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‘Victim Shaming’ Campaign: Don’t shame Sexual Assault Victims, urges Megastar Amitabh Bachchan through a 2-minute prologue

The campaign is an extension of the channel's new show "Kya Qusoor Hai Amala Ka"

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Amitabh Bachchan, Wikimedia
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Mumbai, April 11, 2017: Megastar Amitabh Bachchan has recorded a two-minute prologue for a social campaign on ‘Victim Shaming’, urging families, authority figures and citizens to reflect upon the need to break the tolerance towards how victims of sexual assault are treated.

Amitabh has lent his voice to a public service awareness initiative by Star Plus, in which he questions culprits of character assassination with the question “Whose fault is it?”. The campaign advocates that society needs to place the guilt rightfully with the perpetrators by putting them on trial instead of shaming the victims.

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Talking about it, Big B said in a statement: “The idea that a woman loses her dignity if she is sexually assaulted is instilled strongly in our cultural mindset. The shame should be on the perpetrators instead of the victim. We need to foster a safe, secure and supportive environment where victims can seek refuge especially from those who they turn to for protection like authority figures, family and society.

“There is a strong need to step forward and talk about this through stories which can trigger this change in mindset of the people.”

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The campaign is an extension of the channel’s new show “Kya Qusoor Hai Amala Ka”.

The 74-year-old earlier took to his blog to dwell on how it’s a shame that one has to rely on various mediums and campaigns to raise awareness about such issues.

“Is it not a shame though, that what should come to us humans as a natural reaction to protect the female gender in our society, one and many ones, have to propagate the issue through various mediums and campaigns! A shame,” wrote the lead actor of “Pink”, which has just won the National Award for Best Film on Social Issues. (IANS)

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Harivansh Rai Bachchan: An Unforgettable Name

"Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay"

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Harivansh Rai Bachchan, a Padhma Bhushan awardee for his contribution in Hindi Literature. Pexels
Harivansh Rai Bachchan, a Padhma Bhushan awardee for his contribution in Hindi Literature. Pexels

Harivansh Rai Bachchan, a poet. That’s what most of us know other than the fact that he was the father of Amitabh Bachchan. However, he was more than that.

He was born in Allahabad, British India on 27 November 1907 to a Kayastha family. Being the second Indian to get his doctorate in English literature from Cambridge, he had also served in All India Radio. After which he was working in the External Affairs Minister, during these ten years, he was majorly associated with the evolution of Hindi as the official language. In 1966, he was also nominated to the Rajya Sabha.

Bachchan is still known as a person who enriched Hindi through his translations of major works. Omar Khayyam’s Rubaiyat, Shakespeare’s Machbeth and Othello and even the Bhagvad Gita.

Honored with Padma Bhushan for his lasting contribution to Hindi literature, with Saraswati Samman for his four volume autobiography, the Sovietland Nehru Award and the Lotus Aware for his unique work in the world of letters, his most famous poem is one his early works ‘Madhushala’. He was famous as a rebellious poet of Nayi Kavita literary movement.

He was famous as a rebellious poet of Nayi Kavita literary movement. Pixels
He was famous as a rebellious poet of Nayi Kavita literary movement. Pixels

Poems by Harivansh Rai Bachchan

1. Madhushala

“मृदु भावों के अंगूरों की आज बना लाया हाला,
प्रियतम, अपने ही हाथों से आज पिलाऊँगा प्याला,
पहले भोग लगा लूँ तेरा फिर प्रसाद जग पाएगा,
सबसे पहले तेरा स्वागत करती मेरी मधुशाला।।१।”

2. Agnipath

“तू न थकेगा कभी,
तू न रुकेगा कभी,
तू न मुड़ेगा कभी,
कर शपथ, कर शपथ, कर शपथ,
अग्निपथ अग्निपथ अग्निपथ।”

3. Ruke Na Tu

“धनुष उठा, प्रहार कर
तू सबसे पहला वार कर
अग्नि सी धधक–धधक
हिरन सी सजग सजग
सिंह सी दहाड़ कर
शंख सी पुकार कर

रुके न तू, थके न तू
झुके न तू, थमे न तू”

He used to introduce himself by saying- Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay. Pixabay
He used to introduce himself by saying- Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay. Pixabay

4. Poorv Chalne Ke Batohi

“पुस्तकों में है नहीं छापी गई इसकी कहानी,
हाल इसका ज्ञात होता है न औरों की ज़बानी,
अनगिनत राही गए इस राह से, उनका पता क्या,
पर गए कुछ लोग इस पर छोड़ पैरों की निशानी,
यह निशानी मूक होकर भी बहुत कुछ बोलती है,
खोल इसका अर्थ, पंथी, पंथ का अनुमान कर ले।
पूर्व चलने के बटोही, बाट की पहचान कर ले।”

5. Kya Karu Samvedna Lekar Tumhari

“मैं दुखी जब-जब हुआ
संवेदना तुमने दिखाई,
मैं कृतज्ञ हुआ हमेशा,
रीति दोनो ने निभाई,
किन्तु इस आभार का अब
हो उठा है बोझ भारी;
क्या करूँ संवेदना लेकर तुम्हारी?
क्या करूँ?”

6. Koshish Karne Waalon Ki Har Nahi Hoti

“लहरों से डर कर नौका पार नहीं होती
हिम्मत करने वालों की हार नहीं होती

नन्ही चींटी जब दाना लेकर चलती है
चढ़ती दीवारों पर सौ बार फिसलती है
मन का विश्वास रगों में साहस भरता है
चढ़ कर गिरना, गिर कर चढ़ना न अखरता है
आखिर उसकी मेहनत बेकार नहीं होती
कोशिश करने वालों की हार नहीं होती”

7. Vishwa Sara So Raha Hai

“हैं विचरते स्वप्न सुंदर,
किंतु इनका संग तजकर,
व्योम–व्यापी शून्यता का कौन साथी हो रहा है?
विश्व सारा सो रहा है!

भूमि पर सर सरित् निर्झर,
किंतु इनसे दूर जाकर,
कौन अपने घाव अंबर की नदी में धो रहा है?
विश्व सारा सो रहा है!”

His pen was a mighty one in the world of Hindi Literature. Pixabay
His pen was a mighty one in the world of Hindi Literature. Pixabay

8. Teer Par Kaise Ruku

तीर पर कैसे रुकूँ मैं, आज लहरों में निमंत्रण!
रात का अंतिम प्रहर है, झिलमिलाते हैं सितारे,
वक्ष पर युग बाहु बाँधे, मैं खड़ा सागर किनारे
वेग से बहता प्रभंजन, केश-पट मेरे उड़ाता,
शून्य में भरता उदधि-उर की रहस्यमयी पुकारें,

इन पुकारों की प्रतिध्वनि, हो रही मेरे हृदय में,

है प्रतिच्छायित जहाँ पर, सिंधु का हिल्लोल – कंपन!
तीर पर कैसे रुकूँ मैं,आज लहरों में निमंत्रण!

9. Dekho Toot Raha Hai Tara

“नभ के सीमाहीन पटल पर
एक चमकती रेखा चलकर
लुप्त शून्य में होती-बुझता एक निशा का दीप दुलारा।
देखो, टूट रहा है तारा।”

10. Mujhe Pukar Lo

“इसीलिए खड़ा रहा कि तुम मुझे पुकार लो!

ज़मीन है न बोलती न आसमान बोलता,
जहान देखकर मुझे नहीं जबान खोलता,
नहीं जगह कहीं जहाँ न अजनबी गिना गया,
कहाँ-कहाँ न फिर चुका दिमाग-दिल टटोलता,
कहाँ मनुष्य है कि जो उमीद छोड़कर जिया,
इसीलिए खड़ा रहा कि तुम मुझे पुकार लो”