A few weeks back, somehow I stumbled upon a show, on History channel, called Ancient Aliens.
After watching a couple of episodes, I think the show is trying to convey the following points:
1. Ancient civilizations were not able to do anything and they had no scientific knowledge, they were not able to build megalithic structures. Extraterrestrials came to earth and gave them the knowledge and also built things for them. They taught them science, mathematics, technology etc.
2. They even give the impression that all over the world, the government and high profile people are still in contact with extraterrestrials but all of them are trying to hide it from the public for some unknown reason and they all are able to keep it to themselves.
3. Gods may be extraterrestrial beings. They are very advanced scientifically and have very high tech spaceships and weapons. These beings came many times and at many places on earth. They interacted with different cultures. They want to control humans.
4. ET’s are continuously keeping an eye on humans.
5. They are guiding us on a specific path.
6. They keep coming and going back from this planet Earth. Initially, they came to mine Gold as their own planet was getting depleted of Gold.
7. They have lived with us and maybe living with us now. They also mate with humans. Very brilliant children on earth are the result of mating between aliens and humans.
8. They can wipe us out with weapons or diseases e.g. plagues.
9. Whole earth may be a scientific lab.
10. Aliens are doing some genetic experiment on us. All species of humans were created as an experiment and when the experiment did not go in the right direction, whole species e.g. Neanderthals, hominids etc were wiped out.
11. Time cycle on earth keeps repeating itself. Similar to a clock.
12. Our planet is a hologram. There is knowledge everywhere in the atmosphere. We just need to know how to get it. In very deep meditation probably we can get this knowledge which is in a code form. Many discoveries and inventions were by people who got this knowledge suddenly e.g. Nikola Tesla, Baba Vanga, Ramanujan etc.
13. Different religions/ cultures/civilizations have many common events e.g. great flood, the appearance of God or his messenger, working towards making Gods or ET’s happy, concept of nine gods or counsel of nine, demigods, and primordial sea etc.
14. Many temples all over the earth still have some secret areas, wealth etc. which are not open to the public. Some of these are guarded by military and are considered very dangerous to go even nearby. Some people who tried to go in these areas fell very sick and died or never came back.
15. UFO is a real phenomenon. Many countries have secret labs where they are studying crashed UFO’s and captured aliens.
16. ET’s have bases on many of the planets including ours. They are present on Earth’s poles and other places on earth as well as inside earth. There are many layers inside the earth where vast cities of aliens exist.
17. There are living beings/life in space and on other planets. Some living beings live in extremes of temperatures or extremes of other conditions. There are beings who die if exposed to oxygen, some die in water, some die without water. There are living organisms on meteors, asteroids etc.
18. Shivling’s central pillar like part represents an energy storage equipment or atomic area. Surrounding part of the pillar is for waste materials to come out. Water is offered at the top of the pillar, like in nuclear reactors, to cool it down.
19. Kailash temple in Ajanta and Allora caves was built by ET’s using very high tech equipment which was capable of evaporating all ruble.
20. Underneath an Indian temple is an extensive tunnel system going to an underground structure where some beings sit on levitating thorns. Indian Government does not allow anyone to go near it.
21. Below another Indian temple, there is a door made of iron which has no locks. It is closed by mantras and no one dares to open it.
22. They say the US has a military base on the moon and that the moon is artificial and aliens have hollowed it out and have a city inside it.
23. There is a galactic war also.
24. Aliens abduct humans and do experiments on them. There are incidences where they took away the fetus from mother’s womb. Abductees describe these aliens as grey people and they feel paralyzed but are conscious during abduction period. Some abductees come back and some do not. There are instances where the whole village or group of people vanished from the earth.
25. There are giants, like Big Foot, living in woods. They smell like Sulphur, make loud sounds and elope very fast. They are doing some secret work for ET’s or are left here, on planet earth, for wrong or criminal activity on other planets.
Some points, which I don’t understand by watching Ancient Aliens, are…
1. First of all, if the aliens helped us building these mega structures like Machu Pichuu or the temple of Baalbek, then why did they take away the knowledge from us and why are they not helping us or building their own structures presently?
2. If they were so high tech, what happened to all of their creations? Why is everything in ruins now? Why we have to dig to find those structures now?
3. If they are living on other planets, what was the need to come to Earth and build things, is this not extra labor for them. And if they like Earth so much that they help us build things, then why don’t they live here?
4. They say that sometimes aliens give us knowledge and help us build thing but other times they say that aliens want to control us, destroy us and spread diseases like plagues. Is this not contradictory?
5. The makers of the show have themselves not seen any extraterrestrials, so their theories are based purely on imagination and have no scientific proof behind them.
6. They never bring mainstream scientist and archeologist on the show and interview them or ask their opinions, thus making people believe only their own opinion.
7. They keep repeating the same phrases and believe that by saying it repeatedly it will come true.
8. In one of the episodes, they say that deep inside a big structure and that it was very dark and there was no way to use lamps as there was not enough oxygen inside. Another said that he went there and tried to light his lighter but because of very low oxygen levels lighter was not lighting up. He forgot that he was breathing okay in that area of very low oxygen and came back alive with no consequences of low oxygen levels.
Sometimes it looks like their show is phony and fake. Many times it seems that they take a very small point and turn it into a mammoth thing and assume that extraterrestrials were behind that. Maybe they are fabricating some points.
Just to mention that many of Ancient Aliens Theorists do not have a degree in archaeology, history, religion, ancient language etc.
At some other times, it seems that their theory makes sense. As there are no explanations till now of many historical events, structures, knowledge etc., this theory at least tries to give some sense to these. These people are just postulating theories. They are not claiming that their theory is 100% true. If you believe that they are spreading lies then why no one ever sued them and History Channel.
Overall the show is very entertaining, educative, and addictive.
When the bollywood film industry started in India, the best and the safest theme to draw audience was to make mythological films or films with a religious story to tell. Dada Saheb Phalke, the founder of the film industry in India, made his first film, “Raja Harishchandra”. The first Indian talkie film, “Alam Ara”, also dealt with a religious theme.
While the religious/mythological films held sway as it had a captive audience that was familiar with the stories told on screen, the narrative soon shifted to family socials. That again was a subject everybody identified with in the joint family era.
During the 1940s, the freedom struggle reached its peak and, as an alternate way to build up on patriotism and promote the freedom movement, films were used as a medium to promote these fervour.
The censoring of bollywood films was rather strict, and the patriotically fired up filmmakers had to take recourse to surrogate promotion of patriotism. Patriotism was the flavour, all pervading and all over India. And, we had some great films promoting patriotism.
This mood lived on till, say, the end of the 1950s. It waned gradually all over except on the streets of the cities. Every August 14 and January 25 — on the eve of Independence Day and Republic Day, respectively — patriotism blurted out of microphones on the streets of every city and town.
As the films gave up on patriotism, so did the street celebrators. Patriotism took a break from films and, hence, also from public life. This was till it was revived momentarily following the 1965 war with Pakistan, and the ensuing Indian victory that revived patriotism in films, but only briefly.
Since the wars of 1948 and 1962, India had, for the first time, outcomes that were emphatically in the nation’s favour. Taking cue from the slogan ‘Jai Jawan Jai Kisan’, coined by the then Prime Minister Lal Bahadur Shastri, Manoj Kumar scripted a perfect film, “Upkar”.
Dara Singh, the wrestler-actor, and some others were also inspired to follow patriotism as the theme. But, patriotism in India and, hence, in Hindi films, seems to be a seasonal trend.
After the 1962 India-China war, the feeling was that of delusion. India was humiliated and the limited patriotism that followed was that of self-pity. So, what we had in the aftermath was the depiction of how a badly ill-equipped India lost in the war in the film “Haqeeqat” and the song “Aye Mere Watan Ke Logon” rendered live by Lata Mangeshkar. None of the two were inspiring for the masses.
Today, people even feel that the song should not be played anymore because it has a depressing narrative about a losing nation.
“Haqeeqat” failed despite entertainment exemptions from various state governments. Its music lived, not the film. Another attempt by the director with “Hindustan Ki Kasam” also did not work.
Patriotism resurfaced one again post the Kargil operation. Producer-director J.P. Dutta, who has this bend towards war films (his brother was an Air Force pilot who died in action), directed “LOC: Kargil”, immediately after India regained the peak.
The film was screened for the leading financiers and diamond merchants of Mumbai along with other trade leaders a few days before its theatrical release. It was unanimously declared a boring dud. May be, their observations were on the merit of the film, but they failed to read the national mood. The film emerged as a hit.
As mentioned earlier, patriotism is a seasonal trend in India. Because, after its first run, when “LOC” was released in cinemas as a gap filler (when a cinema hall has no new film listed, an old hit is repeated as a gap filler), it could not even recover the theatre rental. Dutta followed up with some more patriotic films, but to no avail.
Over a period of time, a lot many patriotic films have been made like “Jeevan Sangram”, “Saat Hindustani”, “Shaheed”, “Vijeta”, “Border”, “LOC: Kargil”, “Swades”, and “Mangal Pandey”.
People were not quite aroused and remained indifferent to most of these films. The one hit was “Shaheed” after which the man behind this film, Manoj Kumar, established himself as the best filmmaker of patriotic films as he followed it up with movies like “Upkar”, “Purab Aur Paschim” and “Kranti”, after which his expertise stopped working.
Things have changed. Patriotism has now broadened its scope and is described as nationalism. And, this seems to be in tune with the people’s state of mind. We have had a line-up of films in recent years that promote nationalism and many of them met with a favourable response. There are films that are event based. These are: “A Wednesday!”, “Airlift”, “Uri: The Surgical Strike”, ” Mission Mangal”, “Parmanu: The Story Of Pokhran”, “Raazi”, “Manikarnika: The Queen Of Jhansi”, “The Ghazi Attack” and, this year’s biggest hit so far, “Tanhaji: The Unsung Warrior”.
In fact, one of last year’s biggest hits also happens to be one such film, “Uri: The Surgical Strike”. Another way to inspire nationalism is through films that make the nation proud. These are films like “Dangal”, “Gold”, “Dhoni: The Untold Story”, “D Day”, “Rang De Basanti”, “Padmaavat”, “Mary Kom”, “Kesari”, “Bajrangi Bhaijaan”, “Ek Tha Tiger”, “Super 30” with many more in the offing.
As they say, reel life is a reflection of real life. Post-Independence, all kinds of films were made, and romance and family socials with music worked well till early 1960s. During the mid ’70s, the trend was of anti-establishment films. This was followed by a period of uncertainty when nobody knew what will work. Only making romantic musicals was considered safe.
But the decade that just got over has rekindled the spirit of nationalism. It is all about how the nation is made to feel. (IANS)