Friday October 19, 2018
Home India Scroll Painti...

Scroll Paintings of West Bengal is integral component of India’s versatile Culture, have enough admirers to ensure survival

0
//
170
Scroll Paintings , Wikimedia
Republish
Reprint

New Delhi, May 5, 2017: Works of art and paintings have been an integral component of India’s versatile culture and a recent book attempts to capture minute details and important facets of the scroll paintings of Bengal. The author says that the art has enough admirers to ensure its survival.

“The future of Bengali pata paintings looks healthy to me. Even with the charm of electronic arts growing stronger by the day, people are drawn to patas, perhaps more today than 50 years ago,” the author, Mandakranta Bose, told IANS in an email interview.

NewsGram brings to you latest new stories in India.

“Several cultural organisations and the West Bengal state government continue to nurture the production and marketing of patas and the patuas (scroll painters) themselves are skilled at presenting their work to the public, for instance, at the Calcutta Book Fair. The art of the pata may not be as popular as Bollywood movies but it has enough admirers to ensure its survival,” she added.

“The Ramayana in Bengali Folk Paintings” (Niyogi Books/Rs 795/130 Pages) attempts to explain how scroll paintings have become an inseparable part of storytelling, inculcated as a prerogative of the itinerant bard and the village artisans of all times.

Treated as “heritage” throughout Bengal, the paintings are drawn in colourful and vibrant style on “patas”, or scrolls, with vegetable colours and other indigenous dyes. Each scroll depicts one single incident or episode from the epic and the next set of narration follows the other, forming a narrative format that is much like a film roll or a comic strip.

“Some years ago in Medinipur district of West Bengal, while I was investigating more on the paintings, a ‘patua’ painter compared Rama to George Bush in his paintings. While Rama succeeded in bringing his warriors home, would Bush be able to do the same for his soldiers fighting in Iraq, was the question the painter tried to ask through his works,” Bose recalled.

The author said that it is in this way that the ‘patua’ painters make the past relevant to the present.

How are the Bengali scroll paintings different from the other scroll paintings?

Although painted scrolls are found in many diversified folk art traditions of India, Bengali scrolls stand out for their sustained and elaborate narrative treatment, built upon “focused plots and clear-cut characters” reflecting specific themes. In the context of the technique as well, the paintings can be distinguished by their gallant colours and bold lines, she said.

Go to NewsGram and check out news related to political current issues.

The author of this well-researched book was first introduced to the patas of West Bengal at a friend’s home in Kolkata.

“Over the years, on my visits to Kolkata, I came across more and more of these paintings in the circles of my academic friends. I also found out that this art form was slowly gaining popularity amongst art collectors and academicians. The more I looked at these patas, the more I was drawn to them as much for their artistic form as for their narrative power,” she added. (IANS)

Click here for reuse options!
Copyright 2017 NewsGram

Next Story

Jaipur Literature Festival Takes A Questionable Stand On The #MeToo Movement

JLF's fast spreading presence in the international arena, calls for a more substantial stand on its part, as far as #MeToo is concerned.

0
#MeToo, women
The hushed whispers are getting louder. Flickr

After several star speakers of the Zee Jaipur Literature Festival, including C.P. Surendran, Suhel Seth and Chetan Bhagat, among others, have been accused of sexually harassing multiple women, on the sidelines of the popular lit fest, the organisers, in a cautiously worded one-sentence tweet on Thursday, have supported the rising tide of the #MeToo campaign in India — but questions still remain.

“The ZEE Jaipur Literature Festival unequivocally stands by the women who have courageously spoken out for equity and dignity and is committed to supporting and amplifying their voices,” the official handle of the JLF said in a tweet on Thursday.

The statement came two days after a petition was started on www.change.org by writer-editor Rajni George, asking its organisers to support the #MeToo India and stand up “against sexual harassment”.

#MeToo
Jaipur Literature Festival

“We write today regarding the serious and credible allegations of sexual harassment made recently against a number of men in and around the literary world, as part of the MeToo movement in India.

“We, the undersigned, are dismayed, saddened and angered by these accounts. We admire the work that the Jaipur Literature Festival (JLF) undertakes. As India’s largest and most recognised literature festival, we believe JLF is ideally placed to take the lead in addressing this urgent issue,” George’s petition said.

JLF’s response in the one-line tweet is general, and does not specifically mention whether any of the allegations that have now surfaced were earlier brought to the notice of the organisers.

It also does not make it clear whether the doors of the festival will remain closed for the accused in its future editions, or not. It further makes no comment whatsoever on several instances that are said to have taken place on the sidelines of the annual event.

#MeToo
Sanjoy K. Roy, with writers Namita Gokhale and William Dalrymple as co-directors, has been instrumental in bringing societal issues to the fore.

Notably, many of the accused have featured in prominent sessions at what is described as the “greatest literary show on Earth”, and, in many instances, the festival has been instrumental in increasing their popularity as well as readership.

On its part, JLF, produced by Teamwork Arts, headed by Sanjoy K. Roy, and with writers Namita Gokhale and William Dalrymple as co-directors, has been instrumental in bringing societal issues to the fore. In fact, the 2018 edition of the festival in January this year had come to a close with a hard-hitting debate on #MeToo, long before the campaign gained momentum in India.

Also Read: Watch Jaipur Literature Festival Live On Twitter

Many in the literary circles feel the benchmark that JLF has itself set over the course of its journey, its coming of age and gradual but distinct shift from controversies to substance in the recent years, its fast spreading presence in the international arena, calls for a more substantial stand on its part, as far as #MeToo is concerned. (IANS)