New Delhi: As a result of climate change, the glaciers on Mount Everest, which are the birthplace of major Asian rivers such as the Ganga, Brahmaputra and Indus, have shrunk by 28 per cent in the past 40 years, according to a report.
The report released by Hunan University of Science and Technology, the Chinese Academy of Sciences (CAS), and Mount Qomolangma Snow Leopard Conservation Centre, made comparisons according to measurements taken in the 1970s.
The glacier area in the southern slope of Everest in Nepal has reduced by 26 per cent since 1980s, the report said.
Known as Mount Qomolangma in Tibet, Mt Everest has also been getting warmer for the past 50 years, added the report.
A researcher from the State Key Laboratory of Cryospheric Sciences under the CAS, Kang Shichang, informed that the report was compiled based on information collected by on-site monitoring and long-term remote sensing.
Covering 2,030 square kilometres, the national nature reserve of China’s Mt Qomolangma at present consists of 1,476 glaciers, as reported by the state-run Xinhua news agency.
Glacial lakes have been swelling, and river levels have been rising downstream, said Kang, who has led several teams for glacier inspection.
Kang added that a glacial lake in the Mt Everest nature reserve which earlier in 1990, covered an area of 100 square kilometres, swelled to occupy 114 square kilometres in 2013. This information was gathered via remote sensing data.
Earlier in May, a group of international researchers had warned that the in the– site of many of the world’s tallest peaks including Mount Everest – could reduce their volume by 70-99 per cent by 2100, with dire consequences for farming and hydropower generation downstream.
By 2100, the Hindu Kush –Himalayan (HKH) region—would possibly face a 70-99 per cent reduction in its estimated 5,500 glaciers, a group of international researchers warned in May. This will create disastrous effects in farming and hydropower generation in downstream areas.
There was a time — in this northwest corner of Montana — when glaciers ruled the land.
Crown of the Continent
The abundance of the massive rivers of ice — and their runoff — created “a land of striking scenery.” That’s how American anthropologist, historian, naturalist and writer George Bird Grinnell described Glacier National Park, nine years before the land was set aside as a national park on May 11, 1910.
Today, there are far fewer icy behemoths. And they’re all shrinking.
“There are currently 26 glaciers in Glacier National Park,” says national parks traveler Mikah Meyer. “I can’t remember the exact number that there were when it was founded but it was vastly higher,” he added. “The glaciers are melting and the snowfall is not restoring their size in the way that they have in past years.”
But the glaciers – both those long gone and those that still remain — have left their mark. As they started melting 10,000 years ago, they carved out majestic mountains, lush valleys, and pristine lakes.
Glacial waters are the headwaters for streams that flow west to the Pacific Ocean, south to the Gulf of Mexico, and east across the continent to Hudson’s Bay, according to the National Park Service. It emphasizes that that runoff “affects waters in a huge section of North America.”
With more than 760 lakes and nearly half a million hectares of parkland, it’s easy to see why Mikah has returned.
“Five years ago I stood on this exact same spot; at the end of the dock on Lake McDonald in Glacier National Park,” he said as he stood in front of a landscape so serene, it could have passed as a painting.
“It was one of my first experiences with the National Park Service site and I was hooked,” he admitted.
Waters from those melting glaciers also feed Iceberg Lake — another popular attraction in the park. “It is very cold and very windy and lots of little icebergs floating back there by the snow,” Mikah said as he braved the winds to capture the scene with his camera.
But despite the cold, nearby wildflowers were in full bloom, creating a pastoral setting. As Mikah walked through a field of bear grass, he said he felt like he was “in some fairytale land.”
The elegant white blossoms are a common wildflower in Glacier National Park, which this year grew in prolific numbers. They provided a perfect environment to view the local wildlife, including deer, moose, marmots and mountain goats.
Generous tour companies
Mikah got lucky when several tour companies offered him a chance to explore the park from a variety of perspectives. With Red Bus Tours, Mikah got a nice overview of the park from their vintage 1930s buses.
“It’s a massive park — it takes an hour and a half just to cross it,” he noted. “So it’s a guided tour that allows you to focus on looking at the beauty of the park instead of having to stay on these tiny mountain roads.”
Swan Mountain Outfitters donated a horseback tour for an eight-hour trek to Cracker Lake, an eye-popping turquoise body of water which is also fed by melting glacial waters.
Mikah described the scene: “You crest over this hill on the horses and you’re in the middle, surrounded by bear grass and trees and flowers and these large gray mountains in the background, and it just pops like nothing else.”
And thanks to Montana Whitewater Rafting, Mikah got to experience those glacial waters up close during a rafting tour on the Middle Fork River — a 150-kilometer river in western Montana that forms the southwestern boundary of the park.
“It was a very clear river,” Mikah said, since the water was a combination of glacier melt and snow runoff. “So you could see down through the water to the bottom, see the rocks, and the fish, so very pure, very clear water.”
Mikah was pleased to have experienced the park from the depths of the water as well as from the top of a ski lift where he could see “where it all started.”
Mikah, who’s on a mission to visit all 417 national parks in the U.S., says he hopes to come back again one day, even if the glaciers are gone.
“Even if the physical glaciers don’t still exist because they melted away, it can still be Glacier National Park because that’s what created this amazing landscape.” (VOA)
New Delhi, Nov 9: Prince Charles, the Prince of Wales, accompanied by his wife, the Duchess of Cornwall, Camilla Parker-Bowles, arrived New Delhi on Wednesday on a two-day visit to India at the final leg of their 10-day four-nation tour that also took them to Singapore, Malaysia and Brunei.
“Their Royal Highnesses Prince of Wales and the Duchess of Cornwall arrive,” the British High Commission in India tweeted.
Prince Charles is scheduled to meet Prime Minister Narendra Modi on Wednesday evening and discuss a wide range of issues, including that of the Commonwealth Heads of Government Meeting (CHOGM) which will take place in April 2018 in the UK.
Ahead of the royal couple’s arrival, External Affairs Ministry spokesperson Raveesh Kumar said climate change, Sustainable Development Goals (SDGs), economic cooperation, and other bilateral issues would also come up for discussion.
Bilateral trade between India and Britain stands at $12.19 billion. India is the third largest investor in Britain and the second largest international job creator in that country.
Britain is the third largest inward investor in India, with a cumulative equity investment of $24.37 billion for the period April 2000-June 2017
The Indian diaspora in UK is one of the largest ethnic minority communities in the country, with the 2011 census recording approximately 1.5 million people of Indian origin equating to almost 1.8 percent of the population and contributing 6 per cent of the country’s GDP.
This will be Prince Charles ‘s ninth visit to India. He had earlier visited India in 1975, 1980, 1991, 1992, 2002, 2006, 2010 and 2013. (IANS)
New Delhi, Nov 8: When acclaimed novelist Amitav Ghosh was writing “The Great Derangement”, a work of nonfiction on the burning issue of climate change, many in literary circles asked him: “Why would you write about something so boring?”
Some two years down the line, as the eyes burn and lungs choke in the “gas chamber” that residents of Delhi find themselves in, his book is a fitting examination of the scale and dangers of climate change.
It was not just a few in literary circles who failed to recognise the problem of climate change; for most of us, it remained something vague. in an interview to this correspondent just ahead the launch of “The Great Derangement”, Ghosh had abruptly asked: “Did you notice the smog that had filled the air just before the onset of winter?”
“I think I did,” I replied. “Well what did you do about it,” he immediately retorted.
Ghosh’s book, however, was a timely response to climate change and deserved much more attention than what it received then.
“Are we deranged,” asks Ghosh in the book and argues that future generations may well think so. “How else to explain our imaginative failure in the face of global warming?” It was his first major book of nonfiction since “In an Antique Land”, and in its pages Ghosh examines our inability — at the level of literature, history and politics — to grasp the scale of climate change.
“In a substantially altered world, when sea-level rise has swallowed the Sundarbans and made cities like Kolkata, New York and Bangkok uninhabitable, when readers and museum-goers turn to the art and literature of our time, will they not look, first, and most urgently, for traces and portents of the altered world of their inheritance? And when they fail to find them, what should they — what can they — do other than to conclude that ours was a time when most forms of art and literature were drawn into the modes of concealment that prevented people from recognizing the realities of their plight? Quite possibly then, this era, which so congratulates itself on its self-awareness, will come to be known as the time of the Great Derangement,” he writes in the book.
Ghosh had added in the interview that, at first, his concerns were about the damage that we are doing to the environment — but climate change is something much bigger.
“When we are talking about environmental impacts, we are talking about specific ecological systems, about specific environments and the ways in which human beings have impacted them. But climate change is something much bigger.
“We are talking about an inter-connected earth’s system, which is changing in ways that after a certain point human beings can’t actually control what is going to happen and that seems to be a situation that we are already in. These changes are occurring in ways that we can no longer impact them. If you look around the world and see what writers are writing about, very few are actually confronting this issue,” he had said.
He also pointed out that, in his opinion, there were no simple or easy solutions.
“What has actually happened is that we have lost the tools, and the ways of thinking, which allow us to understand or even to register what is happening around us. Even if we sometimes find ourselves in the midst of some of these changes, either we are unable to connect it to wider issues of climate change that are occurring or we are unable to think of it in an imaginative way.
“Something is happening, which is going to be, in the long run, catastrophic and yet we are unable to find some story for it,” he maintained.
The fundamental point that Ghosh raised in that interview was that artists, writers and filmmakers have not really given climate change the attention it needs.
He had said that he is “not in the business of finding solutions” but pointed out that one good way to finding a solution is to “understand the gravity and magnitude of the situation we are all in”.
Ghosh suggests that politics, much like literature, has become a matter of personal moral reckoning rather than an arena of collective action. But to limit fiction and politics to individual moral adventure comes at a great cost. The climate crisis asks us to imagine other forms of human existence — a task to which fiction, Ghosh argues, is the best suited of all cultural forms.
A few weeks from now, the smog may fade away and the perils of today may disappear both from the headlines and our minds. But Ghosh’s book will continue to serve as a great writer’s call to confront the most urgent task of our time.( IANS.)