Wednesday November 20, 2019

Bollywood Megastar Amitabh Bachchan Completes Five Decades in B-town

Big B's tryst with honing his craft continues, with the eagerness of a newcomer -- as is visible in every new film. Perhaps that is the secret of his excellence and survival

0
//
Amitabh Bachchan. Wikimedia Commons

BY SUGANDHA RAWAL

Amitabh Bachchan’s journey of five decades to become the Bollywood “Shahenshah” was not always a smooth ride. Indeed, his life is nothing short of brilliant biopic material. Early rejections were followed by a phase when he made his mark as a promising actor, which was soon overshadowed by the kind of superstardom Bollywood never saw before or after. When the superstar tried his hand at film entrepreneurship, he went bankrupt, only to bounce back and claim supremacy as a super brand and respectability as an icon.

The first reaction of the industry all those years ago, however, was far from welcoming. His tall and lanky frame, and the baritone of his voice, were deemed unsuitable for Bollywood’s image of a perfect hero back then. These factors were pointed out as flaws, and reasons why he wouldn’t be able to make it big in the industry.

Today, he is the face of Indian cinema all over the world, and for decades he has been drawing his USP from those very attributes that were considered drawbacks back then.

“Saat Hindustani”, released on November 7 1969, marks the start of his salad phase. The son of celebrated poet Dr Harivansh Rai Bachchan started his journey as one of seven protagonists in the film, which didn’t exactly mark a blockbuster debut.

The first time he was seriously noticed was when he essayed a supporting role in Hrishikesh Mukherjee’s Rajesh Khanna-starrer “Anand” (1971). Despite the presence of Khanna, the reigning superstar of the times, Bachchan grabbed attention in the role of Dr. Bhaskar Banerjee.

Despite getting noticed in “Anand”, Bachchan had to see a phase of brief struggle, despite a long list of releases such as a “Parwana”, “Reshma Aur Shera”, “Sanjog”, “Bombay To Goa”, “Ek Nazar”, “Bansi Birju”, “Raaste Kaa Patthar” and “Bandhe Haath”.

Megastar Amitabh Bachchan at the 23rd Star Screen Awards 2016. Twitter

If his career is to be divided in phases, those early films, which also included “Chupke Chupke” and “Abhimaan”, could be termed as the Hrishikesh Mukherjee era. By the time Bachchan was co-starring with Rajesh Khanna in Mukherjee’s 1973 release “Namak Haraam”, people had already started talking of the tall, dark and brooding actor as the man who would be Bollywood’s next king.

It happened the same year, with Prakash Mehra’s “Zanjeer”. Rooted deep in angst and emotions attached to middle-class India, and delving into complex aspects of human lives, Bollywood’s “Angry Young Man” was born in Prakash Mehra’s 1973 hit, “Zanjeer”.

The film, riding the powerful writing by Salim Khan and Javed Akthar, went on to usher the era of violence and intense drama in Bollywood cinema. As Bachchan began rewriting cinematic trends for the Hindi film industry, Rajesh Khanna’s romantic era became history. The Salim-Javed phase of Amitabh Bachchan’s career began.

The Salim-Javed scripts that would go on to define Bachchan’s Angry Young Man image were “Deewar”, “Sholay”, “Trishul”, “Don”, “Kaala Patthar”, “Dostana”, Shaan” and “Shakti”. These films mark the zenith of the actor’s superstardom, cementing his permanent position in the industry.

Salim-Javed’s intense image for Bachchan was best interpreted by Prakash Mehra (“Zanjeer”), Yash Chopra (“Deewar”, “Trishul”, “Kaala Patthar”), and Ramesh Sippy (“Sholay”, “Shakti”).

Bachchan also proved to a peerless comic hero and entertainer in the Manmohan Desai films of the era, notably in “Parvarish”, “Suhaag”, “Amar Akbar Anthony”, “Naseeb” and “Desh Premee”.

"The idea is to reshuffle the side and come with a much stronger and dynamic team,"
Amitabh Bachchan. Wikimedia Commons

“Besharam”, “Muqaddar Ka Sikandar”, “Mr. Natwarlal”, “Silsila”, “Satte Pe Satta” and “Namak Halaal” were a few other films that highlight his career as Bollywood’s biggest commercial phenomenon in the seventies and the eighties.

As he was busy making his mark, he was struck with the accident on the “Coolie” set, but that didn’t deter him to lose focus from his goal. The film went on to be a big hit when it released in 1983.

By the time he won his first National Award for “Agneepath” (1990), Big B’s popularity was sky-high.

The slowdown started sometime in the mid-nineties, after he launched his company, Amitabh Bachchan Corporation Limited (ABCL). Big B, as he was being hailed by fans the media alike by now, somehow could not take to the world of business with the same effortless brilliance as acting. The failure of his entrepreneurial dreams also affected his box-office performances. Films such as “Mrityudaata”, “Sooryavansham”, “Major Saab”, “Lal Baadshah”, and “Kohram” crashed in succession in the mid to late nineties. In David Dhawan’s much hyped 1998 Diwali release “Bade Miyan Chote Miyan”, fans felt he was overshadowed by Govinda.

Big B needed reinvention, and there started a new phase in his career.

It happened on the small screen, as he took to hosting the quiz show “Kaun Banega Crorepati” in 2000. Entering the living rooms of fans every weekday with a fresh set of questions for contestants, Amitabh Bachchan became a knowledge guru of sorts — perfectly in sync with his advancing age. The Angry Young Man of yore metamorphosed into the Wise Seasoned Celebrity, and new-age Indian television’s biggest phenomenon was born.

Much of what he has done over the past two decades resonates the icon that the KBC phase of Bachchan’s superstardom is defined by. The quiz show, after all, helped him find a solid comeback as a big screen phenomenon, defying age and stereotypes.

Also Read: Amazon to e-tail Himachali Wares Locally, Globally: Report

Creditable projects of this phase include “Mohabbatein”, “Kabhi Khushi Kabhie Gham…”, “Aankhen”, “Kaante”, “Baghban”, “Khakee”, “Black”, “Bunty Aur Babli”, “Bhoothnath”, “Paa”, “Bol Bachchan”, “Piku”, “Wazir”, “Te3n”, “Pink”, “102 Not Out” and “Badla”.

He would win three more National Awards during this phase — for “Black” (2005), “Paa” (2009) and “Piku” (2015). This year he has been declared recipient of Dadasaheb Phalke Award for his contribution to Indian cinema.

Despite being 77, he continues to be one of Bollywood’s busiest actors. His upcoming line-up includes “Chehre”, “Gulabo Sitabo”, “Brahmastra”, “Jhund” and “Aankhen 2”.

Big B’s tryst with honing his craft continues, with the eagerness of a newcomer — as is visible in every new film. Perhaps that is the secret of his excellence and survival. (IANS)

Next Story

Good News Is When An Actor Works For My Banner At A Lower Price: Karan Johar

Filmmaker Karan Johar, is readying his new multistarrer production "Good Newwz" for a Christmas release

0
Filmmaker Karan Johar
Karan Johar is readying his new production "Good Newwz". Wikimedia Commons

Filmmaker Karan Johar, who is readying his new multistarrer production “Good Newwz” for a Christmas release, says he feels really happy when an actor agrees to work for his banner at a lower price. He adds that Akshay Kumar, the hero of “Good Newwz”, has not given him any good news so far on that front.

“Good news to me is when an actor agrees to do my film at a low price, but that’s a good news Akshay hasn’t given me so far,” Johar said with a laugh, while interacting with the media at the trailer launch of the film along with the lead cast, comprising Akshay, Kareena Kapoor Khan, Kiara Advani and Diljit Dosanjh, besides director Raj Mehta on Monday in Mumbai.

He added: “I feel if I hear some good news, then there is also a bad news around the corner — unless the good news is about something like the birth of a child. I still remember when I got the information of my two babies, I felt really happy. I feel, after hearing every good news you hear some bad news, and I guess there is some kind of ‘kabhi khushi kabhie gham’ situation that takes place in our lives. So, I don’t hold on to that news with a lot of joy ever. Rather, I am a bit of a cynic that way.”

“Good Newwz” is the third collaboration between Johar and Akshay after “Kesari” and “Brothers”. Next year, Akshay will be seen in “Sooryavanshi”, which is co-produced by Karan Johar’s Dharma Productions.

The film marks the directorial debut of Raj Mehta.

Karan Johar
Karan Johar says that Dharma Productions has always maintained the ethos of treating every artist equally. Wikimedia Commons

Johar admitted the weird spelling of the film’s title was an outcome of his team’s inherent superstitious streak.

“There is a certain inherent superstition in the creative world, so earlier in my career I was obsessed with the alphabet K. I released films starting with alphabet K, which also starred Kareena, but then a few of them didn’t work. I felt it (the urge to name films with K) had stayed with me for no reason, so I gave up on that superstition. After that, I encountered Raj Mehta who is paranoid about everything. He, along with Azeem Dayani — who is the curator of this film’s music — were paranoid and told me that we should name this film ‘A Good News’. I told them ‘A Good News’ is incorrect English. So, they said we would have to change the spelling. We decided to name the film ‘Good Newwz’. Personally, it’s rather ridiculous, but actually everybody has learnt to accept it and envelope it, so I would give credit for the film’s name to Raj and his team,” said Johar.

Asked how he makes sure that equal rights are given to men and women in his production company, which is headed by him, he said: “We at Dharma Productions have always maintained the ethos of making sure that everyone including men, women, artists, and technicians get paid solidly for their craft, art, ability, work and worth. All of us are here from the blend of commerce and art. It is something I endorse strongly. When it comes to female-led films, we always make sure that there never is a disparity from our end.”

Also Read- Every Child Should Have Access To Formal Education: Boman Irani

He continued: “We have given profit share to female actors. In near future, you will see producer’s credit given in a female-led film. Where they (actresses) dominate and lead the film, they must have a humongous part of the pie. You will hear announcements in the future where women-lead films produced by Dharma Productions will have strong producer’s credit and profit shares (for heroines). There is and there will not be any disparity in my company.”

“Good Newwz” is scheduled to release on December 27. (IANS)