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Shivgami Devi of Baahubali: The abode of all character a Woman Dwells

There is so much to collect and reframe at once when you look at the fearless Shivgami. Her heroic disposition is also an exemplary of the expanding roles of women in Indian Cinema. The lesson derived are timeless - "Women are no longer seen as a sacrificial goat in any sphere of life".

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Sivagami Devi, Still from Baahubali Part 1 Movie,
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-by Naina Mishra

May 17, 2017: Shivgami Devi – the fierce, reckless and the most dominant character in Baahubali series. She epitomised the invincible character of a woman who leads the kingdom in the absence of a ruler. The character reminded me of my internal strength as a woman and invoked the spirit of a dictator. As a matter of fact, any woman can be a dictator in her life. The world which was deemed to be ruled by men is only a predisposition. Shivgami is a blend of Maa Yashoda where she adopts the child and loves him no lesser than a real mother and Maa Kaikai where she declares her real son as the ruler of Maheshmati kingdom owing to the conspiracy planted by Bhallaldev(real son) and her husband against Bahubali (adopted son).

I am going to share the most compelling scenes from the films and decode the hidden messages in each scene described underneath

AUTHORITARIAN

Still from Baahubali Part 1 Movie
Still from Baahubali Part 1 Movie

The furious woman who stepped the monarchy with a child in her embraces to protect the kingdom from the collapse. A sword in one hand and breastfeeding infant on the other, it confirmed that a woman can be both – a mother and a warrior. Let’s not forget the valiant Rani Laxmi bai who rebelled while knotting her child to her waist.

EGALITARIANIST

Still from Baahubali Part 1 Movie

The mother who did not discriminate between her real and adopted son and who believed in egalitarianism which commands justice for all.

RESOLUTE

Still from Baahubali Part 1 Movie

The resounding words “Mera vachan hi hai shasan” (My word is governance) showed her strength of character. She stood by her words no matter what, even if it required her to go against her own will.

THE GUILTY SINNER

Still from Baahubali Part 1 Movie

The wretchedness of guilt consumed her when she became conscious of her sinful decisiveness to kill her own son. It is innate to commit mistakes and succumb to misery; such has been the plight of Shivgami who could only be remorseful at the end of fatality.

GODLY AGONY

Still from Baahubali Part 1 Movie

The divination by Shivgami which asserted the newly born child of Amrendra baahubali and Devsena as the new the new ruler of Mahishmati Kingdom.

SACRIFICIAL

Still from Baahubali Part 1 Movie

In the quest of undoing the sinful crime, Shivgami sacrifices herself to shield her grandchild and drowns within the sea.

There is so much to collect and reframe at once when you look at the fearless Shivgami. Her heroic disposition is also an exemplary of the expanding roles of women in Indian Cinema. The lesson derived are timeless – “Women are no longer seen as a sacrificial goat in any sphere of life”.

– by Naina Mishra of Newsgram, Twitter @Nainamishr94

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Copyright 2017 NewsGram

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Durga Puja Pandal Decoration Catches Cinema Style, Baahubali Palace Will Be In Cruise This Year In Kolkata

The Baahubali Palace will be the home to Goddess Durga Maa. Given the popularity of the film series, it surely will be a big crowd-puller and also showcase a slice of the variety in Indian culture.

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Durga Puja
Goddess Durga Idol

Kolkata, September 20, 2017: Let your Durga Puja travelogue be a medley of cinema, sensitization and emotion this year.

Walk through the palace of Mahishmati, the ancient kingdom portrayed in “Bahubali 2”, let specialists answer your queries on IVF (In Vitro Fertilization), or learn about the life and work of the Kumartuli potters, whose creations — the famed clay Durga Puja idols — symbolise the very spirit of eastern India’s biggest carnival of piety, fun, food and fiesta.

Teeming with over 3,000 Durga Puja (marquees), the city is all set to welcome the goddess and her children. It is also suitably decked up to shock and awe visitors — both domestic and international.

For starters, in the northeastern fringes of the city, a 100-foot-high marquee, mirroring the set of Mahishmati, is to come up at the Sreebhumi Sporting Club’s venue.

“Given the popularity of the film series, we thought it will not only be a big crowd-puller but also showcase a slice of the variety in Indian culture,” D.K. Goswami of the club told IANS.

Preferring to keep the budget under wraps, Goswami, however, doled out the basic design of the pandal.

The entry would be through a giant archway where an elephant with its raised trunk will be standing atop pedestals. Amarendra Bahubali would be seen climbing along the trunk — as in the sequel’s posters.

“The entire pandal would be made of plywood and fibre and the figures would be life size. The goddess would don gold jewellery in the style of the film. It is worth Rs 10 crore,” Goswami said.

Also along the city’s fringes, on the EM Bypass arterial stretch connecting east and south Kolkata, is the Purbalok Sarbojanin (community puja) which is dabbling in IVF and test-tube babies as its theme.

“The prime motivation for us was to dispel myths surrounding the procedure and also generate awareness on fraudulent practices,” Kuntal Choudhury of Purbalok Sarbojanin told IANS.

ALSO READ: This Durga Puja Brings Narratives of Communal Harmony.

Budgeted at Rs 28 lakh, the pandal, shaped like a uterus, is coming to life with over 4,000 glass test tubes, beakers, burettes and other paraphernalia narrating events leading to a genesis of life with respect to the IVF procedure.

IVF specialists, including Baidyanath Chakraborty and others, are expected to be present to deal with the FAQs surrounding the procedure.

Meanwhile, the 86-year-old Kumartuli Sarbojanin adjacent to the potters’ quarters, is busy dealing with another fact of life. They are showing the inception of the goddess Durga from straw and clay to adorning her with the prettiest of clothes and jewellery to bidding her adieu on the fifth and last day of the festival through the customary immersion.

The marquee houses a Durga idol on a trolley, idols of her children ferried by labourers and a truck outside the structure signifying the final journey of the goddess to the immersion ghats.

The marquee is fabricated with the items the craftsmen use to bring the goddess to life — bamboo, wood, straw and clay.

“We craft the idol with reverence as we think of her as our own daughter. When the Durga puja ends and the goddess departs (immersion), the feeling is the same when your own daughter sets off with her husband after marriage for a new life,” said Babu Pal, a spokesperson for the idol makers. (IANS)