Chennai, May 23, 2017: Following the success of the first edition of First Clap, a short film contest organized by Moviebuff to unearth budding filmmakers from Tamil Nadu, the plan is to go national with the second edition of the initiative next year.
Beginning December 16, 2016, more than 250 entries were received for Moviebuff’s First Clap contest. Of these, 17 were shortlisted by judges.
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The final five films were selected from public voting via screenings at local theatres supporting the contest as well as scores awarded by the panel of judges associated with the Tamil film industry.
“I am extremely happy for the finalists that they got to realise their dream of watching live audience reactions to their content at the theatres, and get invaluable feedback for them for their future efforts in filmmaking. This whole endeavour would not have been possible without the active support and encouragement of the esteemed theatre owners,” Arvind Ranganathan, CEO of Qube Cinema Technologies, told IANS.
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The initiative was organised in association with Qube Cinema Technologies.
“With the success of this initiative, the next edition of First Clap will be an all-India initiative and we hope to enhance the scope of assistance that Moviebuff will offer to budding filmmakers in the days to come,” he added.
The winners of the contest took home cash award worth Rs. 650,000.
The winning short film “Ival Azhagu” by Vijay Ganapathy received cash prize of Rs 300,000.
The first runner-up and second runner-up short films, which include “Appa Lock” by Pradeep Ranganathan and “Yennanga Sir Unga Sattam” by Prabhu Jayaram, received cash awards of Rs 200,000 lakh and Rs 100,000 respectively.
The fourth and fifth winning short films – “Intha Naal Iniya Naal” by Magesh Balasubramaniam and “Think & Inka by Nattu Dev” – took home cash prize worth Rs 25,000 each.
For the top three winners of the contest, actor Suriya’s production house 2D Entertainment is offering an internship. (IANS)
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On Mahalaya, people throng to the holy river Ganges in order to pay homage to their ancestors and forefathers; which is called ‘Torpon’
Mahalaya remains incomplete without the magical chanting of the scriptural verses from the ‘Chandi Kavya’ that is broadcasted in All India Radio
The magic is induced by the popular Birendra Krishna Bhadra whose voice makes the recitation of the “Chandi Kavya” even more magnificent
Sept 19, 2017: Autumn is the season of the year that sees the Hindus, all geared up to celebrate some of the biggest festivals of India. The festive spirit in the Bengalis all enthused to prepare for the greatest of the festivals, the ‘Durga Puja’.
Mahalaya is the auspicious occasion that marks the beginning of “Devipaksha” and the ending of “Pitripaksha,” and this year it is celebrated on September 19.
Observed exactly a week before the ‘Durga Puja’, Mahalaya is the harbinger of the arrival of Goddess Durga. It is celebrated to invoke the goddess possessing supreme power! The goddess is invited to descend on earth and she is welcomed with devotional songs and holy chants of mantras. On this day, the eye is drawn in the idols of the Goddess by the artisans marking the initiation of “Devipaksha”. Mahalaya arrives and the countdown to the Durga Puja begins!
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The day of Mahalaya bears supreme significance to the Bengalis. The day is immensely important because on this day people throng to the holy river Ganges in order to pay homage to their ancestors and forefathers. Clad in white dhotis, people offer prayers and take dips in the river while praying for their demised dear ones. The ritual is popular as “Torpon”.
As per Hindu myth, on “Devipaksha”, the Gods and the Goddesses began their preparations to celebrate “Mahamaya” or Goddess Durga, who was brought upon by the trinity- Brahma, Vishnu, and Maheshwara; to annihilate the fierce demon king named Mahishasura. The captivating story of the Goddess defeating the demon got popularized with the goddess being revered as “Durgatinashini” or the one who banishes all the evils and miseries of the world. The victory of the Goddess is celebrated as ‘Durga Puja’.
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Mahalaya remains incomplete without the magical chanting of the scriptural verses from the ‘Chandi Kavya’ that is broadcasted at dawn in All India Radio in the form of a marvelous audio montage enthralling the souls of the Bengalis. Presented with wonderful devotional music, acoustic drama, and classical songs- the program is also translated to Hindi and played for the whole pan-Indian listeners.
The program is inseparable from Mahalaya and has been going on for over six decades till date. The magic is induced by the popular Birendra Krishna Bhadra whose voice makes the recitation of the “Chandi Kavya” even more magnificent! He has been a legend and the dawn of Mahalaya turns insipid without the reverberating and enchanting voice of the legendary man.
Mahalaya will keep spreading the magic and setting the vigor of the greatest festival of the Bengalis- the Durga Puja, to worship the supreme Goddess, eternally.
Rameswaram, September 15, 2017 : Off the eastern coast of Tamil Nadu, some 500 km south of Chennai, lies Pamban Island. Seemingly a stone’s throw from neighboring Sri Lanka, this is an island steeped in historical significance, and with some of the most resilient people alive.
One of the longest sea bridges in the country, the iconic Pamban Bridge connects the mainland with the island, also known as Rameswaram Island. With breathtaking views of the Bay of Bengal, the journey to the island over this bridge rewinds one to colonial times, when it was built by the British to improve trade relations with Ceylon (now Sri Lanka).
Built in 1914 as India’s first-ever sea bridge, the 6,700-foot structure is in itself an engineering and historical marvel that has withstood several of nature’s furies — from storms to cyclones.
The bridge initially ran up to the southeastern tip of the island, Dhanushkodi, now a ghost town. After a cyclone hit it in 1964, Dhanushkodi was washed away by the sea and is now a mere skeleton of the town it once was.
Remnants of its railway lines, church and the devastated dwellings of people can still be seen, though in very poor shape.
From the tip of the region, cell phone networks welcome one to Sri Lanka.
Visible from here is the Adam’s Bridge — a former land link between India and Sri Lanka, now undersea — that is also known as Rama Setu, the bridge believed to have been built by Lord Rama’s army to rescue Sita from Lanka.
Nambavel, a 50-year-old, says there can be no other home for him than Dhanushkodi, of pristine waters and picturesque views of the Bay of Bengal. Three generations of his family have lived here. Although the deadly cyclone forced many to migrate to villages around, some 50 families, including Nambavel’s, refused to leave.
“This has been our home for as long as we’ve known. We grew up playing in the sea water, then learnt to make our living through fishing or running petty shops,” Nambavel told this visiting IANS correspondent.
“Even as many people we know migrated to nearby villages, there’s no home like Dhanushkodi for us — the sea is everything,” he said.
With sea levels rising around the world due to global warming, the region is constantly threatened by nature. But that does not deter Nambavel: “Even if another cyclone is close, most of us would like to be here, a land we’ve grown up in.”
Surrounded by sea and sand, the town cannot grow any crops and has no provision for electricity due to the wind velocity in the area. It is only the solar panels, an initiative of late President A.P.J. Abdul Kalam who hailed from Rameswaram, that light up the shacks of the few residents.
With Rameswaram considered one of the holiest places for Hindus, a majority of visitors make temples the focus of their travels.
Aiming to showcase the rich cultural and historical heritage of the island, apart from the much-visited temples, Utsa Majumder, the General Manager of the newly-launched Hyatt Place, Rameswaram, is working extensively on various itineraries that uncover the untrodden places in and around the region.
“There’s a lot more that the Rameswaram Island can offer than just the temples it is mostly known for. We want people to know that Rameswaram can be an experiential destination and not just a pilgrimage spot,” Majumder told IANS.
“From historic places that have stood the test of time to some incredible architecture and engineering like the Pamban Bridge, there’s a lot a tourist can see here,” she added.
The hotel offers these itineraries to travelers according to their interests, allowing them to explore different facets of the region, along with menus that present the cuisines of the land — from kuzhi paniyaram (rice batter dumplings) to kara kozhumbu (a spicy tamarind gravy).
The region also celebrates its much-beloved son Abdul Kalam. His two-storeyed house on Mosque Street is filled with thousands of his books and is always bustling with people.
A Rs 15-crore memorial to India’s “Missile Man”, inaugurated by Prime Minister Narendra Modi on July 27, has also grown rather quickly as a tourist attraction. The memorial houses a copy of the last speech Kalam delivered at IIM-Shillong on July 27, 2015, a number of pictures of his meetings with world leaders, and a host of other objects.
As an island that is yearning to receive a boost to its tourism, even a bottle of water bought from a shack in Dhanushkodi goes towards supporting a family.
Reaching there: Flights to Madurai, the nearest airport, from all major cities. From Madurai, Rameswaram can be reached in 3 hrs 30 min (160 kms) by road.
For the picturesque views from a train, pick one that is available almost every hour to Rameswaram from Madurai Railway Station.
Stay: There are four-star, three-star hotels and smaller lodges in the town.
Best time to visit: October to March as the temperatures drop and stay between 20 to 30 degrees C, making travel easier. (IANS)
“The Battle of the sexes” starring Emma Stone and Steve Carell talks about issue of gender equality- in both pay disparity and directing opportunity
It’s a great thing for the filmmakers to have what is usually a pretty film-oriented, film-loving audience
The filmmakers say they are expecting a variety of opinions in any one audience at Toronto International Film Festival
New York, USA, September 7, 2017: Few institutions in cinema can match the teeming, overwhelming Toronto International Film Festival as a conversation-starting force. It simply has a lot of movies worth talking about.
And this year, many of the films that will parade down at Toronto International Film Festival’s red carpets will hope to shift the dialogue not just in terms of awards buzz, but in other directions, too: equality in Hollywood; politics in Washington; even about nature of the movies, themselves. At TIFF, expect debate.
That’s what the filmmakers behind “The Battle of the Sexes,” one of the anticipated films heading to Toronto International Film Festival in the coming days, are hoping for. After the festival opens today with another tennis movie, the rivalry drama “Borg/McEnroe,” at Toronto International Film Festival with Jonathan Dayton and Valerie Faris (the directing duo who helmed 2006’s “Little Miss Sunshine”) will premiere their drama about the 1973 showdown between Billie Jean King and Bobby Riggs.
The movie, starring Emma Stone and Steve Carell, holds obvious parallels for a movie industry with its own issues of gender equality, in both pay disparity and directing opportunity. For others, it will recall issues that dominated last year’s U.S. presidential campaign. But “Battle of the Sexes” may surprise moviegoers in its broad sympathies on both sides of the net.
“The one thing we didn’t want to have happened was this polarizing political document,” said Dayton. “Right now, there’s enough of that in the world. We wanted to tell a more personal story and keep it from becoming too binary.”
The filmmakers say they are expecting “a variety of opinions in any one audience” at Toronto International Film Festival.
“It’s really the best way to release a film, at a festival like Telluride or Toronto,” said Faris. “It’s a great way to get the word out about a film. It’s a great thing for the filmmakers to have what is usually a pretty film-oriented, film-loving audience. It gives you hope that they’re still out there.”
The Toronto International Film Festival comes right on the heels of the Venice and Telluride festivals, but the size and scope of Toronto have long made it the centerpiece of the fall movie season. It’s where much of the coming awards season gets handicapped, debated and solidified. It’s also a significant market for new films, and this year several intriguing films — “I, Tonya,” with Margot Robbie as Tonya Harding, and “Hostiles,” a brutal Western with Christian Bale — are on the block.
But most eyes will be on the gala premieres of the fall’s biggest films at Toronto International Film Festival, including Alexander Payne’s “Downsizing,” Guillermo Del Toro’s “The Shape of Water,” George Clooney’s “Suburbicon,” and maybe the most explosive movie of the season, Darren Aronofsky’s mystery-shrouded allegorical thriller “mother!”
It can be a competitive landscape, with dozens of daily movie premieres and their respective parties, all trying to stand out. But several first-time directors may end up stealing the spotlight at Toronto International Film Festival. Greta Gerwig’s “Lady Bird” will sail into Toronto on waves of rave reviews from Telluride. Aaron Sorkin, arguably the top screenwriter in Hollywood for two decades, will present his directorial debut, “Molly’s Game.”
Sorkin didn’t initially anticipate he’d direct his script. But he became, he says, obsessed with the story of Molly Bloom (Jessica Chastain), the former elite skier who was indicted for running a high-stakes poker game in Los Angeles. It’s a potentially career-redefining movie for Sorkin — and he’s appropriately anxious.
“I’d feel the same way if we were launching it in Wyoming. I’m nervous because other than test audiences, this will be the first time people see it,” said Sorkin. “The Toronto Film Festival is a very prestigious place to debut a film, so I’m aware of the company I’m in and what’s expected in the movie. It will be up to others to decide if it delivered.”
“The Disaster Artist” poses a similar turning point for its star and director, James Franco. It’s about the making of what’s widely considered one of the worst movies ever made — the cult favorite “The Room,” by Tommy Wiseau. Franco, who plays Wiseau, considers it a new step for him as a filmmaker and says the film’s parody is laced with affection.
“The characters are outsiders. They are weirdos,” said Franco. “But everybody can relate to having a dream and trying to break into this incredibly hard business.”
The film will premiere to a surely raucous audience at a midnight screening. Franco, who first saw “The Room” with an especially excitable Vancouver audience, expects it to be the perfect debut for his film: “Canadians know how to do ‘The Room.”’
“The Disaster Artist,” which A24 will release in December, might give TIFF what “La La Land” did last year — a happily escapist movie about Hollywood. Other films will tackle less comic real-life tales, including Angelina Jolie’s searing Cambodia drama “First They Killed My Father,” the Winston Churchill biopic “Darkest Hour,” with Gary Oldman; and the documentary “The Final Year,” about the last year of Barack Obama’s administration.
Cameron Bailey, artistic director of the festival, said Trump’s presidency “was not a factor in the films we selected,” though he expects it to color the reception of many.
“Some of them will be received with the current political climate in mind,” said Bailey. “One of the things I think you learn from films like (the Watergate drama) ‘Mark Felt’ and (the Ted Kennedy drama) ‘Chappaquiddick’ and others that we have here is that the process of politics is not a pretty one. It involves a lot of conflicted motives, shall we say.”
And who better to make sense of the current political landscape than Armando Iannucci (“Veep,” “The Thick of It”), the master of rapid-fire political farce. In his second feature film, “The Death of Stalin,” he travels back to 1950s Russia only to find an expectedly timely tale of the madcap machinations of political power.
“It is bizarre, isn’t it? When I started showing it to people in January and February earlier this year, people said it resonated with Trump and Putin and fake news,” said Iannucci. “It is about autocracy. It is about what happens when democracy falls apart and one person decides everything. I’m kind of glad it does resonate now. But am I pleased?” (VOA)