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Oscar Pistorius to be freed on Friday

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Johannesburg: After serving 10 months for killing his girlfriend, South African Paralympian Oscar Pistorius is expected to be released from prison on Friday, media reports said on Monday.

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Pistorius was sentenced to five years in prison in October 2014 after he was convicted of killing his girlfriend, Reeva Steenkamp, on Valentine’s Day in 2013. He fired four shots through the locked door of the toilet in his Pretoria home, apparently thinking Steenkamp was an intruder hiding inside.

However, the State is to file its heads of argument in its appeal against the Pistorius’ ruling at the Supreme Court of Appeal in Bloemfontein on Monday, News 24 reported. National Prosecuting Authority spokesperson Luvuyo Mfaka said the filings were of an administrative nature.

If the court grants the appeal scheduled for November, Pistorius could be re-sentenced to 15 years behind bars.

In March, Judge Thokozile Masipa rejected the bid by Pistorious’ lawyers to stop the State from appealing her finding that Pistorius was guilty of culpable homicide. The State wants him convicted of the more serious charge of murder, which carries a heavier sentence.

Prosecutor Gerrie Nel argued that Judge Masipa erred in her decision to acquit the athlete of murder under the principle of dolus eventualis, because he should have known that firing four times through a locked bathroom door would have resulted in death.

He will be released from the Kgosi Mampuru II Correctional Centre in Pretoria and will remain under house arrest.

According to sources, Pistorius will live at his uncle Arnold’s home in Pretoria’s Waterkloof suburb. He could be taking part in an electronic tagging program or will have to check in regularly with a parole officer and at first will be allowed only to leave the house to go to work or run the occasional errand.

(IANS)

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Sam Smith talks about his New Album and reveals he is ‘Insanely Single’

Sam Smith's new single - 'Too good at goodbyes' is about him and about a relationship he was in

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Sam Smith talks about his New Album and reveals he is Insanely Single
Sam Smith talks about his New Album and reveals he is Insanely Single.Wikimedia

September 9, 2017: Singer Sam Smith admits to being “insanely single”.

“This song (his new single – ‘Too good at goodbyes’) is about me and about a relationship that I was in,” the Grammy and Oscar winner Sam Smith said during an interview on Beats 1 station, reports people.com.

“I’m still very, very single. I think I’m even more single than I was when I released ‘In the Lonely Hour’ (his debut album), so I’m insanely single. People are gonna see, this one as I’ve said is about me and something that I’ve gone through,” he added.

Sam Smith said he is more optimistic, both in his love life and songwriting.

“I do feel like I’m ready for something more positive, more than I was,” the star explained.

Sam Smith said,”What I’ve been through relationship wise the last year has made me a lot stronger and I feel like I’ve learned some lessons from it.”

But Smith says his forthcoming album is “not all about me”.

“There are about four songs that are about me and the rest are about different things and different people in my life and what they’ve gone through,” he said.

“Different in my opinions on different things. I wanted to welcome people back in and I want it to be about my voice and about the storytelling of something that I’ve gone through.” Smith Smith confirmed that his next album will be released this year before Christmas. (IANS)

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Five Foreign Language Films Up for Oscar

Farhadi, whose film A Separation won the best Foreign Language Film Oscar in 2012

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FILE - Iranian director Asghar Farhadi, Oct. 10. 2016. Farhadi has chosen not to attend the Oscars ceremony.

United States, 28Feb 2017: Of the five films nominated for the Academy Awards’s Best Foreign Language Film, none has won either a BAFTA in Britain or a Golden Globe in the United States. So the Oscar field is wide open.

South Pacific Romeo and Juliet

The Australian entry, Tanna, tells a Romeo-and-Juliet style story set on a South Pacific Island. The film’s Australian director, Bentley Dean, said he had wanted to go back to Tanna to make a movie ever since he went there more than 10 years ago to make a documentary.

“I had a brief window of opportunity between projects and I convinced my wife to come with me, with my two small children and try and make a film by collaborating with the local community,” Dean said. “We connected with the tribes over there and went and visited and said, ‘What do you think? Do you want to make a film together?’ and they said yes.” he added.

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Danish Retelling of WWII Story

Land of Mine recounts the true story of teenaged German prisoners of war who were made to clear mines from the coasts of Denmark after World War II. Martin Zandvliet, who directed the film, said it caused a lot of soul searching in Denmark.

“It brought out a lot of debate,” Zandvliet said. “The historians came out of their holes so to speak, and it brought out a big debate in the media whether it was right to treat the Germans like this or whether it was facts or whether it was fiction or whether I had fictionalized it too much or whether all these things – that is interesting for a movie.”

Swedish Novel Becomes a Film

Sweden’s A Man Called Ove tells the story of a disagreeable old man who keeps trying to hang himself so that he can be reunited with his late wife. But when a young Iranian woman moves into his neighborhood, his perspective changes.

The film is based on the novel by Fredrik Backman. Actor Rolf Lassgard, who plays Ove, says the novel helped him make choices for the film.

“A book is much larger than a film, you have one hour and 45 minutes but I have shot films from several books and I am not afraid of the book,” he said. “Of course you could feel the pressure but pressure is something good to have on you. I used the book as a tool as an actor because you can find a lot of good stuff that you can use in a shoot,” he said.

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Cannes Winner from Germany

Germany’s Toni Erdmann is a father-daughter comedy that also pokes fun at sexism, greed, and family relationships. The film won the FIPRESCI prize given by critics at the Cannes Film Festival. Director Maren Ade says she has been almost overwhelmed by the film’s success.

“It was a lot of work, the success, but it’s nice and I enjoy that the film is released in so many countries,” Ade said. “It’s really something that you dream of when you do a film. It’s what you do the film for that it has its own second life with the audience. It’s a crazy time and the year’s almost gone now. I don’t know.”

Trump Travel Ban Hits Iranian Oscar Nominee

Iran’s entry is The Salesman from director Asghar Farhadi. It tells the story of an Iranian theater couple whose lives are turned upside down when the wife is attacked in their apartment.

Farhadi, whose film A Separation won the best Foreign Language Film Oscar in 2012, will not be attending the Oscars because of the Trump administration’s ban on travel from Iran and six other Muslim majority countries. Though the ban has been temporarily overturned in U.S. courts, the president has announced plans to issue a new order soon.(VOA)

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Oscar nominates two documentary films portraying the plight of refugees

Fire at Sea by Gianfranco Rossi has been selected in the Documentary category and 4.1 Miles by Daphne Matziaraki has been nominated in the Short Documentary category

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oscar nominated two documentaries portraying refugee crisis, courtesy- VOA

Italy, 19 Feb, 2017: Two documentaries on the plight of refugees off the Italian coast and the Greek coast, respectively, have received Oscar nominations this year.

Fire at Sea by Gianfranco Rossi has been selected in the Documentary category and 4.1 Miles by Daphne Matziaraki has been nominated in the Short Documentary category.

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Rossi’s stunning camera frames the island of Lampedusa as one of the characters in his film. Remote and rather desolate, its rocky shores are forbidding to any who would attempt to swim ashore. But over the past 20 years, this tiny Italian island, 120 kilometers off the Sicilian coast and 70 kilometers off the coast of Tunisia, has become a gateway to Europe for close to half a million refugees from Northern Africa and the Middle East. Twenty-seven thousand people have lost their lives there.

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Constantly searching

The Italian Coast Guard is constantly searching the open sea for makeshift boats overflowing with hundreds of souls, most of them women and children.

Rossi’s documentary captures the drama. In one instance, one member of the Coast Guard receives a desperate call from a woman who is pleading for help. Time is of the essence; if the Coast Guard does not get to them immediately, they will drown.

Rossi’s documentary shows the migrant drama unfolding next to the quiet lives of unassuming islanders.

In an interview with VOA, Rossi said that these two communities, the islanders and the migrants, never meet. He says he wanted to show Lampedusa not only as an actual place of migration but also as a metaphor of what’s happening in the world. “Two forces that barely touch each other, and they never meet,” he says.

Migrants sit outside the immigration center on the southern Italian island of Lampedusa Feb. 19, 2015.

Migrants sit outside the immigration center on the southern Italian island of Lampedusa Feb. 19, 2015.

Samuele is the focus

He centers his film on Samuele, a Sicilian boy living on the island. A professed hunter among seafaring people, Samuele is hunting birds, pointing his imaginary automatic rifle to the skies and shooting unseen enemies, training his expert slingshot on hapless cacti. Rossi likens him to a humanity that has not yet reached maturity. Samuele is exuberant and destructive but also tenacious and introspective when he is called to train his lazy eye by covering the good one.

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“Samuele is a constant metaphor. The little kid is a coming-of-age film, the capacity of this little kid to face life. The anxiety of Samuele is our own anxiety. The wonder of Samuele is our own wondering. The lazy eye of Samuele is our lazy eye.”

Voice of reason

On the other end of the spectrum is a doctor, Bartolo. As the only physician on the island, Bartolo is the person in which the two worlds meet. He examines every single refugee coming to Lampedusa and confirms the dead. Bartolo is the film’s voice of reason and compassion. He decries the indifference of the world toward such humanitarian crises.

“All this leaves you so angry. It leaves you with emptiness in your gut, a hole,” he says.

The refugee crisis is also at the center of Matziaraki’s 4.1 Miles. The film chronicles around-the-clock rescue missions off the Greek island of Lesbos. Kyriakos, a member of the Greek Coast Guard and the main character in the story, says that he and his team are called to rescue 200 people per hour.

Kyriakos a quiet hero

According to the film, in 2015 and 2016, 600,000 migrants crossed the 6.1 kilometers — 4.1 miles — of water between Turkey and Lesbos.

Matziaraki’s documentary is visceral. Often shooting with cameras attached to rescuers’ heads so that we experience the moment-to-moment rescue, she conveys how every second of pulling someone out of the water makes a difference between life and death.

Kyriakos is a modern-day hero, quiet, collected, but also dismayed by what he has witnessed. The camera often closes in on his tired face, describing what we cannot see. 4.1 Miles is also more openly critical than Fire at Sea of the world community that, as the inhabitants of Lesbos say, has abandoned both islanders and refugees.

“I was proposing Lampedusa and Lesbos for the Nobel Prize, you know,” says Rossi during his VOA interview. “These two special islands in the middle of nowhere that welcome migrants from all over the world.”

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Focus on refugees’ ordeal

He has arrived in our Los Angeles studio straight from the airport, after a 17-hour flight from Japan. Talking about the recognition of his film by the Academy, Rossi says, “The idea that we brought the Sea of Lampedusa to the desert of California was an incredible arrival for me because ultimately migration is a transverse tragedy. The Sea of Lampedusa is the desert of California. People here die in the desert as much as people die crossing the water in order to reach freedom.”

Rossi hopes Fire at Sea helps bring awareness about the refugees’ ordeal.

“There is a voice in my film, at a certain point, of migrants. They ask for help: ‘Please help! Help!’ They are dying in the middle of the sea, and the Coast Guard asks, ‘What’s your position? What’s your position?’ This is a very important moment. I wanted to reverse this and have people ask themselves, ‘What’s my position towards this tragedy? Where do I stand?’ This is what I want the film to do.”(VOA)

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