Ramayana, the ancient Indian epic which describes the narrative of Ayodhya Prince lord Rama’s struggles. The struggles include- exile of 14 years, abduction of his wife Sita, reaching Lanka, destruction of the evil. It is strongly ingrained in the Indian culture, especially, the Hindu culture since a long time. Hindus celebrate Diwali based on the narratives of Ramayana.
The story of Ramayana gives out the beautiful message that humanity and service to the mankind is way more important than kingdom and wealth. Below are five paintings describing the scenes from Ramayana:
1. Agni Pariksha in Ramayana
When Lord Rama questions Sita’s chastity, she undergoes Agni Pariksha, wherein, she enters a burning pyre, declaring that if she has been faithful to her husband then the fire would harm her. She gets through the test without any injuries or pain. The fire God, Agni, was the proof of her purity. Lord Rama accepts Sita and they return to Ayodhya.
2. Scene From The Panchavati Forest
The picture describes a scene from the Panchavati forest. It is believed that Lord Rama built his forest by residing in the woods of Panchavati, near the sources of the river Godavari, a few miles from the modern city of Mumbai. He lived in peace with his wife and brother in the forest.
3. Hanuman Visits Sita
Hanuman reaches Lanka in search of Sita. At first, he was unable to find Sita. He later saw a woman sitting in Ashok Vatika, drowned in her sorrows, looked extremely pale. He recognized her. After seeing the evil king, Ravana making her regular visit to Sita, he hid somewhere in the Vatika. After Ravana left, Hanuman proved Sita that he is Rama’s messenger by showing her his ring. He assured her that Rama would soon come to rescue her. Before leaving Lanka, he heckled Ravana. Agitated by Hanuman’s actions, Ravana ordered to set Hanuman’s tail on fire. With the burning tail, Hanuman set the entire city on fire.
If one wants to connect Hindu culture with the senseless bursting of crackers and boisterous fun then he is absolutely wrong. There is no mention in any corners of the voluminous scriptures of Fireworks blasting during a PUJAS that “upset” the harmony of peace and tranquility of others. To disturb others’ tranquility falls under the heading of vices. Preserving the sanctity of the environment, and more importantly, inner purity of mind and heart is the “prime doctrine” of SANATAN DHARMA which is popularly known as Hinduism. This Hindu culture now seemingly run the risk of having been defined by other communities with what is not very pleasant to hear.
I’ve overheard many toxic comments against this blatant desecration of auspicious “puja celebrations”. During Holi festival, many people fear to move out of their homes, particularly in certain the plane areas in India. You might be blasted with a bucketful of dirty water by pranksters from the 5th floor of the building. Is this sadism the part of the puja and holi celebration? One is afraid, with each passing year, this festival of color of joy, though having strong spiritual significance, has only painted the very face of Hindu culture with vulgarity and depravity.
Matter of fact, peace in one’s life and his efforts to help bring peace in others’ lives is essentially the fundamental basis of Hindu culture and festivals. Practically speaking, there is no devotion to God without “peace”. Therefore, “Shanti” (peace) is one of the most paramount peace mantras in Sanskrit, not “Ashanti” which, of late, is the hallmark of such Hindu puja celebrations. The profound objective behind this peace mantra, as propounded in Upanishads, inspired even one of the greatest poets of the 20th Century – TS Eliot who underlined it with the purpose of life which he brought out in his epic poem – The Waste Land. That poem finally ends with the same peace mantra — Shanti, Shanti, Shanti.
It should not be misunderstood ever that Hinduism disapproves of all kinds of fun and frolic. No, it is never so. We can have various kind of festival enjoyments but without ever causing problem to others and the environment. There are sufficient mentions of fun and frolic, merrymaking even in the spiritual activities — like Krishna Lila, Ram Lila…; and there exist endless nritya shashtras for healthy recreation. But they all are within the “purview of Dharma”. Ancient sages in their meditation conceived and authored a number of treatises in which we find the elaborate approaches and procedures to evolve oneself spiritually through fun-filled dances and music. There are “ragas and layas”(musical modes and rhythm), which are meant to “recharge” the mind for the meditative concentration. The objective behind being to climb up the ladders of realization of oneness and universal uniformity.
However, there is absolutely no scope or prescription for deriving pleasure or fun by causing pain and anxieties to others? How come bursting high decibel fireworks at 2 AM or 3 AM or 4 AM is puja? In fact, it is called “adharma” or irreligion leading to self-degeneration.
Therefore, it is DIYA, as per Vedas, which symbolizes the LIGHT to dispel the darkness of ignorance, the darkness of vices, and bring forth the light of knowledge to awake the “inherent” divinity. Goddess Laxmi is the “flame” of feminine ENERGY in the infinite cosmic creation. So, indulging in earsplitting fireworks and causing continuous problem to HER creatures, and HER environment, is totally against the fundamental principle of the devotion in Hinduism. Very sadly, with the blasting of the fireworks in the name of Goddess Laxmi we have invariably set off the tank of vices alone.
Salil Gewali is a well-Known Writer and Author of ‘Great Minds on India’. Twitter: @SGewali