Saturday November 16, 2019
Home India A stellar lin...

A stellar line-up at Indian Film Festival of Los Angeles (IFFLA 2016)

0
//
Image source: youtube.com

Mumbai: An eclectic line up of 27 films (16 features and 11 shorts) is announced to be screened at the Indian Film Festival of Los Angeles (IFFLA) held at ArcLight, Hollywood in Los Angeles. The festival is famous for showcasing groundbreaking Indian cinema in the global limelight.

This year will be IFFLA’s 14th edition slated to be held from 6 to 10 April 2016.

IFFLA is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture. It showcases and promotes films which pertain to the diverse perspectives of the Indian diaspora.

Filmmaker and four-time IFFLA alum Pan Nalin’s powerful Angry Indian Goddesses is set to be the show opener with Anu Menon’s poignant ‘Waiting’ closing IFFLA as a North American premiere on April 10.

‘Waiting’ stars Bollywood veteran actors Naseeruddin Shah and Kalki Koechlin.

Apart from that, three films- CRD by Kranti Kanade, Babu’s Dilemma by Collin D’Cunha, and Anurag Kashyap produced Mochi (The Cobbler) by Saqib Pandor will have their world premiere along with be two North American premieres, and ten US premieres.

The five-day festival will see prominent presence of female filmmakers which includes:  Deepa Mehta’s gangster drama Beeba Boys; Leena Yadav’s Parched, a piercing examination of India’s patriarchal culture through the stories of four women; Ruchika Oberoi’s genre-bending triptych, Island City; and Rinku Kalsy’s documentary For the Love of a Man, about the fierce devotion shared by South-Indian superstar Rajinikanth’s fans; and in the shorts program, Payal Sethi’s Leeches, Megha Ramaswamy’s Bunny, Pritha Chakraborthy’s Ashrut (Silent Voices) and Sonejuhi Sinha’sLove Comes Later, among other lineups.

Two bold statement films with LGBT titles- Hansal Mehta’s politically-charged Aligarh and the short Daaravtha (The Threshold) by Nishant Roy Bombarde will also be featured.

The ‘shorts program’ category includes an impressive directorial debut, Mochi (The Cobbler) by Saqib Pandor, premiering globally. Anuj Gulati’s The Manliest Man with its North American premiere is a bold tale revealing the vision of this emerging director.

Attendees to be present among celebrated filmmakers include Bhaskar Hazarika (Kothanodi), KrantiKanade (CRD), Hansal Mehta (Aligarh), Prashant Nair & Swati Shetty (Umrika), Pan Nalin(Angry Indian Goddesses),Ruchika Oberoi (Island City), Q (Brahman Naman) and Leena Yadav (Parched).

Christina Marouda, Founder of IFFLA said: “India’s independent filmmakers are taking bold risks, defying convention, and responding to injustice in each of these visionary films, and the results are breathtaking.”

The Director of Programming, Mike Dougherty, adds, “I’m extremely excited for our Los Angeles audience to experience these films, which have garnered raves from around the world, or are making their world premieres with us.”

The five-day festival is for premiering cutting-edge global Indian cinema along with bridging the gap between the two major powerhouses of entertainment industries in the world – Hollywood and India. (Inputs from Agencies)

Next Story

Anil Kapoor: I Need To Learn How To Go Easy On Myself

Actor Anil Kapoor says that he needs to learn to go easy on himself

0
Actor Anil Kapoor
Anil Kapoor says that he has always been his worst critic. Wikimedia Commons.

After four decades in Bollywood, Anil Kapoor feels he needs to learn how to go easy on himself, and that is his biggest challenge. The actor says he has always been his worst critic.

Anil entered the industry with a small role in 1979 with Umesh Mehra’s “Hamare Tumhare”, and then went on to carve his niche by balancing his stature as a respectable actor and his popularity as a saleable star, with performances including “Woh 7 Din”, “1942: A Love Story”, “Mr. India”, “Tezaab”, “Ram Lakhan”, “Lamhe”, “Beta”, “Taal”, “Nayak: The Real Hero” and “Pukar”.

At 62, he has managed to keep himself relevant in the forever fickle world of Bollywood showbiz, and his fit and sprightly persona defies his age. Anil insists his constant struggle is to go easy on himself.

“I’ve always been hard on myself and I’m always my own worst critic. So my biggest challenge continues to learn to go easy on myself and to let go when I need to,” Anil told IANS.

He says his career goals continue to be the same as they were all those years ago, when he was starting out.

“Strangely enough, my goals haven’t changed much! I’m a simple man with a simple plan — to be better than I was yesterday. So that’s what I continue to strive towards,” said the actor.

Anil Kapoor
Anil Kapoor feels that Cinema is the most engaging way in which stories are told. Wikimedia Commons

If anything, he has managed to stay relevant by experimenting with his craft and subjects, as trends changed in Bollywood over the past 40 years.

There have been the international forays, too. He featured in Danny Boyle’s Oscar-wiing global blockbuster “Slumdog Millionaire”, and also worked in “24”, “Mission: Impossible – Ghost Protocol” and “Family Guy”.

His versatility is proved by the fact that he was equally at home in these international projects as he was in out-and-out Bollywood outings as “No Entry”, “Welcome”, “Race”, “Dil Dhadakne Do”, “Mubarakan”, “Fanney Khan”, “Ek Ladki Ko Dekha Toh Aisa Laga” and “Total Dhamaal”.

“I’ve always believed that change is the only constant. So, I have let life and opportunities change me along the way, in the most organic ways possible. The only thing that hasn’t changed is the passion I feel for my work,” said the actor, who recently became part of a panel discussion by Royal Stag Barrel Select Large Short Films in Kolkata to decode “what makes films powerful”, as part of a six-city tour.

Royal Stag Barrel Select Large Short Films brings stars together to talk about the power of cinema and the short film genre. The panel discussion in Kolkata was moderated by Anupama Chopra, and also included Rakeysh Omprakash Mehra, Vinay Pathak, Sheetal Menon, Bejoy Nambiar and Niranjan Iyengar.

“Cinema is perhaps the most engaging way in which stories are told and shared”, he said, adding: “And stories have always had the power to shape minds and lives.”

The actor points out that power comes with a sense of responsibility.

Anil Kapoor
Anil Kapoor along with ‘Shootout at Wadala’ cast at a promotional event. Wikimedia Commons

“Anyone in a position to influence minds and hearts has a responsibility towards the people they are reaching. Not everyone is fortunate enough to have the right platform and a mouthpiece to communicate with the world, so when you do, it comes with the duty to be mindful of the message you’re sharing and affirming,” said the father of three.

Anil will be back on the big screen in Anees Bazmee’s “Pagalpanti”, with whom he has in the past worked in “No Entry”, “Welcome”, “No Problem”, “Welcome Back” and “Mubarakan”.

Also Read- Talent Is Gender Neutral: Nawazuddin Siddiqui

“Pagalpanti” also stars John Abraham, Arshad Warsi, Pulkit Samrat, Ileana D’Cruz, Kriti Kharbanda, Urvashi Rautela and Saurabh Shukla, and is slated to release on November 22.

The film is produced by Bhushan Kumar and Krishan Kumar’s T-Series and Kumar Mangat Pathak and Abhishek Pathak’s Panorama Studios and co-produced by Vinod Bhanushali, Shiv Chanana, Aditya Chowksey and Sanjeev Joshi. (Bollywood Country)