Friday November 22, 2019

British filmmaker zooms camera on blind Indian chess players

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New Delhi: The world of visually challenged but skilled and calculative chess players in India enraptured Britain based sociologist and filmmaker Ian McDonald to such an extent that he captured their lesser known lives in his documentary “Algorithms”, releasing across India on Friday.

“Blindness is not so much a disability, just an alternative way of existence. It is a more humane world,” McDonald told IANS in a telephonic interview from Chennai, where a special screening of the film was held with an audio-described theatrical preview.McDonald, who was himself a chess player, said the idea for the film was born out of “sheer curiosity”.

ian
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“I came across a newspaper report, which talked about blind children playing chess. I carried the newspaper report for two years and we did more research, and we contacted Charudatta Jadhav, the general secretary of the All India Chess Federation for the Blind.
“He invited us to the national blind chess championship in Mumbai in January 2009 where I saw hundreds of blind and visually impaired chess players playing. That’s why I thought to make a film on this subject,” he said.

The film, whose shooting began in 2009, culminated over a period of three years, said McDonald.

“January 2009 was the first shoot and then we invested three years into it. The last shoot was in January 2012. After three years, 250 hours of footage, we have a final product, which is a 100-minute film,” he added.

McDonald also stated that “Algorithms”, which was first premiered in India at the International Film Festival in Goa in 2012, is “very much an Indian film”.

“We took it to international festivals. We got selected in 30. It picked up quite a few awards and now we are bringing it to India again,” he said of the movie, which is being released in theaters across Delhi, Mumbai, Bangalore, Chennai, Hyderabad and Kochi by PVR Director’s Rare.

Talking about his experiences with the blind chess players while shooting the film, McDonald said: “I don’t direct, I don’t take interviews, I just capture the events as they unfold. I spend enough time with my subjects so that I can capture the drama. Even though they are aware of my presence, they are less conscious of the camera. They have a realistic response.”

As a filmmaker, McDonald believes he is “dependent” on technology, but the blind people are not.

“I’d follow them in hotel rooms, which would be poorly lit. And I needed lights for the shoots. To that, they would say, ‘That’s your problem, Ian. We don’t need light, you are the disabled one’,” he said.

“As a filmmaker, I am dependent on technology, but they are not. This was a revelatory moment. Of course it is a disability. We use technology to empower us, to overcome our inabilities. If the same technology would be used for the blind people, then I don’t see how they can’t participate in society,” he added.

(IANS)

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Cricket, a Way of Life

One of the renowned cricket writers C.L.K. James summed it up perfectly, "What do they know of cricket who only cricket know"

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Cricket, Life, British
Cricket writers around the world have eulogised not only the masters who played the game, but also the surroundings and the people following it too. Wikimedia Commons

BY YAJURVINDRA SINGH

Cricket, as one popularly terms it, is a way of life. The British established the game in every corner that they were present and made it into an elite sport. The famous saying, “cricket is a game for a real live man, keep fit little man, keep fit”, sums it up beautifully.

The pace and harmony with which it was played was similar to a musical symphony, wherein one was relaxed to enjoy every note or stroke in cricketing terms. Cricket writers around the world have eulogised not only the masters who played the game, but also the surroundings and the people following it too. One of the renowned cricket writers C.L.K. James summed it up perfectly, “What do they know of cricket who only cricket know”.

Cricket has evolved over times from the ‘play to finish’ to a five-day Test match. The customer, in this case, the spectator, as one commonly refers to in marketing jargon, as the king, has been at the center stage of the way the game has changed over the years. The paucity of time and the pace of life has played a major part in changing the tide of the royal game.

Test cricket, fortunately, is still revered amongst the cricketers and serious cricket followers as the ultimate form of the game, but this is changing rapidly in the fast pace digital world of today. Cricket is not just a sport anymore but has become the source of entertainment in the same vein as an action packed movie or an exciting event. Test cricket is gradually receding into a test of time and resilience, patience and endurance which is respected by fans and the people playing it has now given way to flamboyance, aggression and stardom.

Cricket, Life, British
The pace and harmony with which it was played was similar to a musical symphony, wherein one was relaxed to enjoy every note or stroke in cricketing terms. Wikimedia Commons

A cricketer is now more inclined to be known for his hitting rather than for his technique. Cricketers, as one sadly gathers, are now more focused on playing the shorter limited overs format of the game, rather than in acquiring skills to play Test cricket for their country. The only way forward, is to recognize an Indian cap, only when one plays Test cricket, maybe this would incentivise the upcoming cricketers to get serious about the conventional form of the game. An Indian cap for a T20 or an ODI player should not be given the weightage and aura of a Test cap.

Unfortunately, time and tide waits for no man. The show must go on and so cricket in any form is better than nothing at all. One can feel the cause of worry, when the modern master of cricket, Sachin Tendulkar, a quiet observer at most times, speak vehemently about the changes required for the progress of the game. The 50-overs cricket, which boasts of the aspiration of every modern day cricketer “The World Cup”, he feels, needs to be altered not only to suit the spectators but also for the benefit of the teams and the players.

A 25-overs per 2 innings is a fabulous idea as the present game of the 50 overs version has become boring between the 15th and 40th overs. The fielding side, at most times, is left to play defensive cricket, whereas, the batsmen need very little skills to accumulate runs. Breaking that monotony is a good way to keep cricketers and their support staff on their toes and gives the spectators a change of scene as well. The most important aspect is that it gives both the teams a more equal opportunity of the conditions during the match. I feel this should be tested in the Indian domestic scenario as quickly as possible.

T20 format is now easily the most popular version of the game. However, one can see that this format is also gradually losing out to the T10 and the 100 balls per side matches. The tide is changing very rapidly towards cricket becoming a home-run sport, enjoyed by one and all, for only hitting boundaries. The T20 could in the near future soon become a two innings encounter of 10 overs each.

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One’s only worry is that the very characteristics and the core values of the game of cricket are being gradually disturbed to cater to the commercial advantages of all the stakeholders involved in the game. One cannot see that as unreasonable, but the very essence of why and how the game was being played is giving away to the hit and run ways of today’s world.

A cyclone is brewing to uproot the very base of pure cricket which has stood like a pinnacle of glory over a century of time. They say “a rose by any other name would smell just as sweet”, and one hopes that cricket too lingers on in the same way in its new avatar. (IANS)