Mumbai, April 30, 2017: Melody queen Lata Mangeshkar paid a tribute to filmmaker Dadasaheb Phalke, fondly known as the father of Indian cinema, on the occasion of his 148th birth anniversary on Sunday.
Dadasaheb Phalke made India’s first full-length feature film, ‘Raja Harishchandra’ in 1913.
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“Who can forget the king of the Indian film industry? Today (Sunday) is his birth anniversary. I salute him (Bhartiya Film industry ke janak DadaSaheb Phalke ji ko kaun bhul sakta hai. Aaj unki jayanti hai. Mera unko koti koti pranam),” Mangeshkar posted on Twitter on Sunday.
Before his death in February 1944 at the age of 73, Dadasaheb Phalke directed films like ‘Mohini Bhasmasur’, ‘Lanka Dahan’, ‘Shri Krishna Janma’ and ‘Gangavataran’. (IANS)
New Delhi, October 16, 2017 : Filmmaker Divya Khosla Kumar, who has made films like “Yaariyan” and “Sanam Re”, says she would love to make women oriented films as women are now in every field and doing wonders.
“I would love to if I get an amazing script,” said Divya. However, when it comes to actress, she feels that choice is completely dependent on character.
“I don’t have actress or actor in mind as I feel character gives you definition of whom you should cast,” said the filmmaker was set to walk the runway as a showstopper for designer Charu Parashar at Amazon India Fashion Week (AIFW) Spring- Summer 2018 on Sunday.
Parashar will showcase a collection titled ‘Immortelle’ that derives inspiration from the Victorian glass house through its lush flora and fauna and the undying spirit of a woman.
Talking about the designer, Divya Khosla Kumar said: “The cloth has fitted me so beautifully I like the concept as it showcases women undying spirit. Women work so hard. I think it is time to pay homage to them as they never give up and this is what the line celebrates.”
Talking about how the role of women has changed in the film industry, she says, “Initially it was very male dominated and there were hardly any women director but now women have entered everywhere and they are making their mark. I think its more to do with talent than differentiating on gender.” (IANS)
Mumbai, October 9, 2017 : Filmmaker Kundan Shah, who gave Indian cinema a different brand of humor with the cult black comedy “Jaane Bhi Do Yaaro” and subsequently television shows like “Nukkad” and “Wagle Ki Duniya” with the ‘aam aadmi’ at the centrestage, died early on Saturday, a family member said. He was 69.
“He died in his sleep early in the morning,” his relative told IANS.
Satish Kaushik, who wrote dialogues for “Jaane Bhi Do Yaaro” and acted in it, said Shah suffered a cardiac arrest.
His last rites were performed at Shivaji Park crematorium by daughter Shilpa with close family members and friends from the film fraternity in attendance, including “Jaane Bhi Do Yaaro” actors Naseeruddin Shah and Satish Shah, as well as Sudhir Mishra, Anil Kapoor, Deepak Dobriyal, Ratna Pathak, Raveena Tandon and Ashoke Pandit.
The filmmaker, hailed by the Indian film fraternity as a “master storyteller”, would have turned 70 on October 19.
His tryst with learning about film direction began at the Film and Television Institute of India (FTII) in Pune. Just last week, he was at the institute for an event. He had even paid a tribute to actor Tom Alter, who died on September 29, and had spoken about a tentative script that he wrote for a part two of “Jaane Bhi Do Yaaro”, his debut directorial which came out in 1983.
In an interview to IANS, Shah had said he had applied for a loan of Rs 400,000 to make the movie, but then the production cost went up and finally it was made at a budget of Rs 725,000 as the National Film Development Corporation (NFDC) came on board as producer.
“Jaane Bhi Do Yaaro” narrated a tale of two simple and honest photographers, who witness a murder and get dragged into the corrupt real estate circle where politicians and bureaucrats are involved. The film, laced with slapstick comedy, didn’t fetch good box office, but achieved cult status with time.
“When I was making the film, I never thought it would be such an acclaimed movie. Every filmmaker has some dreams and this film has given me more than I dreamt of. It surpassed my expectations,” Shah had told IANS.
He had received his first and only National Film Award – Indira Gandhi Award for Best First Film of a Director – for it. This was the same award that Shah had returned to the Ministry of Information and Broadcasting during the student protests in FTII in 2015 over Gajendra Chauhan’s appointment as its chairman.
The movie featured actors like Naseeruddin Shah, Ravi Baswani, Om Puri, Pankaj Kapur, Satish Shah, Satish Kaushik, Bhakti Barve and Neena Gupta. And Shah believed it gave “a lot to the entire cast and crew and its success is beyond their imagination too”.
After making “Jaane Bhi Do Yaaro”, Shah moved to television and worked there for seven years — giving such gems as “Nukkad”, “Wagle Ki Duniya” and “Yeh Jo Hai Zindagi”, all of which gave the Indian telly audience a reason to laugh away their worries with stories of everyday struggles.
With its simple yet compelling narrative, the Doordarshan show “Nukkad”, told stories of lower income people battling issues while trying to survive in a tough social and economic climate.
“Yeh Jo Hai Zindagi” saw Satish Shah infuse laughter by essaying different characters from many professions and regions of India, in different episodes.
“Wagle Ki Duniya”, based on cartoonist R.K. Laxman’s character of the common man, dealt with the woes of the middle-class Indian. With impeccable performances by Anjan Srivastav and Bharati Achrekar, it’s still etched in the minds of Hindi TV buffs of the late 1980s.
It is for Shah’s sensitivity towards the common man that filmmaker Prakash Jha dubbed him as the “Common Man of Cinema”.
Shah returned to films with the 1993 coming-of-age romantic drama “Kabhi Haan Kabhi Naa”, which saw Shah Rukh Khan romance Suchitra Krishnamoorthi.
“He was a good man and a genius filmmaker,” Suchitra, who wishes a “glorious afterlife” for Shah, told IANS.
In a long career, Shah came up with few but impactful works.
Filmmaker Mahesh Bhatt described Shah as a brave man “who added vigour to the alternate cinema stream with movies like ‘Jaane Bhi Do Yaaro'”.
Actor Satish Kaushik said Shah gave “comedy a new face”, while Sudhir Mishra, who was his friend, said Shah was “wise, crazy, academic, imaginative and mourned the impossibility of true love”.
Seven years after “Kabhi Haan Kabhi Naa”, Shah came up with “Kya Kehna”. With teenage pregnancy at its core, the Preity Zinta-starrer was ahead of its time and did well. His subsequent projects “Hum To Mohabbat Karega”, “Dil Hai Tumhaara” and his last movie as a director “P Se PM Tak” failed to get commercial success. (IANS)
On Mahalaya, people throng to the holy river Ganges in order to pay homage to their ancestors and forefathers; which is called ‘Torpon’
Mahalaya remains incomplete without the magical chanting of the scriptural verses from the ‘Chandi Kavya’ that is broadcasted in All India Radio
The magic is induced by the popular Birendra Krishna Bhadra whose voice makes the recitation of the “Chandi Kavya” even more magnificent
Sept 19, 2017: Autumn is the season of the year that sees the Hindus, all geared up to celebrate some of the biggest festivals of India. The festive spirit in the Bengalis all enthused to prepare for the greatest of the festivals, the ‘Durga Puja’.
Mahalaya is the auspicious occasion that marks the beginning of “Devipaksha” and the ending of “Pitripaksha,” and this year it is celebrated on September 19.
Observed exactly a week before the ‘Durga Puja’, Mahalaya is the harbinger of the arrival of Goddess Durga. It is celebrated to invoke the goddess possessing supreme power! The goddess is invited to descend on earth and she is welcomed with devotional songs and holy chants of mantras. On this day, the eye is drawn in the idols of the Goddess by the artisans marking the initiation of “Devipaksha”. Mahalaya arrives and the countdown to the Durga Puja begins!
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The day of Mahalaya bears supreme significance to the Bengalis. The day is immensely important because on this day people throng to the holy river Ganges in order to pay homage to their ancestors and forefathers. Clad in white dhotis, people offer prayers and take dips in the river while praying for their demised dear ones. The ritual is popular as “Torpon”.
As per Hindu myth, on “Devipaksha”, the Gods and the Goddesses began their preparations to celebrate “Mahamaya” or Goddess Durga, who was brought upon by the trinity- Brahma, Vishnu, and Maheshwara; to annihilate the fierce demon king named Mahishasura. The captivating story of the Goddess defeating the demon got popularized with the goddess being revered as “Durgatinashini” or the one who banishes all the evils and miseries of the world. The victory of the Goddess is celebrated as ‘Durga Puja’.
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Mahalaya remains incomplete without the magical chanting of the scriptural verses from the ‘Chandi Kavya’ that is broadcasted at dawn in All India Radio in the form of a marvelous audio montage enthralling the souls of the Bengalis. Presented with wonderful devotional music, acoustic drama, and classical songs- the program is also translated to Hindi and played for the whole pan-Indian listeners.
The program is inseparable from Mahalaya and has been going on for over six decades till date. The magic is induced by the popular Birendra Krishna Bhadra whose voice makes the recitation of the “Chandi Kavya” even more magnificent! He has been a legend and the dawn of Mahalaya turns insipid without the reverberating and enchanting voice of the legendary man.
Mahalaya will keep spreading the magic and setting the vigor of the greatest festival of the Bengalis- the Durga Puja, to worship the supreme Goddess, eternally.