Saturday June 23, 2018
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Erasing Borders: Art of Indo-Americans

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Indian diaspora
Photo: courtesy: Center for Contemporary Art

By Ralph J. Bellantoni

The Indo-American population in the U.S. has surged in the past 25 years, with New Jersey one of the prime beneficiaries of this enriching influx. Even while integrating into American society, Indian immigrants treasure and preserve from generation to generation much of their vividly kaleidoscopic culture, so resonant with countless centuries of tradition.

The Center for Contemporary Art in Bedminster has teamed with the Indo-American Arts Council in hosting the 13th annual “Erasing Borders” exhibition of contemporary artists of the Indian diaspora. Celebrated printmaker Vijay Kumar curated the display of works by 24 established and emerging artists.

The presentation features paintings and prints, sculptures and installations, photographs and works on video, which meld Indian concepts, aesthetics, and materials with Western influences. Predominant themes include culture clashes, the challenges of adapting to life in the U.S., and issues of sexuality, terrorism, disease, the environment, racial and sectarian tensions, and other social concerns.

Multi-disciplinary artist Indrani Nayar-Gall applies her formidable repertoire of expressive expertise towards social activism.

“My present practice explores patriarchy and misogyny by inquiring into the tradition of religious servitude within certain sects of Brahmanical Hinduism,” Nayar-Gall said. “This body of work questions the hidden motives underlying the display of beauty within the rituals, and the conspiracy of dominant classes in using beauty to lure the marginalized and destitute into acquiescence.”

The measured calm of Nayar-Gall’s diagrammatic compositions camouflages their deeply subversive motivations. Her sensitive modulations of designs and symbols in works like “How to Write a Myth” slyly deconstruct the elegant formulations of established institutions, peeling away their beguiling splendour and ceremony to reveal the entrenched hierarchical systems of subjugation they codify and promote.

“The act of cutting, and unorthodox approaches to print media, become important ways of depicting and relating motifs,” Nayar-Gall explained. “They subvert the conspiracies of traditions.”

Nayar-Gall’s focus recently shifted away from protest against hidebound social systems and onto the personal narratives of those they afflict.

“My newer, emerging body of work, switches toward merging words and text with visual elements,” Nayar-Gall said. “As stories of victimization continue alongside stories of empowerment, the urgency to include the victim’s voices has become more apparent to me.”

Other artists, such as Reeta Gidwani Karmarkar, prefer addressing more purely formal concerns in their work. The sheer joy of creative expression motivated her from the outset.

“From the time I held my first crayon, there was never any doubt in my mind that I would paint,” Karmarkar said.

She initially concentrated on figurative painting, but four years spent studying in Rome at the Accademia di Belle Arti on a scholarship opened new worlds for Karmarkar.

“I found the perspectives used by 14th century painters fascinating, it was an epiphany for me,” she recalled. “Since then my work has explored different angles, planes of perspective, and false perspectives.”

The abstract geometric figures in Karmarkar’s paintings press and squeeze against one another and against the edges of the canvas, generating visual frictions that energize her compositions. Dynamic tension, a creative yin-yang opposition, distinguishes many of her paintings and public murals.

“It intrigues me to take architectural designs and abstract them,” Karmarkar said, “narrowing and expanding space with color and a mixture of rigid, hard edges, plus rough, painterly strokes.”

The center will stage a live family performance of “Tenali Raman: Folktales of India” by the Dragonfly Multicultural Arts Center from 2 to 3 p.m. on Sunday, April 3. The production combines music, dance and comedy in recounting the adventures, wit and trickery of the beloved 16th century poet and jester who served in the court of Indian emperor Krishnadevaraya. Tickets are $10 for adults and $5 for children, purchasable online.

WHEN: 9 a.m. to 5 p.m. Mondays through Thursdays, 9 a.m. to 3 p.m. Fridays and Saturdays, through April 15

WHERE: The Center for Contemporary Art, 2020 Burnt Mills Road in Bedminster

ADMISSION: Free

INFO: 908-234-2345 or www.ccabedminster.org

Source: http://www.mycentraljersey.com/

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FIFA World Cup 2018: Indian Cuisine becomes the most sought after in Moscow

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Indian cuisine in FIFA World cup
Indian dishes available in Moscow during FIFA World Cup 2018, representational image, wikimedia commons

June 17, 2018:

Restaurateurs Prodyut and Sumana Mukherjee have not only brought Indian cuisine to the ongoing FIFA World Cup 2018 here but also plan to dish out free dinner to countrymen if Argentina wins the trophy on July 15.

Based in Moscow for the last 27 years, Prodyut and Sumana run two Indian eateries, “Talk Of The Town” and “Fusion Plaza”.

You may like to read more on Indian cuisine: Indian ‘masala’, among other condiments spicing up global food palate.

Both restaurants serve popular Indian dishes like butter chicken, kebabs and a varied vegetarian spread.

During the ongoing FIFA World Cup 2018, there will be 25 per cent discount for those who will possess a Fan ID (required to watch World Cup games).

There will also be gifts and contests on offers during matches in both the restaurants to celebrate the event.

The Mukherjees, hailing from Kolkata, are die-hard fans of Argentina. Despite Albiceleste drawing 1-1 with Iceland in their group opener with Lionel Messi failing to sparkle, they believe Jorge Sampaoli’s team can go the distance.

“I am an Argentina fan. I have booked tickets for a quarterfinal match, a semifinal and of course the final. If Argentina goes on to lift

During the World Cup, there will be 25 per cent discount for those who will possess a Fan ID (required to watch World Cup games).

There will also be gifts and contests on offers during matches in both the restaurants to celebrate the event.

FIFA World Cup 2018 Russia
FIFA World Cup 2018, Wikimedia Commons.

“We have been waiting for this World Cup. Indians come in large numbers during the World Cup and we wanted these eateries to be a melting point,” he added.

According to Cutting Edge Events, FIFA’s official sales agency in India for the 2018 World Cup, India is amongst the top 10 countries in terms of number of match tickets bought.

Read more about Indian cuisine abroad: Hindoostane Coffee House: London’s First Indian Restaurant.

Prodyut came to Moscow to study engineering and later started working for a pharmaceutical company here before trying his hand in business. Besides running the two restaurants with the help of his wife, he was into the distribution of pharmaceutical products.

“After Russia won the first match of the World Cup, the footfall has gone up considerably. The Indians are also flooding in after the 6-9 p.m. game. That is the time both my restaurants remain full,” Prodyut said.

There are also plans to rope in registered fan clubs of Latin American countries, who will throng the restaurants during matches and then follow it up with after-game parties till the wee hours.

“I did get in touch with some of the fan clubs I had prior idea about. They agreed to come over and celebrate the games at our joints. Those will be gala nights when both eateries will remain open all night for them to enjoy,” Prodyut said.

Watching the World Cup is a dream come true for the couple, Sumana said.

“We want to make the Indians who have come here to witness the spectacle and feel at home too. We always extend a helping hand and since we are from West Bengal, we make special dishes for those who come from Bengal,” she added. (IANS)