New Delhi: US President Barack Obama on Wednesday chose a white judge over Indian American Sri Srinivasan as his nominee to the Supreme Court, setting up a dramatic political fight with Senate Republicans who have vowed to block his choice.
Obama’s nominee Merrick Garland, 63, a judge on the US Courtof Appeals for the District of Columbia, is much older than Chandigarh-born Srinivasan and other contenders on his short list such as judges Paul Watford and Jane Kelly.
In a speech in the White HouseRose Garden, Obama praised Garland, a graduate of Harvard and Harvard Law School and an appointee of president Bill Clinton as “one of the America sharpest legal minds”.
After conducting interviews last week, Obama is reported to have narrowed his list to include Srinivasan, Garland, and Watford, each of them considered “consensus” candidates for their history in gaining confirmation support from Republicans.
But Senate Republicans do not plan to vet or have hearings on the nominee and say the next president should be able to choose a replacement for justice Antonin Scalia who died last month.
Obama and Democrats argue that with 10 months left in his term, there is plenty of time for the Senate to take up and confirm a new justice.
Garland’s supporters argue he is the nominee that the senators couldn’t refuse even in a contentious environment, according to CNN. “He’s the establishment of the establishment,” one backer was quoted as saying.
Obama’s formal announcement came hours after telling his supporters in an email: “I’ve made my decision.”
“I’ve devoted a considerable amount of time and deliberation to this decision,” he wrote.
“I’ve consulted with legal experts and people across the political spectrum, both inside and outside government. And we’ve reached out to every member of the Senate, who each has a responsibility to do their job and take this nomination just as seriously.” (IANS)
Vermont, September 30, 2017 : What if we tell you that a team of researchers has recognized and named 15 new species of spiders in the Caribbean after your favorite stars like Leonardo DiCaprio, Barack Obama and Bernie Sanders?
Not in Hollywood, Washington, DC or Vermont – but you might now be able to catch a glimpse of Spintharus davidattenboroughi, S. barackobamai, S, michelleobamaae, S. berniesandersi, S. davidbowiei along with S. leonardodicaprioi on the Caribbean islands and some other southern spots.
Ingi Agnarsson, expert of spiders and professor of biology at University of Vermont, who led the new study revealed the rationale behind the undergraduate study and on choosing the intriguing names. “(We) wanted to honor people who stood up for both human rights and warned about climate change—leaders and artists who promoted sensible approaches for a better world”, he said.
Popularly recognized as a global hotspot for biodiversity, there continues to be several species in the Caribbean that are outside the spectrum of research and study. This includes the ‘smiley faced’ spider in the genus Spintharus- named for a smiley face pattern on their abdomens.
Previously recognized as one widespread species, researchers from the UVM discovered that there exist many more endemic species within the genus, 15 of which have been recognized in the research.
These samples were collected from Florida, South Carolina, Mexico, the Dominican Republic, Puerto Rico, Cuba, Jamaica, Mexico, the Lesser Antilles and Columbia.
Each team member got to decide names for the new species of spiders. Alongside naming them after friends and family members, many species have been named after distinguished figures.
“We all named the Bernie Sanders spider together,” said Lily Sargeant, one of the students who worked on the project. “We all have tremendous respect for Bernie. He presents a feeling of hope.”
Named after the great artist David Bowie, who passed away in 2016. His music will continue to inspire generations and the authors decided to honor his legacy by naming a spider in his name.
Named after the widely popular, and largely loved, former President of the United States Barack Obama. The authors love him for his statesmanship and humanitarianism, and named the spider species after him, to honor their president and his devoted service.
Named in honor of the Former First Lady of the United States for her poise, confidence and elegance, her fight for human rights and for always striving to uphold the principles of justice, fairness and equality for all.
The authors of the research also named a species of spiders after the naturalist and broadcaster Sir David Attenborough, to recognize and celebrate his efforts to educate people of the wonders of the natural world and sowing a seed of caring for nature in humanity.
The study has been published in the Zoological Journal of the Linnean Society.
Sep 21, 2017 (IANS): On August 22, the Supreme Court ruled that triple talaq — the practice which allows a man to divorce his wife instantly by saying the word talaq thrice — is unconstitutional. Predictably, the ruling was denounced by a number of Muslim leaders and organisations. Some interpreted it as an attack on their religion and way of life. Others saw a conspiracy angle in the importance given to an issue.
This perspective is desperate and distorted. This perspective is not only wrong but also wrong-headed, misplaced and misguided.
I applaud this judgement because I strongly believe that Muslim instant divorce is illegal and incorrect in many ways. Instant divorce is deplorable, disgraceful and shameful. In addition, it is demeaning, demonising, disheartening and demoralising to Indian Muslim women.
Most importantly, as one of the judges pointed out, triple talaq is against the basic tenets of the Quran. Recognising this, many Islamic countries, including two of India’s large Muslim neighbours — Pakistan and Bangladesh — have abolished the practice.
In addition, it is unconscionable to think that a man should be allowed to banish a woman to whom he is married — who is also the mother of his child or children, in many cases — by uttering a word three times, with no consequences. Triple talaq is also inherently discriminatory in that only a man has that “right” — a Muslim woman cannot end the marriage in a similar way.
Over the years, some Muslim organisations have rationalised triple talaq by arguing that divorce rates within their community are quite low compared to other religious groups. It affects less than a third of a per cent of Muslim women, they argue. This is neither a sound legal nor moral argument. Even if one concedes that instant divorce affects only a minuscule population, injustice should never have legal sanction, regardless of how many people are affected.
The triple talaq ruling, the result of a decades-long campaign by women’s rights groups, was a historic verdict. With the stroke of a pen, the judges made illegal a practice that over the decades has ruined the lives of countless Indian Muslim women.
In the absence of a comprehensive study among Indian Muslim women, it is not known how many of them have been divorced in this manner. A 2013 survey of Muslim women in 10 Indian states by the Bharatiya Muslim Mahila Andolan, an advocacy group that fights for the rights of Indian Muslims, found that triple talaq was the most common mode of divorce among those surveyed.
Of the 4,710 women sampled in the survey, 525 were divorcees. Of them, 404 were victims of triple talaq. More than 80 per cent of them did not receive any compensation at the time of divorce.
Two of the five judges that delivered the triple talaq judgment differed on the constitutionality of practice. The bench was in unanimous agreement, however, in asking the government to enact within six months legislation to govern Muslim marriages and divorces.
India’s justice system has numerous drawbacks. It often takes decades for courts to deliver justice. In this instance, the Supreme Court should be applauded for delivering a correct judgment in a timely manner.
The ball is now in the government’s court. It is up to people’s representatives to come up with policies that will change the lives of Muslim women for the better.
Equitable legislation on Muslim marriages and divorces should be just the starting point. The central and state governments must craft policies that empower women belonging to all castes, creeds and religions. Such policies should focus on educating women, developing their skills and making them part of the work force. Empowerment of this type will allow them to pursue and create their own destiny. It will lead to financial independence. In addition, it will promote the security and stability of women and will build their self-esteem and confidence.
India’s Muslim community should embrace the Supreme Court verdict. They should join together to say: End triple talaq. End triple talaq. End triple talaq. They should leverage the verdict as an opportunity to advocate for and bring about much-needed reforms related to women’s rights. (IANS)
“The Battle of the sexes” starring Emma Stone and Steve Carell talks about issue of gender equality- in both pay disparity and directing opportunity
It’s a great thing for the filmmakers to have what is usually a pretty film-oriented, film-loving audience
The filmmakers say they are expecting a variety of opinions in any one audience at Toronto International Film Festival
New York, USA, September 7, 2017: Few institutions in cinema can match the teeming, overwhelming Toronto International Film Festival as a conversation-starting force. It simply has a lot of movies worth talking about.
And this year, many of the films that will parade down at Toronto International Film Festival’s red carpets will hope to shift the dialogue not just in terms of awards buzz, but in other directions, too: equality in Hollywood; politics in Washington; even about nature of the movies, themselves. At TIFF, expect debate.
That’s what the filmmakers behind “The Battle of the Sexes,” one of the anticipated films heading to Toronto International Film Festival in the coming days, are hoping for. After the festival opens today with another tennis movie, the rivalry drama “Borg/McEnroe,” at Toronto International Film Festival with Jonathan Dayton and Valerie Faris (the directing duo who helmed 2006’s “Little Miss Sunshine”) will premiere their drama about the 1973 showdown between Billie Jean King and Bobby Riggs.
The movie, starring Emma Stone and Steve Carell, holds obvious parallels for a movie industry with its own issues of gender equality, in both pay disparity and directing opportunity. For others, it will recall issues that dominated last year’s U.S. presidential campaign. But “Battle of the Sexes” may surprise moviegoers in its broad sympathies on both sides of the net.
“The one thing we didn’t want to have happened was this polarizing political document,” said Dayton. “Right now, there’s enough of that in the world. We wanted to tell a more personal story and keep it from becoming too binary.”
The filmmakers say they are expecting “a variety of opinions in any one audience” at Toronto International Film Festival.
“It’s really the best way to release a film, at a festival like Telluride or Toronto,” said Faris. “It’s a great way to get the word out about a film. It’s a great thing for the filmmakers to have what is usually a pretty film-oriented, film-loving audience. It gives you hope that they’re still out there.”
The Toronto International Film Festival comes right on the heels of the Venice and Telluride festivals, but the size and scope of Toronto have long made it the centerpiece of the fall movie season. It’s where much of the coming awards season gets handicapped, debated and solidified. It’s also a significant market for new films, and this year several intriguing films — “I, Tonya,” with Margot Robbie as Tonya Harding, and “Hostiles,” a brutal Western with Christian Bale — are on the block.
But most eyes will be on the gala premieres of the fall’s biggest films at Toronto International Film Festival, including Alexander Payne’s “Downsizing,” Guillermo Del Toro’s “The Shape of Water,” George Clooney’s “Suburbicon,” and maybe the most explosive movie of the season, Darren Aronofsky’s mystery-shrouded allegorical thriller “mother!”
It can be a competitive landscape, with dozens of daily movie premieres and their respective parties, all trying to stand out. But several first-time directors may end up stealing the spotlight at Toronto International Film Festival. Greta Gerwig’s “Lady Bird” will sail into Toronto on waves of rave reviews from Telluride. Aaron Sorkin, arguably the top screenwriter in Hollywood for two decades, will present his directorial debut, “Molly’s Game.”
Sorkin didn’t initially anticipate he’d direct his script. But he became, he says, obsessed with the story of Molly Bloom (Jessica Chastain), the former elite skier who was indicted for running a high-stakes poker game in Los Angeles. It’s a potentially career-redefining movie for Sorkin — and he’s appropriately anxious.
“I’d feel the same way if we were launching it in Wyoming. I’m nervous because other than test audiences, this will be the first time people see it,” said Sorkin. “The Toronto Film Festival is a very prestigious place to debut a film, so I’m aware of the company I’m in and what’s expected in the movie. It will be up to others to decide if it delivered.”
“The Disaster Artist” poses a similar turning point for its star and director, James Franco. It’s about the making of what’s widely considered one of the worst movies ever made — the cult favorite “The Room,” by Tommy Wiseau. Franco, who plays Wiseau, considers it a new step for him as a filmmaker and says the film’s parody is laced with affection.
“The characters are outsiders. They are weirdos,” said Franco. “But everybody can relate to having a dream and trying to break into this incredibly hard business.”
The film will premiere to a surely raucous audience at a midnight screening. Franco, who first saw “The Room” with an especially excitable Vancouver audience, expects it to be the perfect debut for his film: “Canadians know how to do ‘The Room.”’
“The Disaster Artist,” which A24 will release in December, might give TIFF what “La La Land” did last year — a happily escapist movie about Hollywood. Other films will tackle less comic real-life tales, including Angelina Jolie’s searing Cambodia drama “First They Killed My Father,” the Winston Churchill biopic “Darkest Hour,” with Gary Oldman; and the documentary “The Final Year,” about the last year of Barack Obama’s administration.
Cameron Bailey, artistic director of the festival, said Trump’s presidency “was not a factor in the films we selected,” though he expects it to color the reception of many.
“Some of them will be received with the current political climate in mind,” said Bailey. “One of the things I think you learn from films like (the Watergate drama) ‘Mark Felt’ and (the Ted Kennedy drama) ‘Chappaquiddick’ and others that we have here is that the process of politics is not a pretty one. It involves a lot of conflicted motives, shall we say.”
And who better to make sense of the current political landscape than Armando Iannucci (“Veep,” “The Thick of It”), the master of rapid-fire political farce. In his second feature film, “The Death of Stalin,” he travels back to 1950s Russia only to find an expectedly timely tale of the madcap machinations of political power.
“It is bizarre, isn’t it? When I started showing it to people in January and February earlier this year, people said it resonated with Trump and Putin and fake news,” said Iannucci. “It is about autocracy. It is about what happens when democracy falls apart and one person decides everything. I’m kind of glad it does resonate now. But am I pleased?” (VOA)