Pennsylvania, October 11, 2017 : Being in a relationship comes with its own set of worries and setbacks. While trust is the foundation of every relationship, it is not that easy to believe everything that your partner says or does. Do you have doubts about their intentions? Do you tumble and toss all night wondering if your partner is cheating on you? Just listen to them speak.
According to a new report published in the journal Evolutionary Psychology, you can detect infidelity by the way your partner sounds.
Researchers from the Penn State University and Albright College recently conducted an interesting experiment to trace and address the relationship between speech and infidelity.
To decode a relationship between speech and infidelity, the researchers recorded the voices of men and women reading the numbers 1 to 10. This group of people included heterosexual, unmarried individuals who were or had been in committed relationships. Half of the volunteers admitted to have had sex outside their relationships, while the other half claimed to have been loyal throughout.
Assuming that the participants were telling the truth, the volunteers now comprised a group of cheaters and non-cheaters; however, no evident distinction was made between the two groups
Next, another group of volunteers were exposed to these audio recordings who were then asked to rate the likelihood that each speakers had cheated on their partner.
Is My Partner Cheating On Me?
Here is what the research found
Shockingly, the study revealed that the volunteers were successfully able to identify the cheaters based on their voice alone.
To maintain authenticity, the researchers also manipulated the pitch of the volunteers’ samples and regardless speakers were still able to assess their infidelity.
‘These findings expand upon the idea that the human voice may be of value as a cheater detection tool and very thin slices of vocal information are all that is needed to make certain assessments about others’, the researchers said, as quoted by The Daily Mail.
What Can Voice Reveal About Cheating Partners?
While the researchers agree that they cannot specifically point out the features of the voice that leads an individual to make this assessment, they agreed that a lot can be revealed by the pitch of a person.
The experiment also found that extroverts had few silent pauses and greater voice quality, which motivated an individual to make an assessment of infidelity. According to the study, “masculine males tend to display less clarity in their speech and show phonetic patterns indicative of masculinity, which in turn could be associated with infidelity threat.”
So, you have been speaking to your partner and still haven’t found a difference in his tone or pitch. But somehow your faith in your significant other and the relationship is faltering now. And all you can wonder is,
Vermont, September 30, 2017 : What if we tell you that a team of researchers has recognized and named 15 new species of spiders in the Caribbean after your favorite stars like Leonardo DiCaprio, Barack Obama and Bernie Sanders?
Not in Hollywood, Washington, DC or Vermont – but you might now be able to catch a glimpse of Spintharus davidattenboroughi, S. barackobamai, S, michelleobamaae, S. berniesandersi, S. davidbowiei along with S. leonardodicaprioi on the Caribbean islands and some other southern spots.
Ingi Agnarsson, expert of spiders and professor of biology at University of Vermont, who led the new study revealed the rationale behind the undergraduate study and on choosing the intriguing names. “(We) wanted to honor people who stood up for both human rights and warned about climate change—leaders and artists who promoted sensible approaches for a better world”, he said.
Popularly recognized as a global hotspot for biodiversity, there continues to be several species in the Caribbean that are outside the spectrum of research and study. This includes the ‘smiley faced’ spider in the genus Spintharus- named for a smiley face pattern on their abdomens.
Previously recognized as one widespread species, researchers from the UVM discovered that there exist many more endemic species within the genus, 15 of which have been recognized in the research.
These samples were collected from Florida, South Carolina, Mexico, the Dominican Republic, Puerto Rico, Cuba, Jamaica, Mexico, the Lesser Antilles and Columbia.
Each team member got to decide names for the new species of spiders. Alongside naming them after friends and family members, many species have been named after distinguished figures.
“We all named the Bernie Sanders spider together,” said Lily Sargeant, one of the students who worked on the project. “We all have tremendous respect for Bernie. He presents a feeling of hope.”
Named after the great artist David Bowie, who passed away in 2016. His music will continue to inspire generations and the authors decided to honor his legacy by naming a spider in his name.
Named after the widely popular, and largely loved, former President of the United States Barack Obama. The authors love him for his statesmanship and humanitarianism, and named the spider species after him, to honor their president and his devoted service.
Named in honor of the Former First Lady of the United States for her poise, confidence and elegance, her fight for human rights and for always striving to uphold the principles of justice, fairness and equality for all.
The authors of the research also named a species of spiders after the naturalist and broadcaster Sir David Attenborough, to recognize and celebrate his efforts to educate people of the wonders of the natural world and sowing a seed of caring for nature in humanity.
The study has been published in the Zoological Journal of the Linnean Society.
“The Battle of the sexes” starring Emma Stone and Steve Carell talks about issue of gender equality- in both pay disparity and directing opportunity
It’s a great thing for the filmmakers to have what is usually a pretty film-oriented, film-loving audience
The filmmakers say they are expecting a variety of opinions in any one audience at Toronto International Film Festival
New York, USA, September 7, 2017: Few institutions in cinema can match the teeming, overwhelming Toronto International Film Festival as a conversation-starting force. It simply has a lot of movies worth talking about.
And this year, many of the films that will parade down at Toronto International Film Festival’s red carpets will hope to shift the dialogue not just in terms of awards buzz, but in other directions, too: equality in Hollywood; politics in Washington; even about nature of the movies, themselves. At TIFF, expect debate.
That’s what the filmmakers behind “The Battle of the Sexes,” one of the anticipated films heading to Toronto International Film Festival in the coming days, are hoping for. After the festival opens today with another tennis movie, the rivalry drama “Borg/McEnroe,” at Toronto International Film Festival with Jonathan Dayton and Valerie Faris (the directing duo who helmed 2006’s “Little Miss Sunshine”) will premiere their drama about the 1973 showdown between Billie Jean King and Bobby Riggs.
The movie, starring Emma Stone and Steve Carell, holds obvious parallels for a movie industry with its own issues of gender equality, in both pay disparity and directing opportunity. For others, it will recall issues that dominated last year’s U.S. presidential campaign. But “Battle of the Sexes” may surprise moviegoers in its broad sympathies on both sides of the net.
“The one thing we didn’t want to have happened was this polarizing political document,” said Dayton. “Right now, there’s enough of that in the world. We wanted to tell a more personal story and keep it from becoming too binary.”
The filmmakers say they are expecting “a variety of opinions in any one audience” at Toronto International Film Festival.
“It’s really the best way to release a film, at a festival like Telluride or Toronto,” said Faris. “It’s a great way to get the word out about a film. It’s a great thing for the filmmakers to have what is usually a pretty film-oriented, film-loving audience. It gives you hope that they’re still out there.”
The Toronto International Film Festival comes right on the heels of the Venice and Telluride festivals, but the size and scope of Toronto have long made it the centerpiece of the fall movie season. It’s where much of the coming awards season gets handicapped, debated and solidified. It’s also a significant market for new films, and this year several intriguing films — “I, Tonya,” with Margot Robbie as Tonya Harding, and “Hostiles,” a brutal Western with Christian Bale — are on the block.
But most eyes will be on the gala premieres of the fall’s biggest films at Toronto International Film Festival, including Alexander Payne’s “Downsizing,” Guillermo Del Toro’s “The Shape of Water,” George Clooney’s “Suburbicon,” and maybe the most explosive movie of the season, Darren Aronofsky’s mystery-shrouded allegorical thriller “mother!”
It can be a competitive landscape, with dozens of daily movie premieres and their respective parties, all trying to stand out. But several first-time directors may end up stealing the spotlight at Toronto International Film Festival. Greta Gerwig’s “Lady Bird” will sail into Toronto on waves of rave reviews from Telluride. Aaron Sorkin, arguably the top screenwriter in Hollywood for two decades, will present his directorial debut, “Molly’s Game.”
Sorkin didn’t initially anticipate he’d direct his script. But he became, he says, obsessed with the story of Molly Bloom (Jessica Chastain), the former elite skier who was indicted for running a high-stakes poker game in Los Angeles. It’s a potentially career-redefining movie for Sorkin — and he’s appropriately anxious.
“I’d feel the same way if we were launching it in Wyoming. I’m nervous because other than test audiences, this will be the first time people see it,” said Sorkin. “The Toronto Film Festival is a very prestigious place to debut a film, so I’m aware of the company I’m in and what’s expected in the movie. It will be up to others to decide if it delivered.”
“The Disaster Artist” poses a similar turning point for its star and director, James Franco. It’s about the making of what’s widely considered one of the worst movies ever made — the cult favorite “The Room,” by Tommy Wiseau. Franco, who plays Wiseau, considers it a new step for him as a filmmaker and says the film’s parody is laced with affection.
“The characters are outsiders. They are weirdos,” said Franco. “But everybody can relate to having a dream and trying to break into this incredibly hard business.”
The film will premiere to a surely raucous audience at a midnight screening. Franco, who first saw “The Room” with an especially excitable Vancouver audience, expects it to be the perfect debut for his film: “Canadians know how to do ‘The Room.”’
“The Disaster Artist,” which A24 will release in December, might give TIFF what “La La Land” did last year — a happily escapist movie about Hollywood. Other films will tackle less comic real-life tales, including Angelina Jolie’s searing Cambodia drama “First They Killed My Father,” the Winston Churchill biopic “Darkest Hour,” with Gary Oldman; and the documentary “The Final Year,” about the last year of Barack Obama’s administration.
Cameron Bailey, artistic director of the festival, said Trump’s presidency “was not a factor in the films we selected,” though he expects it to color the reception of many.
“Some of them will be received with the current political climate in mind,” said Bailey. “One of the things I think you learn from films like (the Watergate drama) ‘Mark Felt’ and (the Ted Kennedy drama) ‘Chappaquiddick’ and others that we have here is that the process of politics is not a pretty one. It involves a lot of conflicted motives, shall we say.”
And who better to make sense of the current political landscape than Armando Iannucci (“Veep,” “The Thick of It”), the master of rapid-fire political farce. In his second feature film, “The Death of Stalin,” he travels back to 1950s Russia only to find an expectedly timely tale of the madcap machinations of political power.
“It is bizarre, isn’t it? When I started showing it to people in January and February earlier this year, people said it resonated with Trump and Putin and fake news,” said Iannucci. “It is about autocracy. It is about what happens when democracy falls apart and one person decides everything. I’m kind of glad it does resonate now. But am I pleased?” (VOA)