Ramleela is one of the most widely performed traditional art forms of north India. It is celebrated with much zeal and fervour in Uttar Pradesh and adjoining areas like Delhi, Bihar, Rajasthan, Madhya Pradesh, Haryana and some other states as well. For Delhi, it is one of the biggest attractions and gains lot of media attention with televised Ramleela on the final day of Dussehra celebrations.
As literal in its name, it depicts the ‘leelas’ of Ram, which means a portrayal of Lord Ram’s life.The story is known to almost all of us as it is not only religious but also a part of India’s culture. The story is derived from Tulsidas’ Ram Charit Manas as well as Valmiki’s Ramayan.
The main language of Ramleela in the north India is Hindi and some of its variations as it travels to different states like Madhya Pardesh, Rajsthan, Bihar and Haryana.
In Indian traditional art forms, dance and music are very integral parts, however, with Ramleela, in its classic form, the dance is not so much prevalent. Music, although, is an integral part of it and is deeply attached to every scene whether as background score or part of the poetic recitation, songs or dohas.
The musical instruments used during the performance are the commonly used instruments from classical music that includes dholak, harmonium, flute and jhaal. Nowadays, electronic equipments are also used. Sound effects are generally produced with the help of computers.
The modern times haven’t had much effect on the makeup and costumes. Traditional and bright costumes are used as per characters’ requirements. There are no special things used in costumes. Makeup is minimalistic and natural. However, for larger productions, the makeup does become extensive to bring realism of portrayal.
It is generally performed in open space on a large platform during Dussehra. The village productions opt for small wooden stages made of planks and bamboos. It is not sophisticated at all. But, with bigger productions, like in Delhi’s Ramleela Maidan, the stage is quite large and robust as it gives a bigger area to the performers during war scenes.
Ramleela starts with invocation to the God. It is performed for a period of ten days. The performance takes place after sunset and goes on till the day’s events have been played out. The ten days have different parts of Ram’s story as it starts with Ram’s childhood and culminates in the killing of Ravana. Every single day has one major attraction to keep audience entertained.
On Dussehra, the final day, the actors who are playing the parts of Ram and Lakshman use bow and arrow to shoot the giant Ravana (and several other demons) installations, often filled with fire crackers inside, that bursts out. It reminds the audience of the victory of good over evil as the huge Ravana falls burning to the ground.
Apart from the villages, it is seen losing its significance as the quality is dying down with less people interested in watching the lazy performances without any heart in it. It is a routine in places like Delhi where smaller residential societies have Ramleela committees which delivers pathetic performances.
It has hit such a low that the Ramleela has to borrow vulgar songs from Hindi films as well as local music albums on which the artists dance.
This makes the epic Ramayana just a trivial comedy show where the artists are ridiculed with their own performances.
But all is not lost. Ramleela still survives as an art form all around the world. Productions which have money to support themselves, who have sponsors and pay their artists good, have kept the art alive. They keep the audience in thrall when they perform the known story with conviction that brings catharsis and makes people believe the performances.
Ramleela is just not an art form, it is story of Ram, the greatest king in Hindu mythology who was ideal, just and righteous. He is known as Maryada Purushottam which literally mean ‘the Ideal Man.’ We can learn a lot from his life and the way he dealt with various situations in his life.
From India, Ramleela has travelled across the world with Indian migrants.
It is performed in nations which have Muslim majority, like Indonesia; Buddhist majority, like Thailand; Christian majority, Trinidad as well as Americas and Europe.
Indian diaspora feels connected to their roots with these mythological dramas which have been performed since the time our memory can look back.
New Delhi, November 8, 2017 : Ramayana is not just a story, it is a way of life which has been guiding believers and non-believers for centuries about the right way to live on this planet. I can confidently vouch that we have all heard stories from Ramayana at one point in our life. Ramayana is not just a story, it is an indispensable part of the Hindu religious law.
There exist innumerable arguments questioning the authenticity of Ramayana. While it is almost impossible to prove or disapprove anything, what is feasible is to trace the chronology of events, focusing on various Ramayana destinations that can still be visited to experience the ethereal world that is believed to have existed in the Treta Yug.
Here is a list of ancient sites mentioned in Ramayana.
You can plan a trip to these Ramayana destinations to feel closer to Him, and personally experience what we have all grown up reading and hearing about.
Mention in Ramayana
First on our list of Ramayana destinations is Janakpur. A key phase took place at Janakpur, one of the many other Ramayana destinations. The ancient city of Mithila, as it was previously called, was home to Sita, where she lived till her marriage.
Legend has it that to get rid of a devastating drought, the King of Janak ploughed the land in Janakpur when he stumbled upon an earthen pot out of which Sita emerged. This also explains why the place is also known as Sitamarhi.
King Janak brought the child back to the palace at Mithila, where she grew up and was married to Ram.
The Ramayana explains Mithila as a ‘divya-bhumi’, a sacred land that pulled Ram to it.
A small town in Nepal, you are sure to come across compelling stories of Sita (or Janaki) infused in the landscapes, temples and the people of Janakpur.
Sita’s swayamvar, the ceremony which saw participation of learned men from all big and small territories, took place at Rangbhoomi. It was in this ceremony that Shiva’s bow was broken into pieces by Ram.
Dhanush Sagar is a tank on the area where a piece of the bow of Shiva, broken by Ram in an attempt to win Sita’s hand, had fallen. Another piece is believed to have fallen at some distance, now known by the name Ratan Sagar. And the third piece is believed to have fallen in Dhanusha, 15 km away from Janakpur.
Visitors can also visit the Ram-Sita vivah mandapa, which has been made in Janakpur.
Multiple devotees flock Janakpur every year o pray and pay homage to Sita during Vivah Panchami, the day Ram and Sita are believed to have got married. The quaint little town also witnesses tourists on Ram Navami, the birthday of Lord Ram.
How To Reach Janakpur
Janakpur is one of the ancient sites mentioned in Ramayana, only a few km from the Indian border and can be reached by flight, train or via road.
Travelers can fly to Kathmandu and take a smaller airline to Janakpur. However, make sure you check flight availability beforehand as they only ply a few times in a week.
Otherwise, one can also visit Janakpur via buses.
Mention in Ramayana
Next on our list of Ramayana destinations is Chitrakoot. It is one of the most intricately explained Ramayana destinations. Upon being banished from the royal palace, it was here that Lord Ram, accompanied by wife Sita and brother Lakshmana spent eleven of their 14 years of exile (vanvas).
Ramayana also mentions of Bharat who came to Chitrakoot to persuade his brother Ram to return to Ayodhya. It was also here that Ram performed the last rites of his father, King Dasharatha in presence of all gods and goddesses.
Chitrakoot’s peaceful environment also acted as a source of inspiration for the great poet Goswami Tulsidas to pen the Ramcharitmanas, retelling the life of Lord Ram in Awadhi.
Nestled between the borders of Uttar Pradesh and Madhya Pradesh, Chitrakoot has a breathtaking location with a tranquil aura.
Quick fact : ‘Chitra’ means a beautiful painting and ‘Kuta’ means mountains.
While all ancient sites mentioned in Ramayana hold spiritual transcendence, located along the Mandakini River, the sacred city of Chitrakoot is particularly known as a centre for spiritual enlightenment, and is a potpourri of devotion, legend and traditions.
Pilgrims can visit the Bharat Milap Mandir, where Bharat visited elder brother Ramand requested him to return to Ayodhya to claim his rightful throne. Upon his refusal, Bharat took his khadau (slippers) with him to the palace to place on the throne until Ram returned to the kingdom after 14 years.
Located on the Kamdagiri Hills near the temple premise, there exist engraved footprints of Ram and his brothers that are worshipped till date.
Located at the centre of the town is Ramghat where Ram used to take a dip in the mighty Mandakini river. This also happens to be the place where Tulsidas met Ram and Lakshmana.
Legend has it that Tulsidas was making sandalwood paste when the two brothers disguised as two kids approached him and asked him to apply a tilak on their forehead too. Not knowing the boys were really God, the poet made the tilak. It was Hanuman who helped Tulsidas recognize the brothers by reciting the famous verse,
“Chitrakoot ke ghaat pai bhai santan ki bheer,
Tulsidas chandan ghise tilak det Raghubeer.”
One can also visit the Gupt Godavari caves at a distance of 18 km, where inside the saves stand two natural throne-like rocks where Ram and Lakshmana sat during their stay.
How To Reach Chitrakoot
You can take a flight to Khajuraho, from where buses and taxis operate. The nearest railway station is Chitrakoot Dham. You can also choose to take the road to reach Chitrakoot.
3. Panchvati, Nasik
Mention in Ramayana
Third on our list of Ramayana destinations is Nasik. During his exile years, Lord Rama, accompanied by Sita and Lakshmana moved from one place to another, to find tranquility in nature and feel closer to the natural way of life. After staying in Chitrakoot for eleven years, the next Ramayana destination was Nasik where they spent a significant amount of time.
Their hut was built in Panchvati, which is famous for its five huge Banyan trees and is only 4 km away from Nasik.
Located on the banks of the Godavari, it was in Nasik that Lord Rama and Lakshmana had an encounter with Surpanakha, Ravana’s younger sister, where consequently her nose was cut off. This explains the rationale behind the name of the place. (Nasika means nose in Sanskrit)
To avenge the disrespect faced by his sister, it was from here that Ravana abducted Sita and flew her to Lanka on his Pushpak Vimaan. Needless to say, it was here where Lakshmana drew the ‘Lakshmana Rekha’,.
The Kala Ram Mandir in Panchvati, Nasik is believed to have been built right where Lord Rama’s kuti (hut) was built.
Nasik’s Rama Kunda is the chief pilgrimage place in Nasik. The Kunda is primarily a tank where Lord Rama and Sita allegedly bathe. This makes the tank extremely sacred.
The Rama Kund is also known Asthi Vilaya Tirtha, because human bones are known to dissolve here. Legend has it that Lord Rama performed funeral rites at the Kund in memory of His deceased father, King Dasharatha.
How To Reach Nasik
Nasik is very well connected via air, trains and road.
Panchvati is only 4.2 km away from Nasik and can be easily reached through road.
4. Kishkindha, Hampi
Mention in Ramayana
Next on our list of Ramayana destinations is Kishkindha. Marked by dense forests, huge rocks and the Tungabhadra river, Karnataka’s Hampi can be mapped to Ramayana’s Kishkindha, one of the most active Ramayana destinations.
In the forests of Dandak, Kishkindha was the kingdom of the Vanara king Bali.
It was in the forests of Kishkindha where Lord Rama met Hanuman.
After Sita was abducted by Ravana, Lord Ram had first entered the kingdom of apes looking for her, along with Lakshmana.
After a fight between the two monkey kings, Sugriva and Bali, Sugriva took refuge on the Matanga mountain along with Hanuman. Lord Rama had killed Bali and helped Sugriva win the throne. The brothers then stayed in Kishkindha awaiting results of Hanuman’s search for Sita.
Sugriva’s army of apes also pledged their support to Lord Ram here and hence came into being his army against Ravana.
Ramayana clearly traces the roots of Kishkindha to the Tungabhadra river, which till date is counted among some of the major rivers of Karnataka.
One of the many ancient sites mentioned in Ramayana, the region along the river near Hampi in Karnataka is identified as Kishkindha from Ramayana.
Hampi has a culturally rich past and has much more to offer to visitors. However, for those of you looking to trace Ramayana’s trajectory, this place will not disappoint you.
Tara Mountain near Hampi is named after Bali’s wife, who had been saved by the monkey kind from demons.
As per Ramayana, Sugriva had taken refuge inside the Rishyamuk mountain. Legend has it that Bali had been cursed by a saint, who said the monkey king would perish if he entered the mountain. Thus, to save his life, Sugriva took refuge inside this mountain.
Pilgrims can also visit Nidapuram where a huge mound of scorched ash remains and is believed to be the cremated remains of Bali.
A little to the north-west lie the Anjanadri mountain, which is believed to be the birthplace of Lord Hanuman, who lived here with his parents, Kesari and Anjani.
The mountain has been named after Hanuman himself, who was called Anjaneya.
Quick fact : You will have to climb 550 stairs to reach to the ancient Hanuman temple situated on this mountain.
How To Reach Kishkindha
Hampi is at a distance of 330 km from Goa and can make for a comfortable road trip. The nearest railway station is Hospet Junction which is merely 13 km away. The station is well connected with trains, and roads. You can also avail the bus services by Karnataka State Road Transport Corporation
While it cannot be confirmed that everything we know about Ramayana took place as we know of it. However, these Ramayana destinations continue to exist till date and prove that they may just have transpired in reality.
Visit these Ramayana destinations the first chance you get, to feel closer to your roots.
Lucknow, October 17: As a token of honor, Shia Board commits to gift 10 silver arrows for Lord Ram Temple in Ayodhya. The statue of Lord Ram is proposed under UP Government that is expected to cost Rs 330 Crores.
After embracing Yogi Adityanath government’s step in building a 100-meter high statue of Lord Ram in Ayodhya on the banks of Saryu river, the Uttar Pradesh Shia Board has announced to gift 10 silver arrows as a mark of respect.
“UP government’s decision to erect a statue of Lord Ram is commendable. In keeping with the Ganga-Jamuni tehezeeb of Awadh, these silver arrows would be just a token of admiration and esteem in which Shias hold Lord Ram,” he said in a letter to UP Chief Minister Yogi Adityanath.
Chairman of the Shia Central Waqf Board, Waseem Rizvi put forth that it would be a stance of pride for Indians for the high budgeted statue would mark Uttar Pradesh on the world map.
The Lord Ram’s statue has been proposed by the state government under Navya Ayodhya plan which would cost about Rs 330 crores. This Ayodhya redevelopment proposal aims to establish schemes for the welfare of the local community and to create a tourist friendly city.
The response comes back few days after the All India Muslim Personal Law Board members Zafaryab Jilani and Hyderabad MP Asaduddin Owaisi criticised the UP government’s plan.
Both had stated the Ram Temple as an unlawful construction, appending it to be a violation of secular principles for the government to comprehend in such state projects.
Adding to it, he spoke on a historical aspect that the Nawabs of the region had shown high respect towards the temples in Ayodhya in 1739.
Chairman Waseem Rizvi had stressed on the construction of the Lord Ram temple at the disputed site in Ayodhya in the past while being adjoining the Samajwadi Party leader and former UP minister Azam Khan.
Ramayana, the ancient Indian epic which describes the narrative of Ayodhya Prince lord Rama’s struggles. The struggles include- exile of 14 years, abduction of his wife Sita, reaching Lanka, destruction of the evil. It is strongly ingrained in the Indian culture, especially, the Hindu culture since a long time. Hindus celebrate Diwali based on the narratives of Ramayana.
The story of Ramayana gives out the beautiful message that humanity and service to the mankind is way more important than kingdom and wealth. Below are five paintings describing the scenes from Ramayana:
1. Agni Pariksha in Ramayana
When Lord Rama questions Sita’s chastity, she undergoes Agni Pariksha, wherein, she enters a burning pyre, declaring that if she has been faithful to her husband then the fire would harm her. She gets through the test without any injuries or pain. The fire God, Agni, was the proof of her purity. Lord Rama accepts Sita and they return to Ayodhya.
2. Scene From The Panchavati Forest
The picture describes a scene from the Panchavati forest. It is believed that Lord Rama built his forest by residing in the woods of Panchavati, near the sources of the river Godavari, a few miles from the modern city of Mumbai. He lived in peace with his wife and brother in the forest.
3. Hanuman Visits Sita
Hanuman reaches Lanka in search of Sita. At first, he was unable to find Sita. He later saw a woman sitting in Ashok Vatika, drowned in her sorrows, looked extremely pale. He recognized her. After seeing the evil king, Ravana making her regular visit to Sita, he hid somewhere in the Vatika. After Ravana left, Hanuman proved Sita that he is Rama’s messenger by showing her his ring. He assured her that Rama would soon come to rescue her. Before leaving Lanka, he heckled Ravana. Agitated by Hanuman’s actions, Ravana ordered to set Hanuman’s tail on fire. With the burning tail, Hanuman set the entire city on fire.