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- Sex and sexuality have always been central to the works of Hoshang Merchant
- Women issues in India are different from western countries
- Indian feminist scholars and activists have to struggle to shape a separate identity for feminism in India
The fallacy of male-dominance and women’s role in society tell that feminism was theorized differently in India than in the west. Our history books are filled with references of women being forced to partake in Sati or self-immolation, cases of wicked oppression by the male gender, countless crude examples of coercion into child marriage, among myriad other social evils that persisted during the middle age. There are several issues which damper women empowerment in India- dowry, sexual abuse, gender inequality and many more.
Although, there are several communities in India, such as the Nairs of Kerala, certain Maratha clans, and Bengali families with the head of the family being the oldest women rather than the oldest man. Sikh culture is also regarded as relatively gender-neutral.
According to Firstpost.com report, the retired professor emeritus of the University of Hyderabad was one of the first men to come out as openly gay in independent India. Yaarana (Penguin, 1999), a collection of gay writings from India edited by Merchant, remains a significant intervention in queer studies.
Sex and sexuality have always been central to the works of Hoshang Merchant. His Forbidden Sex, Forbidden Texts (2009) discards the understanding of homosexuality as a monolithic identity emphasising on its heterogeneity in the Indian context. Merchant has authored several collections of poetry and his latest commentary is titled Secret Writings of Hoshang Merchant (OUP India).
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In an interview with Rajorshi Das, published on firstpost.com, Hoshang Merchant said, “Indian feminism is for the maid who is working for those bob-cut walis for 30 rupees a day. That woman needs feminism. When that woman is empowered by that bob-cut wali, that will be Indian feminism”.
No doubt women issues in India are different from western countries. Indian feminist scholars and activists have to struggle to shape a separate identity for feminism in India. And sadly, the truth is that we still exactly do not know what feminism exactly stands for. The definition of “being feminine” has been moulded by people for either a purpose or they simply abide by the so-called rules set by the society.
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When asked about the future of the [Queer] movement, Merchant said, “Firstly let’s recognise class in urban spaces. What does gay liberation mean for that chakka who has to show his organs for 50 rupees? What movement are you talking about? Thirty years I have fought and taught for them. Did I deserve this? They came yesterday. Where were they when I was screaming in the wilderness?”
Section 377 of the Indian Penal Code, criminalises ‘unnatural sex’, which include gay liaisons. It says, “Whoever voluntarily has carnal intercourse against the order of nature with any man, woman or animal, shall be punished with imprisonment for life, or with imprisonment of either description for a term which may extend to 10 years, and shall also be liable to fine.”
He confronted the tag of the “anti-national” as homosexuality is criminalised by the IPC by saying, “What is anti-national? Homosexuality is doing the greatest service to an overpopulated nation. Else I would be labelled as the mother of this nation. I would have been given a gold medal! We are imitating the West. Our society is different. That’s why Ashley Tellis does not go to these Pride Marches because he feels our society is poor. We are not a consumerist society [like the West].”
When asked about the purpose of writing and poetry in general, he replied, “Poetry sweetens human beings. It gives hope to the defeated. The first sentence of my new book Secret Writings of Hoshang Merchant is from (Martin) Heidegger –“What are poets for? Poets are there to sing the night of the world”. Coming to the second part of your question, writing is to change the mind and heart of these stupid people. They reject me because I don’t use jargons, read (Jacques) Derrida or conform to labels like Queer.”
-This article is compiled by a staff-writer at NewsGram.
Super model and actress Hailey Bieber said she is lucky to have a husband like Justin Bieber, refuting rumours of the ace singer not treating her properly. Hailey was speaking at singer Demi Lovato's podcast '4D With Demi Lovato', dailymail.co.uk reported.
Talking about her popstar husband and rumours around their marriage, Hailey said: "I think one of the biggest things is you have to know what the truth is behind everything. You know, there's so many narratives that float around about me, about him, about us together." She addressed the rumours point blank as she said: "There's one big fat narrative that goes around that's like, 'Justin is not nice to her, and that he mistreats her', and I'm just like, it's so far from the truth, and it's the complete and utter opposite."
Hailey went on to set the record straight about Justin, who she married in 2018. She said: "I really am lucky to say I'm with someone who is extremely respectful of me, who makes me feel special every single day. So when I see the opposite of that, I'm just like, 'Huh?' And everybody around who knows us personally would say the same thing." (IANS/ MBI)
Keywords: Hailey Bieber, Justin Bieber, husband, respectful, truth, married
Among the Tamil epics written during the Sangam age, only a few survived to this day. Manimegalai is one such. It is written as a sequel to the Sillapadikaram, taking the story forward of Kovalan and Madhavi's daughter, Manimegalai. The Sillapadikaram is about the injustice of the Madurai kingdom in the execution of Kovalan, which turned Kannagi, his wife into a goddess seeking vengeance for her husband's death. Kovalan, before his death, has an affair with a court dancer, Madhavi, and his daughter, Manimegalai, is said to begin a different tradition among the Tamils.
The epic, written by Sattanar, introduces Buddhism to Dravidian culture, something that has been alien to them for years. Manimegalai is the protagonist, who flees constantly from the pursuit of Chola prince Udhayakumara, and tries to lead an ascetic life. Throughout the plot, Buddhist tenets are used to avoid the culmination of a love-story. Manimegalai is believed to be the anti-love story sequel to the Sillapadikaram.
A complete work of Tamil epic written by hand on leaves Image source: wikimedia commons
The Sillapadikaram was written by a Jain monk, Illango Adigal, and Sattanar, uses the sequel to question Jainism. It is almost a political battle between two new religions competing for a place in a predominantly Hindu society. Parts of Manimegalai even go to the extent of opening ridiculing Jain practices and beliefs.
Critics of Tamil literature have stated that while the Tamil epics have great poetic significance, they are inferior to other world epics when it comes to clearly portraying religious affiliations. In fact, they refer to the newer religions with an infant's perspective. Some scholars have found that Sillapadikaram has more ethical substance than its sequel, but in and of itself, despite being written by a Jain monk, reads like Hindu poetry (Subhramanya Aiyar, 1906).
Keywords: Manimegalai, Sillapadikaram, Tamil Epic, Sattanar, Ilango Adigal, Chola kingdom, Sangam Age, Buddhism
The Covid-19 pandemic could act as an inflection point to shift India's growth model from being consumption driven to investments-led. In its Ecoscope report, Motilal Oswal Financial Services, said: "With Covid-19 hurting India's 'Household' (HH) and 'Government' sectors adversely, the continuity of strong consumption growth is in question."
"On the contrary, with listed companies' financial positions improving and an uptick in household investments in the Real Estate sector (called physical savings), the narrative of investment-led recovery is gaining momentum." The report prescribed that various economic participants - households, governments, listed companies, and unlisted corporates -- to increase their fixed asset investments in the immediate future based on their financial position.
The Covid-19 pandemic could act as an inflection point to shift India's growth model from being consumption driven to investments-led. | Photo by Fusion Medical Animation on Unsplash
At present, the listed and unlisted corporate sector accounts for only about half of total investments in India. The 'HH' sector including unincorporated enterprises accounts for 35-40 per cent in India's investments, while the remaining 12-13 per cent is contributed by centre and states governments. Besides, the report cited that demand environment is expected to remain subdued due to weak financial position of 'HH' and government sector.
"Despite household investments picking up strongly in 2HFY21, given that Indian households bore the maximum brunt of Covid-led losses in CY20 (and CY21), we believe household spending would remain subdued over the next few years." It further pointed out that unless 'HH', 'Unlisted Corporate', and government sectors can improve their financial positions -- leading to a demand uptick -- a strong revival in investments seems challenging. (IANS/ MBI)
Keywords: India, covid, pandemic, growth, household, government, investment