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Khadi gives Employment to a lot of people and should be encouraged: Ace fashion designer Rajesh Pratap Singh

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Khadi, Pixabay

New Delhi, April 25, 2017: Ace fashion designer Rajesh Pratap Singh, known for using handloom in his creations, says a product like Khadi gives employment to a lot of people and thus, should be encouraged.

Earlier this month, the designer was seen giving makeovers to youngsters using handloom in the first episode of The NDTV Good Times show “Get The Look #GlobalIndia”.

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“Khadi is a hand-spun fibre. The virtues of Khadi are that there is a lot of air gap between the construction of the fabric which makes it very comfortable. We just have to make people aware of what it is, why Khadi is a product of so much effort. It is a very labour intensive product and gives employment to a lot of people,” Singh told IANS.

“We Indians have an emotional connect with the product. As the history involved with Khadi… it is a product with a real soul in it rather than a mass produce mill made fabric. Once you educate people about this, I think it is good enough for people to consider it over mass produce, so called cheaper product,” he added.

“Get The Look #GlobalIndia” will also have designer Sanjay Garg, Monica and Karishma and Gaurang Shah giving makeovers to thirteen youngsters.

The show will end on June 15. (IANS)

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Mann Ki Baat: Modi Recalls ‘Khadi Movement’, Urges People to Use Khadi

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Narendra Modi
Prime Minister Narendra Modi in Varanasi

New Delhi, Sep 24: Prime Minister Narendra Modi in his recent ‘Mann Ki Baat’ show, memorialized ‘Khadi Movement’.  He urged the masses to promote khadi usage and take it forward as a movement. “I had earlier mentioned that Khadi was not a cloth but a movement which should be taken forward,” Modi said in the 36th edition of his monthly radio programme, “Mann Ki Baat”.

Stating that he has observed a surge in the people’s interest towards Khadi, the Prime Minister said that the sale of the fabric has also increased due to which the employment among poor people has seen a rise.

“We must work towards lighting lamps in the houses of people engaged in the Khadi industry this Diwali,” he said.

“The Khadi ashram in Uttar Pradesh’s Varanasi was defunct for the last 26 years, however, it has now been revived,” Modi added. (IANS)

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Mahalaya: Beginning of “Devipaksha” in Bengali Celebration of ‘Durga Puja’

“Mahalaya” is the auspicious occasion that marks the beginning of “Devipaksha” and the ending of “Pitripaksha” and heralds the celebration of Durga Puja

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Mahalaya morning in Kolkata. Flickr
  • Mahalaya 2017 Date: 19th september.
  • On Mahalaya, people throng to the holy river Ganges in order to pay homage to their ancestors and forefathers; which is called ‘Torpon’
  • Mahalaya remains incomplete without the magical chanting of the scriptural verses from the ‘Chandi Kavya’ that is broadcasted in All India Radio
  • The magic is induced by the popular Birendra Krishna Bhadra whose voice makes the recitation of the “Chandi Kavya” even more magnificent

Sept 19, 2017: Autumn is the season of the year that sees the Hindus, all geared up to celebrate some of the biggest festivals of India. The festive spirit in the Bengalis all enthused to prepare for the greatest of the festivals, the ‘Durga Puja’.

About Mahalaya:

Mahalaya is the auspicious occasion that marks the beginning of “Devipaksha” and the ending of “Pitripaksha,” and this year it is celebrated on September 19.

Observed exactly a week before the ‘Durga Puja’, Mahalaya is the harbinger of the arrival of Goddess Durga. It is celebrated to invoke the goddess possessing supreme power! The goddess is invited to descend on earth and she is welcomed with devotional songs and holy chants of mantras. On this day, the eye is drawn in the idols of the Goddess by the artisans marking the initiation of “Devipaksha”. Mahalaya arrives and the countdown to the Durga Puja begins!

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The day of Mahalaya bears supreme significance to the Bengalis. The day is immensely important because on this day people throng to the holy river Ganges in order to pay homage to their ancestors and forefathers. Clad in white dhotis, people offer prayers and take dips in the river while praying for their demised dear ones. The ritual is popular as “Torpon”.

Mahalaya
An idol-maker in progress of drawing the eye in the idol of the Goddess. Wikipedia

As per Hindu myth, on “Devipaksha”, the Gods and the Goddesses began their preparations to celebrate “Mahamaya” or Goddess Durga, who was brought upon by the trinity- Brahma, Vishnu, and Maheshwara; to annihilate the fierce demon king named Mahishasura. The captivating story of the Goddess defeating the demon got popularized with the goddess being revered as “Durgatinashini” or the one who banishes all the evils and miseries of the world. The victory of the Goddess is celebrated as ‘Durga Puja’.

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Mahalaya remains incomplete without the magical chanting of the scriptural verses from the ‘Chandi Kavya’ that is broadcasted at dawn in All India Radio in the form of a marvelous audio montage enthralling the souls of the Bengalis. Presented with wonderful devotional music, acoustic drama, and classical songs- the program is also translated to Hindi and played for the whole pan-Indian listeners.

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Mahalaya
Birendra Krishna Bhadra (1905-1991). Wikipedia

The program is inseparable from Mahalaya and has been going on for over six decades till date. The magic is induced by the popular Birendra Krishna Bhadra whose voice makes the recitation of the “Chandi Kavya” even more magnificent! He has been a legend and the dawn of Mahalaya turns insipid without the reverberating and enchanting voice of the legendary man.

Mahalaya will keep spreading the magic and setting the vigor of the greatest festival of the Bengalis- the Durga Puja, to worship the supreme Goddess, eternally.

                 “Yaa Devi Sarbabhuteshu, Shakti Rupena Sanhsthita,

                     Namastaswai Namastaswai Namastaswai Namo Namaha.”

– by Antara Kumar of NewsGram. Twitter: @ElaanaC

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The Need to Celebrate National Handloom Day in India: Its Significance and Relevance in Modern Times

This year Guwahati was chosen as the venue to celebrate the 3rd National Handloom Day

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National Handloom Day
Significance of National Handloom Day. Pixabay
  • Various initiatives have been undertaken for the betterment of weavers by the Indian Government
  • More than 50% of total weaver population of India resides in North Eastern Region, most of which are women
  • This year Guwahati was chosen as the venue to celebrate 3rd National Handloom Day

New Delhi, August 7, 2017: In order to keep the country’s traditions alive, and encourage people to wear hand-made loom, National Handloom Day is observed and celebrated in India on August 7. The 3rd National Handloom Day event was held in Guwahati, Assam.

This day is celebrated to remind ourselves of a 1905 Swadeshi Movement during which Indians boycotted British products in favor of the revival of domestic ones and in modern times to encourage people to wear handloom products.

Wearing Handloom is not a practice that should be celebrated for a day but it should be worn all year round to remain rooted in one’s culture, tradition and to support weavers who put their years of experience, time, energy and soul into creating these pieces of art.

Bishnupur Handloom, West Bengal
Bishnupur Handloom from West Bengal. Wikimedia

This year Guwahati was chosen as the venue to celebrate the 3rd National Handloom Day and to grace the occasion a documentary on handloom was also screened.

Ajay Tamta, Union Minister of State, Textiles, Sarbananda Sonowal, Chief Minister of Assam and Anant Kumar Singh, Textiles Secretary were present at the event. Ajay Tamta said that he appreciates and salutes the handloom weavers for their commitment, dedication, and skill. He said that handloom weavers should be able to earn due value for their products and that the Government is working in this direction for which various initiatives have been undertaken for the betterment of weavers such as- Hathkargha Samvardhan Sahayata Scheme and MUDRA scheme.

According to the Hathkargha Samvardhan Sahayata Scheme, the Government of India will assist the weavers by bearing 90% of the cost of new looms. As per MUDRA scheme, loans can be availed by the weavers of Rs. 50,000/- to Rs. 10 lakh without any security.

The Minister also informed that the Ministry of Textiles has entered into MoUs with Indira Gandhi National Open University (IGNOU) and National Institute of Open Schooling (NIOS) as per which children of weavers will be able to avail school and university education (with 75% of fees being borne by the Government of India). Sonowal noted that more than 50% of total weaver population of India resides in North Eastern Region, most of which are women. If the government is successful in improving the lifestyle of weavers it will empower various north eastern women and girls.

ALSO READ: ‘Livelihood Creation in India’: The Socioeconomic well being of Women through West Bengal’s Murshidabad Handlooms

Smriti Irani, Union Textiles Minister while addressing a gathering at Ahmedabad said, the weavers will be able to derive the benefit of services like online courses, banking, passport, insurance, PAN card, voter ID and AADHAAR from Weavers’ Service Centres (WSCs), from this year onwards. Another MoU was signed between Ministry of Textiles and designers. Under which, the reputed textile designers will work with handloom weavers, passing to them their design assistance and knowledge. This move is expected to improve the earnings of weavers and the market value of the handloom products.

Another MoU was signed between Ministry of Textiles and designers. Under which, the reputed textile designers will work with handloom weavers, passing to them their design assistance and knowledge. This move is expected to improve the earnings of weavers and the market value of the handloom products.

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Jayasri Samyukta Iyer, fashion designer and executive committee member of the Craft Council of India, said that this year, they want to highlight three types of saree’s and its revival process. Kodalli Karuppur saree belonging to Tamil Nadu, it was used in the ancient times during Thanjavur kingdom and seems non-existent now. Patteda Anchu saree belongs to Karnataka, and lastly Gauda Adivasi saree from Goa. Each of the above-mentioned saree’s has an interesting history, but sadly, its relevance is fading away.

Some popular handloom fabrics are Bomkai from Subarnapur, Orissa, Mangalagiri cotton from Guntur, Andhra Pradesh, Tussar silk from Jharkhand, Paithani Brocade from Aurangabad, Maharashtra, Maheshwari from Maheshwar, Madhya Pradesh, Pochampally Ikat from Hyderabad, Andhra Pradesh and Patola weave from Patan, Gujarat.

It is high time that we come up with an initiative to improve marketing strategies for handloom sector in the country and uplift the weaver’s community; also to encourage people to move away from power loom and incorporate handloom products in the form of saree’s, shirts, trousers and skirts in their lives.

There is a need find ways to increase remuneration for the weavers so that they can financially support their families, the future generation is willing to take up weaving and the art of weaving can be sustained. To popularize it amongst youngsters, celebrities can wear handloom saree’s, shirts, skirts, dresses and make a cool style statement out of it, influencing thousands of people at a time.

– by Kritika Dua of NewsGram. Twitter @DKritika08


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