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Lata Mangeshkar writes on her association with the late actor, Raj Kapoor

An experiment between a biography and an autobiography, a special book, will be launched to mark the 93rd birth anniversary of late actor Raj Kapoor and singer Lata Mangeshkar writes on her association with the late actor

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Lata Mangeshkar writes on her association with the late actor, Raj Kapoor
Lata Mangeshkar writes on her association with the late actor, Raj Kapoor. IANS
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December 14, 2017: (Editors note: To mark the 93rd birth anniversary of late actor Raj Kapoor, a special book — an experiment between a biography and an autobiography — will be launched by his children Randhir Kapoor, Ritu Nanda, Rishi Kapoor, Rima Jain and Rajiv Kapoor on Thursday evening. Presented here is an exclusive extract from “Raj Kapoor: The One And Only Showman” where noted singer Lata Mangeshkar writes on her association with the late actor)

It was sometime in 1948 I was recording a song at the Famous recording studio for music director Anil Biswas. At that time, Raj Kapoor had a very small office on the second floor in the same building. Anil Biswas contacted him and asked him to come down to the studio and listen to my voice. I sang and he listened. There was no reaction. He listened and left! Next day, Anil Biswas called and said that Raj Kapoor has called you at the Mahalaxmi office.

In Kohlapur, I had seen Prithviraj Kapoor’s film “Sikandar” fifteen times. I was a great fan of his. He was tall and so handsome. I thought it might be a good opportunity to meet my favourite star’s son, Raj Kapoor.I accepted the invite and went. Raj Kapoor was sitting on his desk in his office. I sat across the table. He said ‘I want you to sing for my film,’ and asked me what that would cost him. I responded by saying any amount that he gave me would be acceptable. He replied by offering me rupees 500 for the same. At this time, Ram Ganguly was the music director and both Shankar and Jaikishen were music arrangers. They all worked together at Prithvi Theatres.

Shankar was on the tabla and Jaikishen on the harmonium. They sang and taught me the song ‘Jiya bekarar hai’ for the film “Barsaat.”

It was after this recording that Raj Kapoor took the decision that the music director for the film would be Shakar-Jaikishen and not Ram Ganguly. This was the historic decision, with Shailendra and Hasrat Jaipuri handling the lyrics, that created the evergreen music of R.K. Films.

I also recall Raj-ji cautioning Jaikishen. He was concerned about my ability to sing commercial film songs, being a classical singer. Hearing this I was naturally very upset. I was new and had not worked in the film industry. I sang all the songs in Barsaat. It was very gratifying for me to hear of a request from Raj saab for a bhairavi alaap in a certain song in Barsaat. I sang it and he loved it and was very happy. The music of this film was very successful.

Later, for the following films, he would leave the details of the melody to me. But he always wanted an alaap which would touch the hearts of millions of people.

I recall a time when we were recording the famous song in Awara, ‘Ghar aaya mera pardesi’, with Manna Dey accompanying me. We reached the recording theatre. Shankar and Jaikishen made us learn the lyrics and the melody of the song, but Raj saab, who came later, rejected our entire day’s work. He said to Jaikishen, ‘I don’t want a popatiya song!’ He changed the whole song. He also added an alaap to the song! All this went on till 3 a.m. and only after it was done did he say, ‘Now let us eat!’ He had arranged food for the entire unit. I remember the entire team sat in the middle of the road and ate. There was almost no traffic those days, particularly at 3 a.m. A sheet was spread on the road where we all ate and left for home.

This was his way of working…

I was also bad tempered. I used to fight. I was recording with his son Randhir Kapoor for his film “Kal Aaj Aur Kal”. Raj-ji had come for the recording. There, he told me that he was soon starting his next film called “Satyam Shivam Sundaram” for which he wanted my brother Hridaynath Mangeshkar to score the music. I replied to him saying that I would ask my brother. I managed to persuade my brother who was not really interested in scoring scores for films…

I left for my US trip where I was shocked to hear from Mukesh, ‘Hridaynath ki picture gayi (Hridaynath has lost the film)!’ Hridaynath called and said that he had accepted the film because of me but the newspapers were writing otherwise. He was offended and embarrassed. I was very angry with Raj-ji. On my return, I called him and said, ‘why did you do this?’ I had persuaded him because you had asked me to!’ (IANS)

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YouTube Becomes The Most Used Application For Music: Report

This report also shows the challenges the music community continues to face.

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The YouTube Music app is displayed on a mobile phone in Los Angeles. VOA

If you are listening to music, chances are you’re on YouTube.

A music consumer report by the industry’s global body IFPI published Tuesday found that 86 percent of us listen to music through on-demand streaming.

And nearly half that time, 47 percent is spent on YouTube.

Video as a whole accounted for 52 percent of the time we spent streaming music, posing challenges to such subscription services as Spotify and SoundCloud.

YouTube
The content-sharing platform is also adding a tool, thus, allowing creators to add or remove non-skippable advertisements in bulk. Pixabay

But while Spotify’s estimated annual revenue per user was $20 (17.5 euros), YouTube’s was less than a dollar.

The London-based IFPI issued a broader overview in April that found digital sales for the first time making up the majority of global revenues thanks to streaming.

The report published Tuesday looked into where and when we listen to music.

It found that three in four people globally use smartphones, with the rate among 16- to 24-year-olds reaching 94 percent.

The highest levels were recorded in India, where 96 percent of consumers used smartphones for music, including 99 percent of young adults.

YouTube
YouTube music will separate the movies and music section on the platform. Pixabay

But music does not end when we put away our phones, with 86 percent globally also listening to the radio.

Copyright infringement was still a big issue, with unlicensed music accounting for 38 percent of what was consumed around the world.

“This report also shows the challenges the music community continues to face — both in the form of the evolving threat of digital copyright infringement as well as in the failure to achieve fair compensation from some user-upload services,” said IFPI chief Frances Moore.

The report noted that “96% of consumers in China and 96% in India listen to licensed music.”

Also Read: Google Maps Gets A New Update That Lets You Access Music

It did not, however, say how many of those consumers also listened to music that infringed copyrights.

Overall, the average consumer spent 2.5 hours a day listening to music, with the largest share of it consumed while driving, the industry report said. (VOA)