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Coolie Woman -story of woman struggles during Migration

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New Delhi: Coolie Woman is the story of a young woman who sailed all the away from India to Guiana as a ”coolie”. British had coined this term for the indentured laborers who worked as slaves on sugar plantation around the world.
The protagonist in the book is pregnant and traveling alone and like many others, her story has faded in past. Gaiutra Bahadur, the writer, and great-granddaughter of the woman, is on a journey to find her. During her expedition through three continents and uncounted colonial archives, she finds the lost stories of million other women like her great-grandmother who were widows, runaways or outcasts.
Coolie woman is the story of survival. It is the story of the beginning of the Indian culture existing today in the Caribbean islands.
Coolie Woman was published in 2013 in the US, UK, India, Caribbean and South Africa. The book was shortlisted for the UK’s Orwell Book Prize and was the winner of 2014 Gordon K and Sybil Lewis Prize for the best book about the Caribbean.
Writer Gaiutra Bahadur is an award-winning American journalist. She writes on the issue of migration and gender. Her many articles have been published at various places New York Times, Washington Post and The Observer.
The book Coolie woman is available on Amazon. com.

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#MeToo Movement Shows The Decaying Soul of India: Mahesh Bhatt

These are larger issues. The soul of the country is decaying. We are far away from what we claim to be. And cases like this only put spotlight on that," added the director

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Nana Patekat, Metoo, Women
#MeToo movement shows India's soul is decaying: Filmmaker Mahesh Bhatt

On the one hand, Indians bow down to a goddess to pray and on another some people violate women. This dichotomy in India is creating a mess of things, says filmmaker Mahesh Bhatt, who feels Indians are far from what we claim to be.

“The #MeToo movement cannot be resolved through the court of public opinion. There are people standing up for something. I would say more power to women who scream from the rooftop about something wrong done to them — whether it is after 10 years or 20 or 50… It doesn’t make a difference,” Bhatt told IANS in an interview when he was in the city to promote “Jalebi”.

“You cannot deny the right to individuals to say what they say. But the question is whether the quotes are in sync with the legal system, which is based on a certain understanding. Are they in sync with this so-called enlightened new view that we have? If punitive action is not taken, the cynicism that nothing happens would be reinforced,” he added.

women
The dichotomy is what has made a mess of things.

 

The #MeToo movement in India started in September after Tanushree Dutta recounted an unpleasant episode with veteran actor Nana Patekar on the sets of “Horn ‘OK’ Pleassss” in 2008.

After that, a slew of controversies surrounding Vikas Bahl, Chetan Bhagat, Gursimran Khamba, Kailash Kher, Rajat Kapoor, Alok Nath and Sajid Khan have emerged.

“There is only one thing you can’t use this #MeToo movement for (and that is) settling old relationship issues. You cannot categorise that.

“There is domestic violence which is there between married people or lovers. There can be sexual misconduct which can be tackled legally. But we are talking about sexual harassment which is another case. Women need to handle that very responsibly,” Bhatt said.

The director feels it is time to ask a “deeper question”.

#MeToo, women
Bollywood actress Tanushree Datta presents a creation by designer Sanjeet Anand at the Bangalore Fashion Week in Bangalore, India. VOA

“During Durga Puja, you bow down to the deity which was created by this great story of male gods putting their best to create her so that she can kill the demon to save the world and heaven from the wrath of that demon. It is time to understand that you support the woman and let her retain her dignity or she will perish.

“The question is, ‘Do you really view women in the form of the goddess you worship in the temple’. Because in private life you violate them.”

He said “there is a kind of dichotomy”.

“The dichotomy is what has made a mess of things. We have an idea about ourselves and the reality is quite different from the idea. Look at what you are doing to women. There are issues which cannot be resolved themselves within a time frame of a week, a month or a year.

Nana Patekat, Metoo, Women
#MeToo movement is a movement against sexual harassment and sexual assault. #MeToo spread virally in October 2017. Flickr

“These are larger issues. The soul of the country is decaying. We are far away from what we claim to be. And cases like this only put spotlight on that,” added the director, who has helmed projects like “Arth”, “Saaransh”, “Naam”, “Sadak”, “Junoon” and “Papa Kahte Hain”.

As a film producer, how does he ensure a safe workplace for women?

Also Read: India’s #MeToo Movement Makes The Most Glamorous Industry Its Subject Of Scrutiny

“Human beings are vulnerable to all this and more. But I can only say that you lead by example. You set the tone about what the morality of the house is going to be. I have enough women force. I have my own daughter (Pooja), who is a tough chick. I have my sister who is hands-on. I have my niece.”

“If there is any outrage anywhere, I think there are enough pockets to bring out what is happening,” added Bhatt , who will be back as a director with “Sadak 2”. (IANS)