Kolkata: The move by filmmaker Dibakar Banerjee and several others to return various government awards and honours they have received, as a mark of protest against impediments to freedom of speech and expression, has evoked a mixed response from others in West Bengal.
Actress Sudipta Chakrabarti, who won the National Award for Best Supporting Actress for ‘Bariwali‘, likened the honours as “weapons” for filmmakers, but said she is not considering a similar stand at the moment.
“I am not thinking of returning the award at this moment, but if there is a collective effort, then I will support it,” she said.
‘Shabdo’ director Kaushik Ganguly feels that protesting through his own medium (making a film) is much more significant for him.
“I respect the filmmakers’ decision to return the awards. But others may have different ways of agitating. I may use films or writing as the way to protest,” he said.
Singer Rupankar Bagchi, who bagged the National Award for Best Male Playback Singer for the song ‘E Tumi Kemon Tumi’ from ‘Jaatishwar’, questioned the decision.
“Is returning the award a form of protest? I do not think so,” he said.
Earlier, poet Mandakranta Sen gave back her Sahitya Akademi Award.
The filmmakers who returned the awards on Wednesday are Anand Patwardhan, Dipankar Banerjee, Paresh Kamdar, Nishtha Jain, Kirti Nakhwa, Harshavardhan Kulkarni, Hari Nair, Rakesh Sharma, Indraneel Lahiri and Lipika Singh Darai.
The filmmakers expressed solidarity with the agitating FTII students in Pune.
The development came on Wednesday, hours after three prominent alumni of the Film and Television Institute of India announced that they would return their national awards to protest “an atmosphere of intolerance” in the country in the last few months.
At a time of tepid job growth and continuing income disparities, the major challenge is to make the youth of the country entrepreneurial and not job seekers, Vice President Venkaiah Naidu said on Thursday.
“Disparities continue to remain in India and so there is a need for inclusive growth… there is the need to take care of the suppressed, oppressed and depressed,” Venkaiah Naidu said at the Bharatiya Yuva Shakti Trust’s (BYST) silver jubilee celebrations here with Britain’s Prince Charles as the chief guest.
“The challenge for us is to make the youth entrepreneurial, and not become job seekers,” Venkaiah Naidu said pointing to the NDA government’s various initiatives to encourage youth enterprises like Startup India, Standup India and the Mudra financing scheme for underprivileged sections.
Modelled on Prince Charles’ Trust for business startups, BYST, founded by Lakshmi Venkatesan, daughter of former President R. Venkatraman, is engaged in building rural entrepreneurship — “grampreneurs” — as also enterprise among under-privileged sections, which includes business mentoring. The current BYST chairman is Bajaj Group chief, Rahul Bajaj.
“Without mentoring, it would be very difficult to set up startups, with all the business, marketing and other vital issues involved in the first two-three years,” Prince Charles said in his address at the International Mentoring Summit organized by BYST to mark its 25 years.
“What amazes me are the sheer number of jobs these young entrepreneurs had created. The aim of such a project should be to create a virtual cycle of creating entrepreneurs who can then invest in the future of business,” Charles said referring to his trust.
BYST was officially launched in 1992 by Prince Charles and expanded its operations to six major regions of India.
Out of these six regions, four — Delhi, Chennai, Pune and Hyderabad — run the urban programme while two regions — Haryana and Maharashtra — run the rural programme.(IANS)
While October saw a diverse bookshelf, ranging from "Finding my Virginity," by Richard Branson to "The Bhojpuri Kitchen," by Pallavi Nigam Sahay, the upcoming month is more about concrete titles by well-known faces.
New Delhi, October 30, 2017 : With the Nobel Prize for Literature and the Man Booker Prize – the two most coveted literary honors – having been awarded earlier in October, the literary season has indeed set in.
Two literature festivals have just concluded in the national capital. The DSC Prize for South Asian Literature will be announced in about two weeks, while the Jaipur Literature Festival is also round the corner. What better time for publishing houses to release the most-awaited books of the year?
While October saw a diverse bookshelf, ranging from “Finding my Virginity,” by Richard Branson to “The Bhojpuri Kitchen,” by Pallavi Nigam Sahay, the upcoming month is more about concrete titles by well-known faces.
Here are five books we can’t wait to read this November
1. “The Book of Chocolate Saints” by Jeet Thayil (Aleph)
One of the most-awaited literary books of the year by Jeet Thayil, a past winner of the DSC prize, the Sahitya Akademi Award and a finalist of the Man Booker Prize. In incandescent prose, Thayil tells the story of Newton Francis Xavier, blocked poet, serial seducer of young women, reformed alcoholic (but only just), philosopher, recluse, all-round wild man and India’s greatest living painter. At the age of 66, Xavier, who has been living in New York, is getting ready to return to the land of his birth to stage one final show of his work (accompanied by a mad bacchanal). Narrated in a huge variety of voices and styles, all of which blend seamlessly into a novel of remarkable accomplishment, “The Book of Chocolate Saints” is the sort of literary masterpiece that only comes along once in a very long time.
2. “Conflicts of Interest” by Sunita Narain (Penguin)
One of India’s foremost environmentalists, Sunita Narain gives a personal account of her battles as part of the country’s Green Movement. While outlining the enormous environmental challenges that India faces today, Narain says political interests often scuttle their effective resolution. She recounts some widely reported controversies triggered by research undertaken by her along with her team at the Centre for Science and Environment, such as the pesticides in colas report, air pollution research in Delhi and endosulfan research in Karnataka, among others. Narain also includes an ‘environmental manifesto’, a blueprint for the direction India must take if it is to deal with the exigencies of climate change and environmental degradation.
3. “Life among the Scorpions” by Jaya Jaitly (Rupa)
From arranging relief for victims of the 1984 Sikh riots, to joining politics under firebrand leader George Fernandes, to becoming president of the Samata Party — a key ally in the erstwhile NDA Government – Jaya Jaitly’s rise in Indian mainstream politics invited both awe and envy. All this even as she continued her parallel fight for the livelihood of craftsmen on the one hand, and conceptualised and ensured establishment of the first Dilli Haat in 1994, on the other. With all the backstories of major events in Indian politics between 1970 and 2000, including her experience of dealing with the Commission of Inquiry and courts regarding the Tehelka sting, the story of Jaya Jaitly makes for a riveting read. A powerful narrative on why being a woman in politics was for her akin to being surrounded by scorpions; this is one of the best books set for release and a hard hitting memoir that offers a perspective on the functioning of Indian politics from a woman’s point of view.
4. “Chase Your Dreams” by Sachin Tendulkar (Hachette India)
Why should adults have all the fun? In his career spanning 24 years, hardly any records have escaped Sachin Tendulkar’s masterly touch. Besides being the highest run scorer in Tests and ODIs, he also uniquely became the first and only batsman to score 100 international centuries and play 200 Tests. His proficient stroke-making is legendary, as is his ability to score runs in all parts of the field and all over the world. And Tendulkar has now come up with this uniquely special edition of his autobiography for young readers.
5. “China’s India War” by Bertil Lintner (Oxford University Press)
The Sino-Indian War of 1962 delivered a crushing defeat to India: not only did the country suffer a loss of lives and a heavy blow to its pride, the world began to see India as the provocateur of the war, with China ‘merely defending’ its territory. This perception that China was largely the innocent victim of Nehru’s hostile policies was put forth by journalist Neville Maxwell in his book “India’s China War,” which found readers in many opinion makers, including Henry Kissinger and Richard Nixon. For far too long, Maxwell’s narrative, which sees India as the aggressor and China as the victim, has held court. Nearly 50 years after Maxwell’s book, Bertil Lintner’s “China’s India War” puts the ‘border dispute’ into its rightful perspective. Lintner argues that China began planning the war as early as 1959 and proposes that it was merely a small move in the larger strategic game that China was playing to become a world player — one that it continues to play even today. (IANS)
(Editorial note : This article has been written by Saket Suman and was first published at IANS. Saket can be contacted at firstname.lastname@example.org)
Pune, October 11, 2017 : Anupam Kher, an actor with a repertoire of over 500 movies including international projects, was named Chairman of the prestigious Film and Television Institute of India (FTII) in Pune. The film industry hailed the move.
Official sources confirmed Anupam’s appointment. He will succeed the controversial Gajendra Chauhan, whose appointment had triggered student protests.
Anupam’s wife Kirron Kher, an actress and BJP MP from Chandigarh, told Times NOW: “I’m very happy. Of course, it’s a challenging job for anybody. It’s not going to be an easy job. These chairmanships are crown of thorns. Here, people do get against you, but I am sure Anupam will be able to take them along because he is an extremely talented person.”
Anupam, who began his acting career with “Saaransh” in 1984, also has his own acting institute Actor Prepares.
Kirron said Anupam was the right choice to head the FTII, which provides training in acting, direction and other technical aspects of film making in a country which is one of the largest producers of movies.