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Exclusive: “Memesis” Depicts my Inner Feelings during the time of Pregnancy : Artist Rajni Sahni

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Rajni with her Paper Pulp Cast work made in 2003. NewsGram

– by Tusheeta Kaushik

July 31, 2017: Curated by Jitendra Padam Jain, an exhibition titled “Memesis” was a solo show of Prints and Painting by artist Rajni Sahni and was conducted at Shridharani Art Gallery at Triveni Kala Sangam from July 11th- 21st in New Delhi. “Memesis”, she says, is a representation of herself and the visual perceptions she had in her mind during the time of pregnancy.

Reporter Tusheeta Kaushik of NewsGram spoke to Rajni Sahni on how different forms of visual arts helped her in expressing her mind s visual perceptions in reality, on how art is such a potent form of creative expression which helps in soothing her mind whenever she s going through different emotions and phases in life and on how her mother found the spark and talent in her when she was a little girl.

Tusheeta: When did you realize your passion for art? When was the first time you expressed yourself through art?

Rajni: I realized my passion for art when I passed my diploma in painting from South Delhi Polytechnic College. There, an art critic appreciated it and then there was no turning back after Santiniketan. I started expressing myself through art when I found an artist in myself and that was during my Santiniketan days.

Tusheeta: Anyone or anything that inspired you to take this art form?

Rajni: As a little girl, I was inspired by my mother since she used to appreciate my work and pushed me to never stop myself from expressing through drawings and sketches. Later, as a student at South Delhi Polytechnic College for Women, Professor Jain Gajera inspired me through his works and teachings.

“Metamorphosis” | Etching on paper | 2011

Tusheeta: How did painting help you or relax you at the time of conceiving?

Rajni: Painting had a huge calming effect on me during my 9-month pregnancy! I had some critical conditions. I was there in a room for 6 months and had difficulty in moving from the bed. So, it was my husband who insisted me a lot on unleashing my pain and emotions through art. I agreed and the depiction of my imagination through the usage of different colours made me calm and composed. That s when I thought of starting a series named “Memesis” which depicts my inner feelings during the time of pregnancy. Etching, Painting, Print Making, Lithography, Paper Pulp Casting and Sculpture making are different forms of visual arts that I have worked on.   

“Saviour” | Etching on Paper | 2012

Tusheeta: You’ve mentioned about the magical relation with your daughter. How and why is it so unique and special to you?

Rajni: (Laughing) My daughter is a big critic of my art work. Her appreciation, criticism, guidance and support matters to me. She herself is great at craft making. She s in class 6th and I m glad that I m close to her and the fact that she likes sharing about her daily routine with me.

“Untitled”| Paper Pulp| 2002

 

“I ll weave my life myself ” | Viscosity on Paper | 2011

Tusheeta: You’ve talked about the complex, yet compassionate and a lovable relationship between a mother and her daughter. How this powerful relationship is depicted in your work?

Rajni: I have made a few art works showcasing my relationship with my daughter. I also have had a powerful relationship with my mother, she s been my pillar and I love my daughter immensely, that s the reason I love to showcase the beauty of a mother and daughter relationship through my art work.

Woman from the lap of woman | Paper pulp and thread on paper| 2002

 

“In the lap of nature”| Etching on Paper | 2011

Tusheeta: So, when do you usually paint and what kind of impact does painting have on you?

Rajni: See, it s not just about me as an artist. Any artist out there doesn’t t really have a regular time schedule for painting. Whenever I feel like painting, I paint. I might work on my art piece for a week then I might work on some other piece after a month. It all depends on my mood and whenever I feel like expressing something. I love painting, it has made me what I m today.

 

– reported by Tusheeta Kaushik of NewsGram. Twitter  @TusheetaKaushik

 

 

 

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Exhibition Marking 100 Years of First Display of Korean Anti-Colonial Resistance to Open in Delhi

Notably, the entire Korean Peninsula was under Japanese occupation for 35 years from 1910-1945 because the Korean War (1950-53) separated it into North and South

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Exhibition, South Korea, India
The exhibition "100th Anniversary of the March 1st Independence Movement: One Shiny Day", commemorating the spirit of the March 1st Movement - pioneering display of anti-colonial sentiment against its coloniser Japan - will open at the National Gallery of Modern Art (NGMA). Pixabay

As part of South Korea-India cultural exchange, an exhibition marking 100 years of the first display of Korean anti-colonial resistance will open in Delhi, and a show on Mahatma Gandhi’s Dandi March will travel to a South Korean museum next year.

The exhibition “100th Anniversary of the March 1st Independence Movement: One Shiny Day”, commemorating the spirit of the March 1st Movement – pioneering display of anti-colonial sentiment against its coloniser Japan – will open at the National Gallery of Modern Art (NGMA) on August 14 and will continue till September 29.

Notably, the entire Korean Peninsula was under Japanese occupation for 35 years from 1910-1945 because the Korean War (1950-53) separated it into North and South.

On March 1, 1919, the movement was joined by people from different walks of life regardless of their region, status and wealth, hinting at the people’s will for independence at home and abroad.

Exhibition, South Korea, India
As part of South Korea-India cultural exchange, an exhibition marking 100 years of the first display of Korean anti-colonial resistance will open in Delhi, and a show on Mahatma Gandhi’s Dandi March will travel to a South Korean museum next year. Pixabay

The upcoming show will display art inspired by the North-South divide, the Korean War refugees, downfall of Korean imperialists, and the first freedom struggle and people’s solidarity.

“The exhibition will display the artworks of 12 artists teams: KWON Hayoun, KIM BoMin, KIM Woojo, BAE Sungmi, SHON Sunghyun, AHN Eun-me, AHN Changhong, LEE Sanghyun, LEE Woosung, JEONG Jae-wan and JO Dongwhan + JO Haejun,” the Korean Cultural Centre India said in a statement to IANS.

The exhibition will also celebrate 15th August, which is the Independence Day of both India and Korea – North and South.

“The exhibition presents the underlying theme of the sorrow and restoration of South Korea that has similar modern history to India. I hope the artworks promote mutual understanding and shared values of both people of India and Korea,” Shin Bong-kil, South Korea’s Ambassador to India, said.

Also Read- Integration of Jammu & Kashmir to Indian Mainland Brings Uniformity to Economic Policies of Both Regions

To deepen the Korea-India friendship through shared culture, NGMA’s in-house curated exhibition on Gandhi’s ‘Salt March’ in Dandi, will open next year at Daegu Art Museum in Daegu, South Korea.

The show of sculptures, paintings, sketches and art installations, will signify the non-violent independence movements of both Indian and Korean people.

The multimedia exhibition “Dandi Yatraa” is part of the year-long celebrations of the 150th birth anniversary of Gandhi and can be currently viewed at NGMA here. (IANS)