Tuesday February 19, 2019

Is ‘real’ Bollywood dead? Why cine industry is failing to create original content

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By Arnab Mitra

The plagiarism culture has hardly left anything untouched in Indian cine industry. The culture of outsourcing of foreign ideas was not followed during the golden age of Indian cinema particularly during the early 1950s. It only became popular in ‘70s when the rock culture gripped the entertainment world. From then to now numerous songs and movies have been copied by our film industries by foreign film industries.

Many a times, script is copied within the different entertainment industries of the country by paying copyright fees. Many hit Bollywood movies are a copy paste of southern movies, like Salman Khan starrer Wanted was copied from Telugu blockbuster Pokhri, Rowdy Rathore was also copied from a Telugu movie of the same name. Lack of creativity and innovation has forced Bollywood filmmakers to buy or steal ideas from their counterpart industries to make a film.

Here are the list of some Bollywood movies which are copied from Hollywood: Murder from the Hollywood movie Unfaithful, Agneepath from Scarface, Sarkar from The Godfather, Players from the Italian job, Sholay from the film The Magnificient Seven.

Recently there was a huge controversy over the film pk and critics said that the film was copied from Akshay Kumar starer ‘Oh My God’.

Killing the music too

Rock and Bollywood songs mixed together with vernacular lyrics now make a complete package for jagrans and other religious meets.  Rabindra Sangeet, folk songs are transformed into modern songs and are played in many popular TV serials.

Here is the list of some songs which are copied from English songs,:

Haan Haan Yeh Pyaar Hai(Dillagi) from Can’t Take My Eyes off of You,  Dil le le lena from Macarena, Suno Zara from You Needed Me, Ae dil hai mushkil from Oh my darling Clementine, Main Teri Hoon Janam from the theme of Chariots of fire, Chura liya hai tumne (R.D. Burman)  from If it’s Tuesday this must be Belgium (Walter Scharf).

“People have different opinions, as there is always a clash of originality and remix, the younger generation though liked these type of entertainment but actually it harms the originality”, says  senior editor of a music magazine.

Next Story

Bollywood Tells Stories About Love, But Also Highlights Stalking

Cinema gets a dose of creepiness in the name of love

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Image: IANS

Be it Varun Dhawan’s attempts to woo Alia Bhatt in “Badrinath Ki Dulhania”, or Akshay Kumar following Bhumi Pednekar and clicking her photographs without her consent in “Toilet: Ek Prem Katha” or Shah Rukh Khan singing the famous “Tu haan kar ya na kar, tu hai meri Kiran” — Bollywood tells stories about love but also highlights stalking.

Social activist Ranjana Kumari blames cinema for creating a culture of stalking women.

“They show that initially women say ‘No’ but don’t take ‘No’ for a ‘No’. It is actually a ‘Yes’. It has been there since long. Stalking has been packaged in a romantic way,” Kumari told IANS.

“It conveys the superiority that men have over women. She, in any case, has to give in. It is a myth that is being perpetuated by creating this culture… She is still an object of his desire,” she added.

Actress Swara Bhasker, who appeared in “Raanjhanaa”, admitted that the Aanand L. Rai directorial glorified stalking.

Bollywood Actor Varun Dhawan
Varun Dhawan.

“When it came out, it got panned by feminists for glorifying stalking… For a long time, I refused to believe it and thought that it is not true… But then as time passed by, I was like, actually, maybe yes,” she said when she joined actress Kareena Kapoor Khan for an episode of her radio show.

According to psychologist Samir Parikh, films have an impact on people at some level or the other.

“When you see something being presented in a palatable manner to you, you feel it is okay to do it, so you get desensitised to it. You get disinhibited and it changes your perception of reality. People, especially youngsters and vulnerable ones, end up doing what they see their role models doing,” Parikh told IANS.

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“It is important to educate and upgrade people and give them the right support and guidance,” he said.

All is not fair in love, and it is time to put the lens on it as well. (IANS)