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Ancient Angkor Temple of Cambodia back to life

North Korean painters revive Angkor Temple.

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  • Paintings of Angkorian Empire by North Korean painters have been exhibited at the Angkor Panorama Museum near Angkor Wat temple
  • North Korea spent $24 million and four years building the nearly 6,000-square-meter museum, which rises to an imposing height of 35 meters.
  • The museum was built in the spirit of cultural promotion, friendship and cooperation rather than income generation.
  • There is some controversy as to why North Korea would be interested in such a project.

The Angkor Wat temple in Cambodia gets a museum for itself due to North Korean investors. North Korea decided to build a museum for the Angkor Wat temple which would have painters from North Korea depicting the trees, plants and huts in a three-dimensional way. It has murals depicting thousands of warriors and artisans at war and work in the Angkorian Empire. Here is a story from VOA:

Welcome to North Korea’s Angkor Panorama Museum in Siem Reap, Cambodia, a joint venture between the Cambodian government and North Korea’s long-established Mansudae Art Studio,open since December.

The mural, which took 63 painters from North Korea’s most famous school of political artistry two years to complete, is so captivating that some visitors quietly question its authenticity, wondering aloud if it isn’t some sly video projection.

 

“Amazing! I can see everything…just sitting here in one place you can see everything,” said Keo Samoun of Cambodia’s Banteay Meanchey province.  Viewing the art after a stop at Angkor Wat and Bayon Temple, she said the museum helps place the temples in a historical landscape.  “It’s easier to visit the museum than some of the far-flung temples dotting the province,” she added.

“I have never seen anyone paint anything like this,” said Thoam Manun Tho, a Buddhist monk. “Amazing. Absolutely amazing!” he exclaimed, violating museum decorum by loudly invoking one of the viewing platform’s most commonly overhead refrains.

In the Angkor era

Known for doing things on a vast scale, Mansudae was founded in 1959 to extol the revolutionary virtues of North Korea and its ruling family.

“With a labor force of approximately 4,000 people, 1,000 of which [are] artists, and an area of over 120,000 square meters, 80,000 of which are indoor, the Mansudae Art Studio is probably the largest art production center in the world and by far the largest and most important of the country,” the Pyongyang-based studio’s website says.

Angkor Wat temple. Image source Wikimedia commons
Angkor Wat temple. Image source Wikimedia commons

Part of Mansudae’s overseas expansion, a bid to raise foreign capital for the isolated regime of Kim Jong-un, the Angkor Panorama Museum offers a Socialist-Realist glimpse back to a time when Khmer warriors battled with spears, swords and huge fighting elephants. The empire also built stunning temples, now UNESCO World Heritage sites.

https://www.youtube.com/watch?v=3W__Ks89Y9U

“[Visitors] feel as if they are right there during the Angkor era,” Yit Chandaroat, museum vice executive director, told VOA Khmer. “They feel as if they are with the people selling vegetables [or] those on the fighting elephants in the painting.”

A visit to the museum should precede tours of the nearby temples, Chandaroat said, as more than 40,000 images of ancient warriors, artisans, farmers and animals help place those structures in a richer historical context.

Ticket sales and nuclear weapons

North Korea spent $24 million and four years building the nearly 6,000-square-meter museum, which rises to an imposing height of 35 meters.

Pyongyang’s decision to invest in Siem Reap was an act of fraternity between old friends, Chandaroat said.  According to the contract, North Korea would completely reclaim its $24 million investment over a 10-year period.

Carvings from Angkor Wat temple. Image source Wikimedia commons
Carvings from Angkor Wat temple. Image source Wikimedia commons

At least, that was the plan. The 10-year recovery period for the initial investment was recently deemed too ambitious, and North Korea is not likely to see its original investment returned until the second 10-year contract, said Chandaroat, who is also a senior official at the Cambodian government entity managing the Angkor Archeological Park.

The museum and its painted panorama are slated to become fully owned by Cambodia under the agreement within 20 years.

Chandaroat denies links between museum ticket sales and funding for North Korean weapons of mass destruction.

Thai Norak Sathya, Secretary of State for Cambodia’s Ministry of Culture and Fine Arts, says the museum was built in the spirit of cultural promotion, friendship and cooperation rather than income generation.

“The North Korean company came to build the museum because of historical relations of the king with the country,” Thai Norak Sathya told VOA. “Let me tell you that the North Korean company completely abides by the technical condition and Khmer style of art. So, it is not the nature of this business to generate income.”

Foreign visitors turn up their noses

For now, one of the profitability issues facing museum officials is that 90 percent of visitors are Cambodian. Foreign tourists, who bring much needed hard currency to Siem Reap’s economy, have been prone to dismiss the museum.

English tourists Sarah and Ashley say they’ve traveled too far just to see a mere painting of the Angkor temples.

“I am quite surprised that they invested so much outside North Korea,” said Sarah, who only gave her first name.

“I want to see the real things. That is what I am here for,” Ashley added. “That is what we are going to do today. I am not interested to go to the museum.”

 

“I am not aware of what’s inside,” Christelle Bimar, a French tourist said, sitting in a wheelchair in the shade of a palm tree in front of Angkor temple. She was unaware of the panorama museum but had already visited the Angkor Wat temple despite of her left leg broken. “But, yes, I think Angkor and Siem Reap deserve to have many more museums,” she added.

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Siberian Caves Provide New Insight Into Mysterious Extinct Human Species

New fossils would be especially welcome, as we know almost nothing about the physical appearance of Denisovans, aside from them having rather chunky teeth.

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Siberia
The entrance to Denisova Cave, which contains evidence of previous habitation by extinct human species, in the Anui River valley in the Altai mountains of Siberia, Russia, is shown in this image released on Jan. 30, 2019. VOA

Scientists using sophisticated techniques to determine the age of bone fragments, teeth and artifacts unearthed in a Siberian cave have provided new insight into a mysterious extinct human species that may have been more advanced than previously known.

Research published Wednesday shed light on the species called Denisovans, known only from scrappy remains from Denisova Cave in the foothills of the Altai Mountains in Russia.

While still enigmatic, they left a genetic mark on our species, Homo sapiens, particularly among indigenous populations in Papua New Guinea and Australia that retain a small but significant percentage of Denisovan DNA, evidence of past interbreeding between the species.

Fossils and DNA traces demonstrated Denisovans were present in the cave from at least 200,000 to 50,000 years ago, and Neanderthals, a closely related extinct human species, were present there between 200,000 and 80,000 years ago, the new research found. Stone tools indicated one or both species may have occupied the cave starting 300,000 years ago.

Fossil
Bone points and pierced teeth, sampled for radiocarbon dating from the early Upper Paleolithic layers of Denisova Cave in Siberia, Russia, are shown in this photo provided Jan. 30, 2019. VOA

Scientists last year described a Denisova Cave bone fragment of a girl whose mother was a Neanderthal and father a Denisovan, evidence of interbreeding. The girl, nicknamed “Denny,” lived around 100,000 years ago, the new research showed.

Pendants made of animal teeth and bone points from the cave were determined to be between 43,000 and 49,000 years old. They may have been crafted by Denisovans, suggesting a degree of intellectual sophistication.

“Traditionally these objects are associated in Western Europe with the expansion of our species, and are seen as hallmarks of behavioral modernity, but in this case Denisovans may be their authors,” said archaeological scientist Katerina Douka of the Max Planck Institute for the Science of Human History in Germany.

Our species arose in Africa roughly 300,000 years ago, later spreading worldwide. There is no evidence Homo sapiens had reached Denisova Cave when these objects were made.

Denisovans are known only from three teeth and one finger bone.

Also Read: U.S. Sponsored Event Promoting Fossil Fuels Disrupted by Protesters

“New fossils would be especially welcome, as we know almost nothing about the physical appearance of Denisovans, aside from them having rather chunky teeth,” said geochronologist Zenobia Jacobs of the University of Wollongong in Australia.

“Their DNA in modern Australian Aboriginal and New Guinean people tantalizingly suggests they may have been quite widespread in Asia, and possibly even southeast Asia, but we need to find some hard evidence of their presence in these regions to flesh out the full story of the Denisovans,” added University of Wollongong geochronologist Richard “Bert” Roberts.

The research was published in the journal Nature. (VOA)