rally, was given the preferred status indicated by the blue tick.

Twitter had earlier withheld blue tick mark for whistleblower Julian Assange.

“We should’ve communicated faster on this: our agents have been following our verification policy correctly, but we realised some time ago the system is broken and needs to be reconsidered.

“And we failed by not doing anything about it. Working now to fix faster,” tweeted CEO Jack Dorsey.

Launched in 2016, the micro-blogging website created an online application process for Twitter accounts to receive verified status, which allows people to identify key individuals and organisations on Twitter as authentic and are denoted by a blue tick icon.

This typically includes accounts maintained by public figures and organisations in music, TV, film, fashion, government, politics, religion, media, sports, business and other key interest areas. (IANS)